传统山水画“三远”空间意境在当代文人建筑中的表达

发布时间：2018-04-02 01:28

本文选题：三远　切入点：文人建筑　出处：《南昌大学》2015年硕士论文

【摘要】：在中国传统文化逐渐离远的今天,城市像一座巨大的工厂,建筑在“流水线”上以快不可及的速度被批量生产,我们看见水乡倩影的江南,山势回转的岭南,雄险幽秀的巴蜀等被如出一辙的现代建筑所盘踞。忽略环境,文化渐陌的结果是城市在日益扩张的同时,人们的生存环境受到威胁,古老文明正在磨蚀。人们意识到文化发展的西方化路径已经走到了尽头,以王澍为代表的一部分新一代建筑师在研究探寻传统文化形式相互借鉴,现代继承的过程中,复兴了一种古就有之的建筑类型——文人建筑。中国古代文人园林作为文人建筑的先河,造园者即是文人又为画士,因此画理即是园理。“三远”作为中国山水画空间意境的表述,在文人园林里体现的尤为显著,这在当代文人建筑中也被延续和继承。本文以“三远”为切入点,收集当代具有代表性的文人建筑及其建筑师资料,结合调研,运用文献分析法,比较研究法,以及逻辑推理法,首先对文人建筑的发现与发展进行理论与实践两方面的论述。其次对“三远”所体现的空间特征和空间意境进行研究,并运用王昌龄提出的意境三层次——物境、情境、意境对“三远”所表现的空间意境进行分级,为本文分析奠定研究基础。随后,选取了三位代表传统文化不同继承方式的建筑师的文人建筑作品,分别从基地环境和内外部空间体现的“三远”意境,归纳总结其营造手法。在此基础上将意境层次与空间感知的三向度搭建联系,转化为现代语言,结合案例资料,从视觉向度、体验向度、精神向度对营造“三远”空间意境的手法进行细致归纳总结。最后以笔者的实践案例作为对所得结论的验证。文人建筑的复兴是当代中国建筑师在探索创作中国特色建筑的道路中所走的一条分支,研究它对传统文化的继承和现代转译是为了给这条探寻之路上的建筑师提供参考,从而在我们未来的城市中可以看见更多有文化自觉性,有中国意识的建筑作品。
[Abstract]:Today, when Chinese traditional culture is gradually far away, the city is like a huge factory, built on "pipeline" and produced in batches at an unreachable speed. Bashu and others are occupied by the same modern architecture. Ignoring the environment, the result of the growing culture is that while the city is expanding day by day, people's living environment is threatened. The ancient civilization is being eroded. People realize that the westernized path of cultural development has come to an end. Some of the new generation architects, represented by Wang Shu, are studying and exploring the traditional cultural forms for mutual reference and modern inheritance. The Chinese ancient literati garden was the first of the literati architecture, and the gardener was not only the literati but also the painter, so the painting theory was the garden principle. "three far" was the expression of the space artistic conception of the Chinese landscape painting. It is also continued and inherited in the contemporary literati architecture. This paper takes the "three distances" as the starting point to collect the contemporary representative literati architecture and its architects' data, combined with the investigation and research. By means of literature analysis, comparative research and logical reasoning, this paper first discusses the discovery and development of literati architecture in theory and practice, and then studies the spatial characteristics and artistic conception of "three distances". And use the three levels of artistic conception proposed by Wang Changling-physical environment, situation, artistic conception to classify the spatial artistic conception of "three far away", so as to lay a research foundation for the analysis of this paper. Three literati architectural works representing different ways of inheriting traditional culture are selected, which reflect the "three distant" artistic conception from the base environment and the internal and external space, respectively. On this basis, the relationship between the artistic conception level and the three dimensions of spatial perception is set up and transformed into modern language, combining with the case data, from the visual dimension, the experience dimension, Finally, the author's practical cases are taken as the proof of the conclusion. The revival of literati architecture is the contemporary Chinese architect exploring and creating China. A branch of the road to a distinctive building, The purpose of this study is to provide reference to the architects on the way of exploration, so as to see more architectural works with cultural consciousness and Chinese consciousness in our future cities.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU986.4

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