中国名山风景区审美价值识别与保护

发布时间：2018-04-06 23:00

  本文选题：名山风景区　切入点：审美价值　出处：《清华大学》2015年博士论文

【摘要】：基于传统山水审美的名山风景区审美价值识别与保护研究既是解决我国名山风景区审美价值保护管理问题的内在需求,也是弥补国际组织在遗产地审美评价中长期缺乏中国视角的外在需求。论文总结并比较了国内外风景评估及保护的理论研究与实践案例,提出了目前我国在名山风景区审美价值识别与保护方面的4点不足。并归纳总结了世界各国的6大审美体系,提出了对我国审美价值识别与保护框架建构的借鉴经验。论文立足于传统,总结出我国传统山水审美4个特点为:审美过程中主体性显著;“融情于景”的审美主客体关系;“以大观小”的审美方式;“虚实相生”的审美结果。阐释了传统审美作用中的各要素及相互作用,依据价值论中的主体、客体、主客体作用关系来阐释审美价值。基于上述基础,论文构建了中国名山风景区审美价值识别框架,并阐释了该框架的主体差异性和历时性两个特点,以及它们分别的识别结果。主体差异性审美价值是考察不同主体在同一时间对同一客体的审美价值。主体差异性审美识别得出不同主体的审美价值。历时性审美识别是考察不同主体作为整体在不同时间对同一客体的审美价值。历时性审美识别得出审美在历史上的变化与传承。而审美价值识别框架本身具有层次性,因而审美价值识别也具有层次性。论文继而通过归纳演绎、比较研究、内容分析等方法,进一步构建了审美价值识别框架中的关键步骤、方法及指标。审美价值识别依然从主体差异性和历时性两个维度展开。在主体差异性审美价值识别中,通过权重分配识别出主要主体的审美价值,通过分层建立识别方法与指标,识别出不同层次的审美价值及对应的载体。在历时性审美价值识别中,构建诗文分析理法和图像分析法来识别历时性审美价值,并通过古今比较研究确定值得传承的审美价值。在价值识别的基础上,构建了基于价值识别的审美价值保护框架。从宏观国土和单个风景区层面为我国名山风景区审美价值保护管理及规划提出了建议。提出了确立保护对象,识别影响因素和敏感度,制定保护措施与展示措施3个关键步骤及相关方法。基于审美价值识别的保护框架回应了现有审美保护中的保护对象过于宽泛、保护没有针对性的问题。最后,论文以黄山风景名胜为例,验证了依据新构建的审美价值识别和保护框架所识别的黄山审美价值与世界遗产OUV评价的根本差别,以及保护对象及保护措施的差异,继而证实了该审美价值识别与保护框架可行性,也进一步提出了局限与不足。
[Abstract]:The identification and protection of the aesthetic value of famous mountains and scenic spots based on traditional landscape aesthetics is the internal demand to solve the problem of protecting and managing the aesthetic value of famous mountains and scenic spots in China.It is also a remedy for the lack of Chinese perspective in the long-term aesthetic evaluation of heritage sites by international organizations.This paper summarizes and compares the theoretical research and practical cases of landscape evaluation and protection at home and abroad, and points out four deficiencies in the recognition and protection of the aesthetic value of famous scenic spots in China.It also summarizes the six major aesthetic systems in the world, and puts forward the reference experience for the construction of the aesthetic value recognition and protection framework of our country.Based on tradition, this paper summarizes the four characteristics of traditional landscape aesthetics in China: subjectivity in aesthetic process, relationship between subject and object of aesthetic subject and object of "fusion of emotion and scenery", aesthetic mode of "seeing small with great views" and aesthetic result of "living with the void and reality".This paper explains the elements and interaction in the traditional aesthetic function, and explains the aesthetic value according to the relationship among the subject, object and subject and object in the theory of value.Based on the above mentioned foundation, this paper constructs the aesthetic value recognition framework of Chinese famous mountains and scenic spots, and explains the main body difference and diachronic characteristics of the framework, and their respective recognition results.The aesthetic value of subject difference is to examine the aesthetic value of different subjects to the same object at the same time.The aesthetic value of different subjects can be obtained by distinguishing the aesthetic value of different subjects.Diachronic aesthetic recognition is to examine the aesthetic value of different subjects as a whole to the same object at different times.Diachronic aesthetic recognition of aesthetic in the history of change and inheritance.The recognition framework of aesthetic value itself has hierarchy, so aesthetic value recognition also has hierarchy.Then, through the methods of inductive deduction, comparative study and content analysis, the paper constructs the key steps, methods and indicators in the framework of aesthetic value recognition.Aesthetic value recognition is still from the subject difference and diachronic two dimensions.In the identification of the aesthetic value of the main body's difference, the main subject's aesthetic value is identified by the weight distribution, and the different levels of aesthetic value and the corresponding carrier are identified by establishing the identification method and index.In the identification of diachronic aesthetic value, this paper constructs the analytical theory of poetry and text and image analysis to identify the diachronic aesthetic value, and determines the aesthetic value worth inheriting through the comparative study of ancient and modern.On the basis of value recognition, the framework of aesthetic value protection based on value recognition is constructed.Suggestions are put forward for the management and planning of the aesthetic value protection of famous scenic spots in China from the macroscopic land and single scenic spot level.Three key steps and related methods are put forward to establish the object of protection, to identify the influencing factors and sensitivity, and to formulate the protective measures and demonstration measures.The protection framework based on the recognition of aesthetic value responds to the problem that the object of protection is too broad and the protection has no pertinence.Finally, taking Huangshan scenic spots as an example, the paper verifies the fundamental difference between Huangshan aesthetic value and the OUV evaluation of the World Heritage site, as well as the difference of protection objects and measures according to the newly constructed aesthetic value recognition and protection framework.Then it proves the feasibility of the aesthetic value recognition and protection framework, and further puts forward the limitations and shortcomings.
【学位授予单位】：清华大学
【学位级别】：博士
【学位授予年份】：2015
【分类号】：TU984.18
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本文编号：1719267