好莱坞电影中中国功夫形象的文化身份流变

发布时间：2018-03-03 16:17

本文选题：好莱坞电影　切入点：中国功夫形象　出处：《成都体育学院》2017年硕士论文　论文类型：学位论文

【摘要】：中国功夫是中国文化的典型代表,是中国文化走向国际的重要载体。在中国功夫走向国际的过程中,电影发挥了重要作用。作为全球电影翘楚的好莱坞从20世纪70年代初制作了李小龙功夫电影后,不断汲取具有中国特色的功夫元素创造了形态各异的功夫形象。这些功夫形象随着时代的变化而不断进行演变。从文化身份的角度看,好莱坞电影中的功夫形象是中美文化不断碰撞与融合的产物,功夫形象的演变折射了美国对中国文化认知和态度的变化。本文选取近半个世纪以来好莱坞电影中出现的中国功夫形象为研究对象,并与同时期香港功夫电影中的功夫形象为参照,对好莱坞电影中中国功夫形象进行纵向和横向研究,探讨好莱坞电影中中国功夫形象的文化身份流变,及流变过程中所呈现出的特点和原因。本文共五章,第一章是前言部分,包括研究背景及其意义、文献综述、相关概念界定以及研究的范围和方法。第二章简要论述了功夫电影在中国的崛起及其在好莱坞的发展历程。第三章是本文的核心部分,对四个不同时期好莱坞电影中的中国功夫形象进行纵向阐述,并与香港功夫电影中的功夫形象进行横向对比,分析四个不同时期功夫形象的文化身份流变,即从被“妖魔化”的“黄祸”形象,到颠覆“东亚病夫”的英雄形象,再到打破传统硬汉形象的草根形象直至现今全球化视野中的多元化的功夫形象,并指出这些形象分别呈现出固定性、差异性、边缘性和接受性的特点。形成这些不同的类型、特点主要有两个方面的原因:一是好莱坞代表的美国文化与中国功夫形象代表的中国文化之间“此消彼长”的文化较量;二是全球化进程中市场经济推动下,好莱坞电影融入更多异质色彩并获得成功。第四章是对好莱坞电影中功夫形象的文化身份流变的思考,论述了作为美国文化代表的好莱坞在塑造功夫形象过程中表现出的对中国文化态度的变化。第五章为本文的结论部分,总结好莱坞电影中中国功夫形象的文化身份流变的情况,指出好莱坞电影中中国功夫形象的文化身份的流变是中美两种文化斗争与制衡的结果。文章最后指出本研究存在的不足及未来的需要进一步研究的方向。
[Abstract]:Chinese kung fu is a typical representative of Chinese culture and an important carrier for Chinese culture to go international. The film played an important role. Hollywood, the world's leading film, made Li Xiaolong's Kung Fu film in early 1970s. The constant absorption of kung fu elements with Chinese characteristics creates various images of kung fu. These images evolve with the changes of the times. From the point of view of cultural identity, The kung fu image in Hollywood films is the product of the continuous collision and integration of Chinese and American cultures. The evolution of kung fu image reflects the change of American cognition and attitude towards Chinese culture. With reference to the kung fu images in Hong Kong kung fu films of the same period, this paper makes a longitudinal and horizontal study on the Chinese kung fu images in Hollywood films, and probes into the cultural identity changes of the Chinese kung fu images in Hollywood films. This paper consists of five chapters, the first chapter is the preface, including the research background and its significance, literature review, The second chapter briefly discusses the rise of Kung Fu film in China and its development in Hollywood. The third chapter is the core part of this paper. This paper expounds the Chinese kung fu images in Hollywood films in four different periods, compares them with those in Hong Kong kungfu films, and analyzes the cultural identity changes of the kung fu images in the four different periods. That is, from the "yellow peril" image of being "demonized" to the heroic image of "sick man in East Asia", to the grassroots image of breaking the traditional image of tough man and the pluralistic kung fu image in the view of globalization. It is pointed out that these images show the characteristics of fixed, different, marginal and receptive respectively. There are two main reasons for the characteristics: one is the cultural contest between the American culture represented by Hollywood and the Chinese culture represented by the Chinese kungfu image; the other is the cultural contest promoted by the market economy in the process of globalization. Hollywood films are more heterogeneous and successful. Chapter 4th is a reflection on the cultural identity evolution of kung fu images in Hollywood movies. This paper discusses the changes of Hollywood's attitude towards Chinese culture in the process of shaping the kung fu image as the representative of American culture. Chapter 5th is the conclusion of this paper, which summarizes the changes of the cultural identity of the Chinese kung fu image in Hollywood films. It is pointed out that the cultural identity of the Chinese kung fu image in Hollywood films is the result of the cultural struggle and balance between China and the United States. Finally, the paper points out the shortcomings of this study and the direction of further research in the future.
【学位授予单位】：成都体育学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905;G852

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