平遥漆器装饰纹样艺术研究
发布时间:2018-04-05 14:30
本文选题:平遥漆器 切入点:装饰纹样 出处:《齐齐哈尔大学》2012年硕士论文
【摘要】:本文是从平遥漆器装饰纹样形态、装饰纹样色彩二个方面为主要研究对象,,特别是对其装饰纹样的形态类别及构成、纹样类别的色彩和构成进行较为系统深入的研究,归纳与总结,既可以继承和发展了平遥漆器装饰纹样的基本规律,又可以通过对研究装饰纹样及色彩方面对现代平遥漆器的设计提供参考与帮助,使平遥漆器作为民族传统艺术的瑰宝继续弘扬与发展提供更为广阔的舞台与空间。 运用个案研究法和归纳总结法,对平遥漆器装饰纹样基本形态类别的研究分析,通过对植物纹样中木本植物纹样、草本植物装饰纹样、农作物植物装饰纹样等形态样式的分别进行分析,归纳总结出植物纹样的基本形态特征,得出平遥漆器装饰纹样的具有时代性和地域性基本形态规律。 运用调查法和比较法,通过对平遥漆器装饰纹样构成规则的研究,通过各种装饰纹样组合中的所用到的纹样和纹样的组合方式调查比较,总结出其组合的构成规律,从而挖掘出平遥漆器装饰纹样的构成规则。 运用调查法和数据统计法,通过对平遥漆器装饰纹样的色彩研究,计算得出各色系中的植物装饰纹样样本面积与动物装饰纹样样本面积占其体侧面面积的比例,进而在每种纹样数量的限定下,计算得出每种色系下纹样面积占侧面面积的平均比值,再对平均比值进行比较,总结出装饰纹样色彩的构成规律,从而挖掘出平遥漆器装饰纹样的色彩构成规则。 研究结果表明,平遥漆器装饰纹样有立体或平面、侧视或平视、静态或动态、单体或组群、写实或写意的手法其中多用平视的手法描绘立体式的图案,在平视体的绘画的基础上再把侧面和顶面描绘出来的基本形态规律;有以形构型、以意构型、以色构型、以动构型的四种构图规则;且蕴含了追求圆满的推崇圆满、求财、趋吉、除恶的民俗观念。
[Abstract]:In this paper, the main research object is the decorative pattern form and the decorative pattern color of Pingyao lacquer ware, especially the form category and composition of the decorative pattern, the color and composition of the pattern type are studied systematically and deeply.It can not only inherit and develop the basic law of decorative pattern of Pingyao lacquer ware, but also provide reference and help for the design of modern Pingyao lacquerware by studying decorative pattern and color.Pingyao lacquer ware as a national traditional art treasure to continue to carry forward and develop to provide a broader stage and space.The basic morphological types of decorative patterns in Pingyao lacquer ware were studied and analyzed by case study and summary method. Through the analysis of woody plant patterns and herbaceous decorative patterns in plant patterns, the basic morphological types of decorative patterns in Pingyao lacquer ware were studied and analyzed.Based on the analysis of plant decorative patterns and other morphological patterns of crops, the basic morphological characteristics of plant patterns are summarized, and the basic morphological laws of Pingyao lacquerware decorative patterns are obtained.By means of investigation and comparison, through the study of the rules of decorative pattern composition in Pingyao lacquer ware, and through the investigation and comparison of patterns and patterns used in various decorative pattern combinations, the composition law of their combination is summarized.Thus excavating Pingyao lacquer decoration pattern of the composition of the rules.By using the method of investigation and data statistics, by studying the color of decorative patterns of Pingyao lacquer ware, the paper calculates the proportion of the sample area of plant decorative pattern to that of animal decoration pattern in each color system, and the proportion of the sample area of plant decorative pattern to that of animal decoration pattern to its side area.Then, under the limit of the number of each pattern, the average ratio of pattern area to side area under each color system is calculated, and then the average ratio is compared, and the composition law of decorative pattern color is summarized.Thus excavating Pingyao lacquer decoration pattern color composition rules.The results show that the decorative patterns of Pingyao lacquer ware have stereo or plane, side or level view, static or dynamic, single unit or group, realistic or freehand brushwork.On the basis of the painting of the horizontal body, the basic morphological laws of the side and the top surface are described again; there are four kinds of composition rules: the form configuration, the meaning configuration, the color configuration, and the moving configuration; and it contains the pursuit of the consummation of perfection and the pursuit of wealth.The folklore idea of seeking good fortune and eliminating evil.
【学位授予单位】:齐齐哈尔大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J527
【参考文献】
相关期刊论文 前10条
1 陈隆予;;论《易经》的嬗变及其伦理功能的产生[J];河南大学学报(社会科学版);2008年06期
2 张欣宏;刘玉功;;蒙古族传统家具图案元素分析(续)[J];家具;2006年02期
3 牛雨;干静;;柜类家具设计的比例研究[J];家具与室内装饰;2008年11期
4 王祖龙;楚漆器艺术的审美表现特征[J];荆州师范学院学报;1999年03期
5 王惠;;谈我国古代漆器纹饰艺术[J];美术大观;2009年05期
6 京笛;;清宫插屏琐谈[J];收藏界;2002年11期
7 中国漆文化遗产保护技术研究项目组;;中国漆文化遗产调查——平遥漆器[J];中国生漆;2005年02期
8 胡德生;中国古代的屏风[J];寻根;1998年01期
9 李佳漪;岳跃;;先秦儒道两家“天人合一”思想之比较[J];邢台职业技术学院学报;2006年06期
10 周健林;;传统漆器工艺杂谈之四[J];艺术市场;2007年01期
相关硕士学位论文 前3条
1 吴丹;土家族木制家具美学研究[D];湖南大学;2008年
2 栗冬红;中国古代屏风设计的文化阐释[D];湖南工业大学;2008年
3 逯静;蒙古族酒具技术浅析[D];内蒙古大学;2009年
本文编号:1715203
本文链接:https://www.wllwen.com/jingjilunwen/lyjj/1715203.html