基于观演心理的剧场空间研究

发布时间：2018-11-02 16:40

【摘要】：“舞台小天地,人生大舞台”。剧场既是表演发生的“物理空间”,又是人与社会的媒介,社会行为实践的重要场域,更是观演群体心理互动与交流的“精神场所”。早在人类出现语言之前,戏剧艺术就作为人们最简单的交流方式而一直发展,延续至今。如果说戏剧是人与人、人与社会关系的直接体现,那么剧场就是社会关系表象意义的硬件形态。虽然剧场建筑只是一个物质的三维空间,但不可否认的是,它所承载的,除了一个剧目的上演,更是一次同一时空中观众与演员精神空间的共融。剧场建筑因其功能的复合性,技术的复杂性,其外部形式、功能使用、流线组织、视听效果是建筑行业设计师们一直努力探索的重要课题。作为“观”与“演”发生的场所,观演空间是剧场建筑中最为核心的组成部分,是主导群体的空间形式,影响着观演群体之间的心理互动,是剧场建筑的“灵魂”所在。而对于这一特殊类型的建筑空间而言,观演群体是他真正的“主角”。文章从剧场的使用者(观演群体)的心理需求出发,通过心理学、戏剧学与建筑等多学科的研究方法,并通过问卷调查形式搜集专业演员与观众的详细数据对课题进行研究。文章首先对剧场空间中的观演行为与心理需求进行全面地分析,归纳其特点,剖析心理需求与剧场空间的关系。在此基础上,对剧场的功能及空间模式进行系统分析,提出基于观演心理的剧场空间应满足其“人体工学”、“互动空间”以及“空间个性”的时代特性,并营造满足观众与演员良好“互动”的观演空间,“由内而外”地创造出既实用,又美观,富有“生命力”的艺术殿堂。
[Abstract]:Stage small world, life big stage. Theater is not only the "physical space" of performance, but also the medium between people and society, the important field of social behavior practice, and the "spiritual place" for group psychological interaction and communication. Long before the emergence of human language, drama art as the simplest way of communication has been developed and continues to this day. If drama is the direct embodiment of the relationship between people and people, then theater is the hardware form of the meaning of social relations. Although theater architecture is only a material three-dimensional space, it can not be denied that, apart from the performance of a repertoire, it is also a fusion of the spirit space of the audience and the actor in the same time and space. Because of its complex function, complexity of technology, external form, function use, streamline organization and audio-visual effect, theater architecture has been an important subject that designers of architectural industry have been trying to explore. As the place where "view" and "performance" take place, the viewing space is the most core part of theatre architecture, the space form of leading group, which influences the psychological interaction between the viewing and performing groups, and is the "soul" of theatre architecture. For this special type of architectural space, the audience is his real protagonist. Based on the psychological needs of theatre users (audience), this paper studies the subject through the research methods of psychology, drama and architecture, and collecting the detailed data of professional actors and audience through questionnaire survey. This paper first analyzes the behavior and psychological demand of theater space, summarizes its characteristics, and analyzes the relationship between psychological demand and theater space. On the basis of this, the function and space mode of the theater are systematically analyzed, and it is put forward that the theater space based on the psychology of viewing and acting should satisfy the characteristics of its "ergonomics", "interactive space" and "spatial individuality". And create a good audience and actors "interactive" view space, "from the inside out" to create both practical, beautiful, full of "vitality" art palace.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU242.2

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