浅析当代中国油画中的情色女性形象

发布时间：2018-10-13 08:00

【摘要】：在消费文化和商品社会的影响下,女性形象在当代中国油画中的呈现趋于多元化、个体化的态势,对于女性形象似乎有了多元化的表达。油画中的女性形象不再仅仅只是为了男性的审美愉悦而存在,并且不仅是只有女艺术家,同时男性艺术家也在对女性真实的社会角色与生存状态作出追问。但是,任何事情都有其正负两极,在消费主义为女性形象带来了独立自主以及平等的可能性的“人人平等”的假象之下,依然隐藏着对于女性形象的进一步控制的男性主义中心话语权的倾向。那么问题在于,在当代商品社会中,女性形象在油画中的呈现有什么新的特点?通过对典型画家的分析,我们可以看到从潘玉良到当代中国的画家,中国新一代的艺术家在对于情色女性形象的问题上,有了不同于前人的地方。虽然很多艺术家依然受制于商业社会的需要、传统观念和社会“道德规范”,但他们关于人性的思考和城市生活经验,使他们有了独立的、个人化的视角。那么,与此中心问题相关的,我们还要面对其周围很多复杂的问题,比如：消费文化是如何影响了图像中女性形象的呈现；男性以及女性艺术家在表现女性形象时是否有着不同的角度及其原因,等等。这些都是在研究过程中需要注意、解决的。因此对于画面中呈现出的女性形象的分析,有助于我们更好地理解由此延伸出的各种文化形态和艺术现象。本论文共分三个部分分析、论证当代中国油画中情色女性形象的呈现。第一部分简述情色的概念以及消费文化为情色所增添的新的意义,引出文章的主题并为文章的讨论提供基础；第二部分简述女性形象在中国不同时代中带有不同倾向的被表述的表现方式；第三部分重点阐述了在消费时代女性形象在图像中的呈现并对典型画家进行分析,并简单概括形成格风格的原因。
[Abstract]:Under the influence of consumer culture and commodity society, the female image in contemporary Chinese oil painting tends to be diversified and individualized. The female image in oil painting not only exists for the male aesthetic pleasure, but also for the female artist, while the male artist is also questioning the real social role and living state of the female. But everything has its pros and cons, under the illusion that consumerism brings independence and the possibility of equality. There is still a tendency of masculinist central discourse to further control the image of women. So the question is, in the contemporary commodity society, what are the new features of the female image in oil painting? Through the analysis of typical painters, we can see that from Pan Yuliang to contemporary Chinese painters, the new generation of Chinese artists have different places from their predecessors in regard to the image of erotic women. Although many artists are still subject to the needs of the commercial society, traditional ideas and social "ethics", but their thinking about human nature and urban life experience, they have an independent, personal perspective. So, related to this central problem, we have to face a lot of complex problems around it, such as: how consumer culture affects the appearance of female image in the image; Whether the male and female artists have different angles and reasons when they express the female image, and so on. These are all in the research process need to pay attention to, solve. Therefore, the analysis of the female images in the picture is helpful for us to better understand the various cultural forms and artistic phenomena. This thesis is divided into three parts to demonstrate the appearance of erotic female image in contemporary Chinese oil painting. The first part briefly introduces the concept of erotic and the new significance added by consumer culture, leads to the theme of the article and provides the basis for the discussion of the article; The second part briefly describes the female image in different times in China with different tendencies of expression, the third part focuses on the presentation of female images in the consumer era and the analysis of typical painters. And a simple summary of the reasons for the formation of style.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J213

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