从十一届美展看中国水彩画的现状及发展趋势

发布时间：2019-01-27 08:12

【摘要】：全国美展是当代中国影响最广、规模最大、最具权威的综合性美术展览,它对中国美术的发展,推出优秀的人才有着重大意义,所以有必要对其总结、分析和研究。 2009年,全国第十一届全国美术作品——水彩、粉画展览取得了不俗的成绩,业内人士普遍认为是历届最好的一次,比较真实的反映了近五年来水彩、粉画艺术创作的现实,出现了大量的优秀作品,如获奖作品陆庆龙(江苏)的《兄弟》、陈勇劲(湖北)的《巡航》、陈朝生(广东)的《出游》等,和一批优秀的青年画家。同时也反映了当下中国水彩、粉画发展中的一些弊端,如一些画家为了获奖而模仿历届美展获奖作品而导致的题材重复的作品,依赖照片而死扣硬磨的作品,脱离水彩独特的艺术语言去模仿油画、版画、国画等其他画种与其他画种拉不开距离的作品、画面缺乏精神内涵的作品等。笔者通过对这些作品进行研究和分析,第一方面：提出了水彩艺术的审美价值和独特的个性绘画语言不仅来自水彩画的材料工具、表现技法和作画媒介,还在于画家对水彩艺术本质内涵的准确认识和个性语言特色的理解和把握；第二方面：提出了画家对待照片技术的正确认识,认识照片技术搜集素材的便捷,在运用相机搜集素材时应有的创作心态,如何搜集素材,和照片素材在创作中简单的加减法运用等；第三方面：提出了当下水彩艺术表现形式方面对于一个画种来说不够全面,在抽象、变形、意向和象征性表现形式的作品不多,并提出抽象、变形、意向和象征性表现手法更加容易体现作者的情绪,和气氛的营造等。最后笔者从中国水彩画多元化发展,当代性发展进行了展望。
[Abstract]:The National Art Exhibition is the most influential, the largest and the most authoritative comprehensive art exhibition in contemporary China. It is of great significance to the development of Chinese art and the introduction of outstanding people, so it is necessary to summarize, analyze and study it. In 2009, the 11th national art works-watercolor, pink painting exhibition-made remarkable achievements. The industry generally considered the exhibition to be the best ever, and more truly reflected the reality of watercolor and pink painting art creation in the past five years. A large number of excellent works, such as Lu Qinglong (Jiangsu), Chen Yongjin (Hubei) cruising, Chen Chaosheng (Guangdong), and a number of outstanding young painters. At the same time, it also reflects some drawbacks in the development of contemporary Chinese watercolor and pink painting. For example, some painters imitate the works of repeated themes caused by the winning works of previous art exhibitions in order to win prizes, and they rely on photographs to buckle the hard ground works. Break away from the unique artistic language of watercolor to imitate oil paintings, prints, traditional Chinese paintings and other painting can not be separated from other works, the picture lacks the spiritual connotation of the works and so on. The author through the research and analysis of these works, the first: proposed the aesthetic value of watercolor art and unique personality painting language not only from the material tools of watercolor painting, performance techniques and painting medium, It also lies in the painters' understanding of the essence of watercolor art and the understanding and grasp of the characteristics of individual language. The second aspect: put forward the correct understanding that the painter treats the photo technology, know the convenience of collecting the material of the photo technology, the creative mentality that should be in use of the camera to collect the material, how to collect the material, And photo material in the creation of simple addition and subtraction, and so on; The third aspect: put forward that the present watercolor art expression form is not comprehensive enough for a kind of painting, in abstract, deformation, intention and symbolic form of the work is not many, and put forward abstract, deformation, Intention and symbolic expression more easily reflect the author's mood, and the creation of atmosphere and so on. Finally, the author looks forward to the diversified development and contemporary development of Chinese watercolor painting.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J215

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