共用形在陶瓷器皿设计中的应用研究

发布时间：2018-03-11 22:36

本文选题：共用形　切入点：陶瓷器皿　出处：《江南大学》2012年硕士论文　论文类型：学位论文

【摘要】：从上世纪末开始,各行各业都掀起了划时代的变革风潮,在这种风潮的引领下,人们无论从思维方式、价值观还是消费观等都发生了不小的改变,传统陶瓷艺术向现代转型成为了人们关注话题,“超越功能”和对陶瓷艺术创作中的审美性、精神性的自觉追求,赋予了陶瓷艺术更多的精神人文价值。陶瓷器皿作为陶瓷艺术中重要的组成部分,同时又和人们的日常生活息息相关,它不光具有满足人们生活需要的实用功能,还具有美化人们居住环境、提升生活品味、增添娱乐情趣等多方面的文化功能。在“感性消费”已成为新世纪最为明显和最富前景的消费特征的大背景下,企业单纯依靠商品和服务的功能特点,已很难满足消费者的需要。从消费者心理层面来分析,消费者购买商品的行为是为了满足情感上的渴求,是为了追求特定的商品与理想中的自我概念的吻合,而这种需求使得人们对“物”的价值评断标准趋于多样化与复杂化,人们对一成不变的“冷漠”的东西已经变得淡漠,而对于“新”、“奇”、“怪”的具有更多的情感体验性的产品具有更多的癖好,同样在陶瓷器皿设计中更是如此,由于它与人们的日常生活息息相关,与人的“交流”和“互动”更加频繁,因此在设计的过程中更应注重物品本身所营造出的体验空间。由此本课题引入了“共用形”这一图形概念,将从中提炼出的共生图形原理应用于陶瓷器皿的设计之中,旨在将共用形中所蕴含的艺术哲理与创造性形式及思维融入陶瓷器皿的设计过程之中,从而增加陶瓷器皿的艺术魅力与形态表现力。由于共用形本身是一种具有多种视觉艺术魅力的图形,同时它作为一种二维创意图形,兼具三维形态的内在特质,因此将其作为一种形式语言应用于陶瓷器皿的造型设计中,可以极大的拓展陶瓷器皿造型设计方法与思路。本课题通过研究共用形的表现形式及其外在和内在特征,总结出其思维规律与形态元素的创作方法,将其与陶瓷器皿的造型元素相互比对、融合,最终以赋予陶瓷器皿形态一种新颖的设计形式为目标,来满足人们对产品的情感化需求。
[Abstract]:Since the end of 0th century, there has been an epoch-making wave of change in various industries. Under the guidance of this trend, people have changed no matter how they think, their values or their consumption views. The transformation from traditional ceramic art to modern art has become a topic of concern. "beyond function" and the conscious pursuit of aesthetics and spirituality in ceramic art creation have given more spiritual and humanistic value to ceramic art. As an important part of ceramic art, ceramic ware is closely related to people's daily life. It not only has the practical function of meeting the needs of people's life, but also beautifies people's living environment and promotes their living taste. Under the background that "perceptual consumption" has become the most obvious and promising feature of consumption in the new century, enterprises rely solely on the functional characteristics of goods and services. It is very difficult to meet the needs of consumers. From the consumer's psychological level, the behavior of consumers buying goods is to satisfy their emotional thirst, to pursue the coincidence of specific goods with the ideal self-concept. This demand has led to the diversification and complexity of the criteria for judging the value of "things", and people have become indifferent to the immutable "apathy". And for "new", "odd", "strange" with more emotional experience of the products have more hobbies, as well as in the design of ceramic utensils, because it is closely related to people's daily life, The communication and interaction with people are more frequent, so we should pay more attention to the experience space created by the objects themselves in the process of design. In this paper, the concept of "common shape" is introduced, and the principle of symbiotic figure extracted from it is applied to the design of ceramic utensils. The purpose is to integrate the artistic philosophy and creative form and thinking contained in the common form into the design process of ceramic ware. So as to increase the artistic charm and the expressive power of the ceramic ware. Because the common form itself is a kind of figure with various visual artistic charm, at the same time, as a two-dimensional creative figure, it also has the inherent characteristics of the three-dimensional form. Therefore, applying it to the modeling design of ceramic utensils as a formal language can greatly expand the methods and ideas of ceramic vessel modeling design. Through the study of the form of common form and its external and internal characteristics, the paper summarizes the thinking law and the creative method of the morphological elements, and compares them with the modeling elements of ceramic utensils. Finally, the goal is to endow the shape of ceramic vessels with a novel design form to meet the emotional needs of the products.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

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