明代中后期陶瓷花器研究

发布时间：2018-02-22 18:43

本文关键词： 明代中后期陶瓷花器造型装饰　出处：《景德镇陶瓷学院》2012年硕士论文　论文类型：学位论文

【摘要】：器物是人类生活中的主要载体，它反映了人类文明的进程并连结了人们物质生活与精神生活。陶瓷作为最重要的人类用器之一，即使是一些简单用瓷也同样折射出人们的生活情趣。我们从大量的明代中后期陶瓷花器中可以看到，陶瓷花器在明代中后期的流行，使人们了解到当时社会瓷器发展的盛况，以及人们的审美倾向，并为当下人们的生活提供一些参照。本文共分五个部分，第一部分为引言部分，旨在总体归纳和介绍本文课题的来源、研究的现状、目的、意义和研究方法；第二部分到第四部分为本文的正文部分，第二部分从宏观的时代背景出发，根据当时的经济发展、文化发展、统治者喜好、文人的推崇来探讨对明代中后期陶瓷花器的影响；第三部分则是探讨了陶瓷花器是如何体现生活品质的追求以及人们情感的流露；第四部分是本文着重论述的章节，本章从造型与装饰两方面出发对明代中后期陶瓷花器的造型形态、装饰手法、美学原则等几方面进行阐述和归纳总结，并做一次系统的梳理；第五部分则探讨了明代中后期陶瓷花器对现代陶瓷花器设计的启示。理论研究以实践为基础，又可以对实践起指导作用，而实践则是检验理论正确与否的唯一标准。所以本人在论文的撰写过程中，从理论与实践两方面出发，大量查阅相关资料，通过实践对查阅的理论资料进行归纳总结，并深入进行分析比较。对明代中后期陶瓷花器的研究进行由表及里的深入探讨，结合所搜集的文献资料、明代中后期大量的文字记载以及图片资料，找出明代中后期陶瓷花器研究的切入点，并联系现代陶瓷花器设计并进行比较分析，同时结合自己对明代中后期陶瓷花器的看法，来完成本课题的研究。通过对明代中后期陶瓷花器的研究旨在达到如下目的：对明代中后期陶瓷花器进行一番系统的文本梳理和阐述，以说明在明代中后期这个特殊的时代大背景下陶瓷花器盛行的原因，包括对当时时代背景的分析，，生活品质的追求和人们情感的体现以及对陶瓷花器本身造型的多样性与装饰的丰富性的研究来解读明代中后期陶瓷花器的发展盛况。以求在当代语境中继承和弘扬传统陶瓷花器艺术遗珍，继往开来，去芜存青，为热衷研究明代中后期陶瓷花器的研究者提供理论参考，也希望能为将来更全面的理论研究起到抛砖引玉的作用。
[Abstract]:Objects are the main carrier of human life, they reflect the progress of human civilization and link people's material and spiritual life. Ceramics is one of the most important tools for human beings. Even simple porcelain also reflects people's interest in life. We can see from a large number of ceramic florists in the middle and late Ming Dynasty that the popularity of ceramic florists in the mid and late Ming Dynasty made people understand the prosperity of the development of porcelain in the society at that time. This paper is divided into five parts, the first part is the introduction part, the purpose is to sum up and introduce the source of the subject, the present situation and the purpose of the research. The second part is the main text of this paper, the second part is from the macroscopic background of the times, according to the economic development, the cultural development, the ruler likes, The third part is to discuss how the ceramic flower implement reflects the pursuit of quality of life and the expression of people's emotion. Part 4th is the chapter of this paper. This chapter from the modeling and decoration two aspects of the middle and late Ming Dynasty ceramic florist modeling form, decoration techniques, aesthetic principles and other aspects of the elaboration and summary, and do a systematic combing; The 5th part discusses the enlightenment of ceramic florist to modern ceramic flower design in the middle and late Ming Dynasty. The theoretical research is based on practice and can be used as a guide to practice, and practice is the only criterion to test the correctness of theory. Therefore, in the process of writing the thesis, I proceed from both theory and practice. Consulting a large number of relevant materials, summarizing and analyzing the theoretical data through practice. The research of ceramic flower ware in the middle and late Ming Dynasty was discussed from the outside to the inside, combined with the collected literature. In the middle and later period of Ming Dynasty, a large amount of written records and picture materials were given to find out the breakthrough point of the research on ceramic florists in the middle and late Ming dynasties, and to compare and analyze the design of modern ceramic florists, and to combine their own views on the ceramic florists of the middle and late Ming dynasties. To complete the research of this subject. Through the study of ceramic floral ware in the middle and late Ming Dynasty, the purpose of this paper is to achieve the following goals: a systematic text combing and expounding the ceramic floral ware in the middle and late Ming Dynasty. To explain the reasons for the prevalence of ceramic florists in the background of the special era in the middle and late Ming Dynasty, including the analysis of the background of the times at that time. The pursuit of quality of life and the embodiment of people's emotion, as well as the study of the variety of ceramic flower ware itself and the richness of decoration, are used to interpret the development of ceramic flower ware in the middle and late Ming Dynasty, in order to inherit and extend it in the contemporary context. The Art of traditional Ceramic Flower, It provides theoretical reference for the researchers who are keen to study ceramic florists in the middle and late Ming Dynasty, and also hopes to play a role in the future more comprehensive theoretical research.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

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