陶瓷“神性”的美学探析

发布时间：2018-04-10 19:32

本文选题：陶瓷 + 中国陶瓷文化　；参考：《景德镇陶瓷学院》2012年硕士论文

【摘要】：本文第一章通过探讨陶瓷、中国陶瓷文化的概念及中国哲学史、美学史上关于“神”的理论，尝试为中国陶瓷文化中的陶瓷“神性”概念做一个界定：所谓陶瓷“神性”是指在现代哲学的“天人合一”（人生存于世界之中并与世界相融合）的视野”中，中国陶瓷文化中人性与物性契合的微妙性与超越性；第二章探讨陶瓷材质文化、工艺文化中的“神性”及其美学内涵；第三章探讨陶瓷审美活动中瓷韵与瓷道的“神性”。最后结语，，收束全文。
[Abstract]:The first chapter discusses the concept of ceramics, Chinese ceramic culture, the history of Chinese philosophy and the theory of "God" in the history of aesthetics.This paper attempts to define the concept of "divinity" of ceramics in Chinese ceramic culture: the so-called "divinity" of ceramics refers to the vision of "the unity of man and nature" in modern philosophy.The subtlety and transcendence of human nature and materiality in Chinese ceramic culture; the second chapter discusses the "divinity" and aesthetic connotation of ceramic material culture, craft culture, and the third chapter discusses the "divinity" of porcelain rhyme and porcelain Tao in ceramic aesthetic activities.Finally, the conclusion, the full text of the collection.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

【引证文献】