武侠电影中武术形象生成的传播符号学阐释

发布时间：2018-04-04 19:21

本文选题：武术　切入点：武侠电影　出处：《沈阳体育学院学报》2017年05期

【摘要】：武侠电影对武术的世界传播做出了巨大贡献,但武侠电影作品中武术文化内涵的匮乏不利于武术形象的塑造。从传播符号学视角,对武侠电影作品中武术文本符号及其传播的意义进行研究。结果表明:武侠电影中武术动作的图像表达建构了武术形象符号;武侠电影作品中报仇雪恨、江湖争霸、民族精神弘扬的叙事主题,以及效忠旧主、家族本位的文化表达,为武术形象的生成营造了一个低俗的文化语境,诱发了武术负面形象的产生。而武侠电影作品对民族主义的狭隘恪守,对武术文化的片面解读,导致武侠电影作品文化意义的整体缺失,不利于武术文化的世界传播。赋予武侠电影文本正确的文化意义,是讲好中国故事、传播中国声音、弘扬民族文化的正途。
[Abstract]:Martial arts films have made great contributions to the world dissemination of martial arts, but the lack of martial arts cultural connotation in martial arts films is not conducive to the shaping of martial arts images.From the perspective of communication semiotics, this paper studies the symbol of martial arts text and its significance in martial arts movies.The results show that the image expression of martial arts action in martial arts movies constructs the symbol of martial arts image, the narrative theme of revenge and hate, the struggle for hegemony, the national spirit, and the cultural expression of allegiance to the old master and the family standard in the martial arts movies.It creates a vulgar cultural context for the formation of Wushu image and induces the emergence of Wushu negative image.However, the narrow adherence to nationalism and one-sided interpretation of martial arts culture in martial arts film works lead to the lack of cultural significance of martial arts films, which is not conducive to the world spread of martial arts culture.To give correct cultural significance to the text of the martial arts film is the right way to tell the Chinese story, spread the Chinese sound and carry forward the national culture.
【作者单位】：河南理工大学太极拳学院;
【基金】：河南省教育厅人文社会科学重点项目(2016-ZD-090)
【分类号】：G852;J905

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