论太平天国壁画艺术的民间化倾向

发布时间：2018-02-13 16:49

本文关键词： 太平天国壁画民间化民间艺人　出处：《东南文化》2013年03期 　论文类型：期刊论文

【摘要】：太平天国壁画以社会现实作为创作题材,以民间艺人为主要创作主体,有别于明清以来以文人画为主导的绘画风格,其设立"绣锦衙"以专门管理艺术创作,并大力提倡人民喜爱的艺术形式,使壁画得到空前的繁荣。太平天国壁画的绘画风格有民间化倾向的特点,与其创作主体的民间化、创作观念的民间化、形式要素的民间性三个方面的成因有密切关系。
[Abstract]:The murals of the Taiping Heavenly Kingdom take social reality as the creative subject and folk artists as the main creative subject, which is different from the painting style dominated by literati paintings since the Ming and Qing dynasties. The painting style of the painting of Taiping Heavenly Kingdom has the characteristic of folk tendency, and the folk character of the subject of creation, the folk of the creative idea, the folk style of the painting of the Taiping Heavenly Kingdom, and the folk style of the creation of the mural painting of the Taiping Heavenly Kingdom. There is a close relationship between the three causes of the folk nature of the elements of form.
【作者单位】：东南大学艺术学院;
【分类号】：K879.41;J218.6

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