传统陶艺与现代陶艺材料艺术语言的对比研究
发布时间：2018-11-27 18:23
【摘要】：.陶瓷艺术在中国有着深厚的历史,经过几千年的艺术发展。陶瓷艺术以泥料的朴实之美,火的神秘之美,釉料的变化之美等特点受到了重多艺术家的青睐。现代陶艺去除了陈旧的,程式化的创作方式,把现代人的审美要求加入到了艺术创作中,只有通过对艺术语言的剖析才能使作品更好的符合现代艺术审美。陶艺材料是艺术语言的一部分,是艺术家进行艺术创作的载体,所以研究材料艺术语言就显得更为重要。本文首先通过比较的研究方法,对传统陶艺和现代陶艺的艺术语言进行了对比,阐述了他们在结构、风格、美学等方面的不同,从而找到传统和现代的真正融合点,为以后的艺术创作打下基础。其次采用理论与艺术创作实际相结合的方法,以具体丰富的艺术作品语言为例,深入分析研究,阐述理论见解。在文章结构上,本文首先从历史的角度去分析了传统陶艺与现代陶艺,使二者在概念的界定上能够有一个较为清晰的划分；其次通过对艺术语言各方面的介绍来引出陶瓷艺术中材料、造型、技艺、原则、情感等艺术语言的特殊性；再次着重从时间跨度上对陶艺材料“泥”“火”“釉”三个最为基本的方面进行对比总结,把传统陶艺与现代陶艺的不同与优秀运用到个人的艺术创作中。本文强调“材料艺术语言”对陶瓷艺术创作的重要性,对现代陶艺研究者和创作者在艺术创作和欣赏上提供一些帮助。 在研究的过程中,本人发现陶瓷艺术从传统陶艺到现代陶艺,经过了几千年的发展演变,无论是以实用为主的传统陶艺还是以纯艺术形式的现代陶艺,他们在陶瓷艺术领域都取得了辉煌的历史。但是现代陶艺在继承传统上,应该是一个“扬弃”的过程,传统陶艺从造型到技艺到装饰技法,都对我们现当代陶艺创作者进行艺术创作有很大的帮助。在对比了传统陶艺和现代陶艺艺术语言之后,我们就能更清楚的知道艺术语言本身的内容和艺术魅力,这样无论作者要表达什么样的情感,在使用艺术语言的时候都能够有些参照,能够提高艺术家和欣赏者的艺术审美,把陶瓷艺术推进到更高的水平层面上。
[Abstract]:. Ceramic art in China has a deep history, after thousands of years of art development. Ceramic art is favored by many artists for its simplicity in clay, mystery in fire and variety in glaze. Modern ceramic art has eliminated the old and stylized creative methods, and added the aesthetic requirements of modern people to the artistic creation. Only through the analysis of the artistic language can the works better conform to the modern art aesthetics. Ceramic material is a part of artistic language and the carrier of artist's artistic creation, so it is more important to study the art language of material. In this paper, the author compares the artistic language of traditional ceramic art with modern pottery art, and expounds their differences in structure, style, aesthetics and so on, so as to find the real fusion point between tradition and modern art. Lay the foundation for later artistic creation. Secondly, by the method of combining theory with artistic creation, taking the rich language of artistic works as an example, this paper analyzes and studies deeply and expounds the theoretical opinions. In the structure of the article, this paper first analyzes the traditional ceramic art and the modern ceramic art from the historical point of view, so that they can have a clear division in the definition of the concept; Secondly, through the introduction of various aspects of art language to elicit the particularity of art language in ceramic art, such as material, modeling, skill, principle, emotion and so on. Thirdly, the author compares and summarizes the three most basic aspects of ceramic material "clay", "fire" and "glaze" from the perspective of time span, and applies the difference and excellence of traditional and modern ceramic art to individual artistic creation. This paper emphasizes the importance of "material art language" to ceramic art creation, and provides some help to modern ceramic researchers and creators in art creation and appreciation. In the process of research, I found that ceramic art from traditional ceramic art to modern ceramic art, after thousands of years of development, whether practical traditional pottery or pure art form of modern pottery, They have made a glorious history in the field of ceramic art. But modern ceramic art inherits tradition, should be a "sublation" process, traditional ceramic art from the modeling to the art of decorative techniques, for our contemporary ceramic artists for artistic creation has a great help. After comparing the traditional and modern ceramic art languages, we can know more clearly the content and artistic charm of the artistic language itself, so that no matter what kind of emotion the author wants to express, In the use of artistic language can be some reference, can improve the artists and appreciators of the art aesthetic, ceramic art to a higher level.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J527
本文编号：2361667
[Abstract]:. Ceramic art in China has a deep history, after thousands of years of art development. Ceramic art is favored by many artists for its simplicity in clay, mystery in fire and variety in glaze. Modern ceramic art has eliminated the old and stylized creative methods, and added the aesthetic requirements of modern people to the artistic creation. Only through the analysis of the artistic language can the works better conform to the modern art aesthetics. Ceramic material is a part of artistic language and the carrier of artist's artistic creation, so it is more important to study the art language of material. In this paper, the author compares the artistic language of traditional ceramic art with modern pottery art, and expounds their differences in structure, style, aesthetics and so on, so as to find the real fusion point between tradition and modern art. Lay the foundation for later artistic creation. Secondly, by the method of combining theory with artistic creation, taking the rich language of artistic works as an example, this paper analyzes and studies deeply and expounds the theoretical opinions. In the structure of the article, this paper first analyzes the traditional ceramic art and the modern ceramic art from the historical point of view, so that they can have a clear division in the definition of the concept; Secondly, through the introduction of various aspects of art language to elicit the particularity of art language in ceramic art, such as material, modeling, skill, principle, emotion and so on. Thirdly, the author compares and summarizes the three most basic aspects of ceramic material "clay", "fire" and "glaze" from the perspective of time span, and applies the difference and excellence of traditional and modern ceramic art to individual artistic creation. This paper emphasizes the importance of "material art language" to ceramic art creation, and provides some help to modern ceramic researchers and creators in art creation and appreciation. In the process of research, I found that ceramic art from traditional ceramic art to modern ceramic art, after thousands of years of development, whether practical traditional pottery or pure art form of modern pottery, They have made a glorious history in the field of ceramic art. But modern ceramic art inherits tradition, should be a "sublation" process, traditional ceramic art from the modeling to the art of decorative techniques, for our contemporary ceramic artists for artistic creation has a great help. After comparing the traditional and modern ceramic art languages, we can know more clearly the content and artistic charm of the artistic language itself, so that no matter what kind of emotion the author wants to express, In the use of artistic language can be some reference, can improve the artists and appreciators of the art aesthetic, ceramic art to a higher level.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J527
【参考文献】
相关期刊论文 前2条
1 吴小萍;;论现代陶艺与传统陶艺的差异[J];丽水学院学报;2008年01期
2 汪淑珍;;浅谈现代陶艺的泥性美[J];陶瓷科学与艺术;2012年03期
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