中国书画鉴定方法与观念现代转型之特征研究

发布时间：2018-01-03 00:41

本文关键词：中国书画鉴定方法与观念现代转型之特征研究　出处：《新美术》2013年05期 　论文类型：期刊论文

【摘要】：正古代书画鉴定实践的方法主要是凭个人经验的"目验"、"望气"鉴定法,这是传统书画鉴定方法的特征。但这并不代表传统鉴定方法仅限于此。我们在历代有关书画鉴定的著述中,不难发现除"目验"、"望气"以外的,比如以文史知识、作品材料等为依据的多种鉴定方法,这在宋人黄长睿(伯思)《东观余论》、米芾《书史》中都有所体现。可见古代鉴定书画的方法和手段其实本来是有多样性的,但它只是只缣片楮,不成典范而已。不过它仍旧是今天的出发点,反过来在另一方面,我们认为现当代书画鉴定实践方法的转型,又必然有这个时代的特点和烙印,它相对于古代传统的鉴定方法有许多不同的特征,这主要表现在两个方面。第一,考古学方法对书画鉴定实践的借鉴及影响。
[Abstract]:The methods of identification of painting and calligraphy in ancient times are mainly based on personal experience, such as "eyesight" and "looking for qi". This is the characteristic of traditional calligraphy and painting identification method. But this does not mean that the traditional identification method is limited. In the works about painting and calligraphy identification in the past dynasties, it is not difficult to find anything other than "inspection" and "lookout". For example, on the basis of literature and history knowledge, works materials and other methods of identification, this is in Song Huang Changrui (Bo Si) "Dongguan Yu". Mi Fu "Book History" has been embodied. It can be seen that the ancient methods and means to identify calligraphy and painting are actually diverse, but it is only a piece of paper, not a model. However, it is still the starting point of today. On the other hand, we think that the transformation of modern and contemporary calligraphy and painting identification practice method must have the characteristics and brand of this era, it has many different characteristics compared with the ancient traditional identification method. The first is the reference and influence of archaeological methods to the practice of calligraphy and painting identification.
【分类号】：K879.4;J209.2
【正文快照】： 古代书画鉴定实践的方法主要是凭个人经验的“目验”、“望气”鉴定法，这是传统书画鉴定方法的特征。但这并不代表传统鉴定方法仅限于此。我们在历代有关书画鉴定的著述中，，不难发现除“目验”、“望气”以外的，比如以文史知识、作品材料等为依据的多种鉴定方法，这在宋人

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