近5届奥运会开幕式团体操编排的对比研究
发布时间:2018-03-11 22:00
本文选题:奥运会 切入点:开幕式表演 出处:《首都体育学院》2017年硕士论文 论文类型:学位论文
【摘要】:走过百年,从1896年的雅典奥运会到2012年的伦敦奥运会开幕式表演无疑成为奥运会的重头戏,成为万众瞩目的焦点,随着人们对艺术认知和文化素养的提高,开幕式表演从最开始简单朴素的仪式,演变为现在的艺术视觉大片,在开幕式上既要反映出以和平、团结、友谊为宗旨的奥林匹克精神,也要充分展示出东道国的民族文化、地方风俗和组织水平,同时还要表达对世界各国来宾的热情欢迎。奥运会开幕式是奥运会最主要的文化宣传活动。其突出的特色就是将举办国的文化与体育运动充分结合起来,奥运会开幕式表演作为一种技术性较强、综合的大型体育艺术表演活动,是奥运会开幕式程序具体形态之一。成功的开幕式表演以其特有的表现形式和传播方式集中体现奥林匹克精神,同时也展示举办国家、城市的政治、经济、文化、体育、艺术等多方面的成果。对开幕式表演进行全面的、系统的、历史的深度考察,有利于挖掘出某些属于人类文明核心的东西。“民族的即是特色的,民族的即是最好的”这已然成为奥运会开幕式大型文体表演选择节目主题的主要依据。本文运用文献资料法、录象分析法,对团体操发展的历史沿革、团体操创编视点的概念、团体操创编视点的表现手法、近5届奥运会开幕式团体操表演的创编视点以及今后团体操创编视点的基本取向进行了研究。得出以下结论:1团体操表演向更高层次发展的主要因素是人们对艺术认知的提高;2奥运文化的传播使得团体操表演加速发展;3为团体操的创编理论提供有利参考;4团体操的创编离不开科技水平的提高。且为团体操的发展提出以下建议:1选用具有传统特色的音乐来贯穿整个表演;2以总主题为主导,分主题突出总主题的原则进行编排;3注重服装与色彩的搭配,多样且统一;4根据本国的科技发展及综合实力进行编排,目的在于传播本国的特色文化;5通过艺术手段的加工,将舞台与舞美相结合,达到梦幻的视觉效果。
[Abstract]:After a hundred years, from the Athens Olympic Games in 1896 to the opening ceremony of the London Olympic Games in 2012, the performance of the opening ceremony of the Olympic Games has undoubtedly become an important part of the Olympic Games and has become the focus of attention. With the improvement of people's artistic cognition and cultural literacy, The opening ceremony performance changed from a simple ceremony at the beginning to a modern art visual blockbuster. In the opening ceremony, the Olympic spirit, which aims at peace, unity and friendship, should be reflected, and the national culture of the host country should also be fully displayed. Local customs and level of organization, as well as warm welcome to guests from all over the world. The opening ceremony of the Olympic Games is the most important cultural propaganda activity of the Olympic Games. Its outstanding feature is to fully combine the culture and sports of the host country. The opening ceremony performance of the Olympic Games is a kind of large-scale sports art performance, which is relatively technical and comprehensive. The successful opening ceremony performance, with its unique form of expression and dissemination, embodies the Olympic spirit, as well as the political, economic, cultural, sports, political, economic, cultural, and sports of the host country and city. The comprehensive, systematic, historical and in-depth investigation of the opening ceremony is conducive to excavating something that belongs to the core of human civilization. "the nation is characteristic," he said. This has become the main basis for selecting the theme of the large-scale style and performance of the opening ceremony of the Olympic Games. In this paper, the historical evolution of the development of group calisthenics and the concept of group calisthenics creation point of view are analyzed by using the method of documentary materials and video analysis. The expression of the viewpoint of group calisthenics, The creative viewpoint of group calisthenics performance at the opening ceremony of the last 5 Olympic Games and the basic orientation of group calisthenics creation viewpoint in the future are studied. The following conclusions are drawn: the main factor of the development of group calisthenics performance to a higher level is people's art. With the improvement of skill cognition and the spread of Olympic culture, the performance of group calisthenics is developing rapidly. 3. To provide the beneficial reference for the theory of group calisthenics creation, the creation of group calisthenics can not be separated from the improvement of the level of science and technology. The following suggestion is to choose music with traditional characteristics to run through the whole performance. 2. The overall theme is the main theme. Focusing on the collocation of clothing and Color, with diversity and unity according to the scientific and technological development and comprehensive strength of the country, the purpose of the arrangement is to spread the characteristic culture of the country through the processing of artistic means. Will the stage and dance beauty together, achieve the vision effect of dream.
【学位授予单位】:首都体育学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:G837
【参考文献】
相关期刊论文 前10条
1 徐晗;李庚妹;;从奥运会开幕式看中俄文化差异[J];文化学刊;2015年12期
2 高留红;;论团体操的内涵及表演模式的发展演变[J];北京体育大学学报;2014年11期
3 梁静;;北京与伦敦奥运会开幕式中的文化差异分析[J];湖北科技学院学报;2014年11期
4 吴欣;黄宽柔;;我国运动会开幕式表演嬗变历程与未来发展趋势——兼论第12届全运会开幕式表演特点及合理性诠释[J];北京体育大学学报;2014年10期
5 王秀平;王健;齐芳;;我国大型运动会开幕式团体操表演发展趋势的研究[J];体育科技;2014年02期
6 闫丽敏;;奥运会开幕式表演的视觉创意设计研究[J];武汉体育学院学报;2013年09期
7 骆正林;;伦敦奥运“景观”呈现的英国文化内涵[J];体育与科学;2013年04期
8 任蓓;;奥林匹克精神的当代传承与发展[J];成都体育学院学报;2013年05期
9 郑国香;;从北京和伦敦奥运会开幕式看中英文化差异[J];郑州大学学报(哲学社会科学版);2013年02期
10 韦钰;;从伦敦奥运会开幕式看英国文化[J];中国传媒科技;2012年20期
,本文编号:1600073
本文链接:https://www.wllwen.com/jiaoyulunwen/tylw/1600073.html