视觉电影时代中的场面营造

发布时间：2018-01-20 22:11

  本文关键词： 电影 视觉时代 场面营造　出处：《电影文学》2017年12期 　论文类型：期刊论文

【摘要】：在当代,电影已经进入视觉时代,影像越来越成为制约电影人发挥艺术想象以及激励观众消费的重要因素。精心营造的场面由于有着极强的视觉吸引力和对观众情绪上的刺激效果,不仅已经是我们谈及当代电影艺术时不可忽视的内容,也成为电影在进行市场营销时的宣传侧重点,甚至在部分电影中,叙事相对于场面而言已居于从属地位。文章从技术支持与奇观的制造、审美距离的切换、诗意与纪实的互动三方面,分析视觉时代电影的场面营造。
[Abstract]:In the contemporary era, the film has entered the visual age. Video has increasingly become an important factor that restricts filmmakers to exert their artistic imagination and stimulate audience consumption. Due to its strong visual attraction and emotional stimulation to the audience, the carefully created scenes are becoming more and more important. It is not only the content that can not be ignored when we talk about contemporary film art, but also become the focal point of propaganda in the marketing of the film, even in some movies. The narrative has been in a subordinate position relative to the scene. This paper analyzes the scene construction of the visual age film from the aspects of technical support and the manufacture of wonders, the switching of aesthetic distance, and the interaction between poetry and documentary.
【作者单位】： 长江师范学院;
【分类号】：J904
【正文快照】： 自电影诞生之后,除早年卢米埃尔兄弟时期风格较为质朴的纪实性拍摄外,后继的电影主创往往精心地选择并构建各类场面,由一个个场面组成的影像构成了电影最外在的、能够被观众直接感知的赏析层面。而在当代,电影被普遍认为已经进入视觉时代,影像越来越成为制约电影人发挥艺术想，

本文编号：1449573