“武舞结合”下舞台艺术创作的实践探索

发布时间：2018-02-08 23:00

本文关键词： 武舞结合武舞同源艺术创作武术编排舞蹈编排舞台剧武术表演武术与舞蹈　出处：《首都体育学院学报》2017年06期 　论文类型：期刊论文

【摘要】：运用文献资料法、对比分析法、个案分析法等,分析"武舞结合"下舞台艺术创作的历史依据:从原始社会时期的武舞相生,到西周时期的以舞象功,再到汉代的以武为舞、以舞相属,又到唐代的武舞相融,最后到宋元、明清的武舞相传、武舞相承,探讨中国武术与中国舞蹈2种典型的身体文化,分析中国武术与中国舞蹈的特性、内容、形式,同时以首都体育学院原创武舞结合舞台剧《武动巅峰》创作实践为例,结合分析武舞结合的舞台作品、武术题材的舞台剧及大型实景武术剧等,研究武舞结合的舞台艺术创作所具有的结构特点、创作手段、文化特征等。在实践探索中寻找武舞结合的切入点,发现武术与舞蹈的共性,取两者的优势,进行有机的结合。
[Abstract]:Using the method of literature, comparative analysis, case analysis, analysis of "dance of martial arts" combination of historical basis stage art creation: from primitive society to the Western Zhou Dynasty and Wu dance, to dance like work, then to the Han Dynasty by Wu dance, belonged to dance, and to the Tang Dynasty Wu dance in harmony, and finally to the Yuan Dynasty, Ming and Qing Dynasties martial dance legend, martial dance and martial arts and dance on Chinese Chinese 2 typical physical culture, characteristic analysis, Chinese Chinese Wushu and dance content, form, and to the original dance drama combined with Capital Institute of Physical Education Wuhan Wuhan < dynamic peak > creation practice as an example. Combined with the analysis of Wu dance with stage work, martial arts and martial arts drama large real drama, structure characteristics, combined with the study of Wu dance stage art with the creative means of cultural characteristics. In practice to find the starting point of "dance with the discovery of Wuhan The common character of art and dance is to take the advantages of the two and combine them organically.

【作者单位】：首都体育学院;
【分类号】：G852;J704

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