西方文化景观理论谱系研究

发布时间：2018-08-31 12:08

【摘要】：自"文化景观"定义在英语世界里出现迄今的90年里,西方文化景观理论发展延伸到多学科领域,出现了竞争重叠、交错演进的多种理论。目前中国风景园林学科对这个源自西方概念的理论和实践,认识上与西方有一定差距,无论是为了正确理解,还是为了批判发展,都有必要立足对理论渊源进行全面、深入的梳理。基于丰富庞杂的理论文献和聚焦文化与自然的关系这一核心议题,运用谱系学方法,溯源"文化景观"词义及演变;以哲学立场与思想、观念、流派及代表人物的关联为线索,全面综述、梳理了西方文化景观研究的7个不同理论视角。
[Abstract]:In the 90 years since the definition of "cultural landscape" appeared in the English-speaking world, the western cultural landscape theory has developed into a multi-disciplinary field, and there has been a variety of theories of overlapping competition and staggered evolution. At present, there is a certain gap between the theory and practice of Chinese landscape architecture, which originated from the western concept. Whether for the sake of correct understanding or critical development, it is necessary to have a comprehensive understanding of the origin of the theory. A thorough combing. Based on the rich and complicated theoretical literature and the core topic of focusing on the relationship between culture and nature, this paper uses genealogical methods to trace the meaning and evolution of the term "cultural landscape", taking the philosophical stand and thought, ideas, schools and the association of representative characters as clues. Comprehensive review, combing the western cultural landscape research seven different theoretical perspectives.
【作者单位】：同济大学建筑与城市规划学院景观学系;中国地质大学(武汉)艺术与传媒学院景观学系;ICOMOS-IFLA国际文化景观科学委员会;IUCN世界保护地委员会;
【基金】：国家社会科学基金项目“新型城镇化进程中西南贫困地区民族文化景观保护与发展研究”(编号14BSH135) 住房和城乡建设部2012年科技项目计划软科学项目“中国风景名胜区文化景观分类体系及其价值研究”(编号2012-R2-1)共同资助
【分类号】：TU986

【相似文献】