十七世纪青花与五彩图式的研究

发布时间：2018-01-08 08:30

本文关键词：十七世纪青花与五彩图式的研究　出处：《景德镇陶瓷学院》2013年硕士论文　论文类型：学位论文

【摘要】：十七世纪的中国正处在明末清初时期，在这将近一百年的时间里，由于政权更迭，中国社会发生了剧烈的变革。作为全国制瓷中心的景德镇，其瓷器制造业也经历一次重大转变。民间窑场数量激增，产品总量和质量逐渐精进，突出在表现形式上，不受约束，勇于探索，敢于创新。“十七世纪瓷器”在装饰纹样上,摒弃了官窑严谨刻板的龙凤、工整的缠枝花卉等等级庄严的题材,而大量采用山水、花鸟、人物故事等新内容，构图简明清丽，别具一格。题材上的极大丰富,技法上的极大拓展,绘风清新纯朴,蕴含着浓郁的生活情调和文人画的雅趣。逐渐形成了某种固定的模式，陶瓷彩绘艺人也产生了固定规范的、程式的装饰。明末清初是一个民族大融合，思想大碰撞的时期；旧的价值观被瓦解，新的价值观被确立。不断的对外贸易，使得当时的国家与外界有着联系与沟通。科技的进步带来釉上彩绘极大的发展，釉上蓝烧制的成功，取代釉下青花作为局部装饰的色调，透过装饰转变或者转化的关键时期，分析出釉下彩绘和釉上彩绘联系。希望通过本文的研究，引起更多的艺术家和学者对这一时期（转型期）陶瓷装饰的重视，并进行更深入研究；总结出其精髓，，寻找出具有民族特色的陶瓷创新之路
[Abstract]:In 17th century, China was in the period of late Ming and early Qing Dynasty. In this nearly 100 years period, as a result of the change of political power, the Chinese society has undergone drastic changes. Jingdezhen, as the center of national porcelain making, took place in Jingdezhen. Its porcelain manufacturing industry also experienced a major transformation. The number of folk kilns increased rapidly, the total quantity and quality of products gradually refined, outstanding in the form of expression, unrestrained, bold to explore. Dare to innovate. "17th century porcelain" in the decorative patterns, abandoned the official kiln rigorous rigid dragon and Phoenix, neat flowers and flowers and other levels of solemn themes, and a large number of new content, such as landscape, flowers and birds, characters and stories. The composition is simple and beautiful, unique. The subject matter is extremely rich, the technique is greatly expanded, the painting style is fresh and simple, contains the rich life sentiment and the literati painting elegant interest, has gradually formed a certain fixed pattern. Ceramic artists also produced a fixed standard, program decoration. The late Ming and early Qing Dynasty is a period of great national integration, great collision of ideas; The old values were broken down, the new values were established. The constant foreign trade made the country have contact and communication with the outside world. The progress of science and technology brought about the great development of glaze painting and the success of glaze blue burning. Replacing the underglaze blue and white flower as the color of partial decoration, through the key period of decoration transformation or transformation, the paper analyzes the relationship between underglaze painting and glaze painting. It causes more artists and scholars to pay more attention to ceramic decoration in this period (transition period), and carries on more in-depth research; Summing up its essence and finding the way of ceramic innovation with national characteristics
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527;J522

【参考文献】