两宋陶瓷颜色审美中“素”文化研究

发布时间：2018-04-28 03:28

本文选题：两宋陶瓷 + 颜色审美　；参考：《江南大学》2012年硕士论文

【摘要】：两宋是我国物质文化和精神文化繁荣的一个时期。在此期间，中国的传统审美文化出现了转型，，从盛唐时期的以雄威博大为主的壮美转变为以温婉阴柔为主的柔美，进而形成了中国民族特有的内向含蓄的民族特征和审美文化。这一转变以“素”审美文化的特征出现在两宋陶瓷颜色审美中。两宋陶瓷以其无染无为的釉色、质朴自然的装饰、雪貌冰肌的柔弱感和天然自成的“缺陷”美创造了中国陶瓷艺术一个难以超越的高峰。本文分为四个部分：第一部分研究了“素”文化，结合中国传统文化中的“天人合一”的思想和传统思想理论，指出了“素”文化是与自然共美的审美观、以理统欲的人伦观、素功留白的颜色观的审美文化。第二部分从两宋社会背景、科技技术、思想文化等方面分析了两宋陶瓷颜色“素”文化形成的原因和物质基础。两宋的“兴文教、抑武事”的国策；文化中心从北方迁移到南方，从壮美转变为以柔美为主审美文化；儒、佛、道三家融合的理学更加推进了虚净的美感；同时两宋陶瓷颜色釉料的工艺的发展，将两宋陶瓷颜色的“素”文化完美呈现出来。第三部分结合古籍、出土文物从两宋陶瓷的釉色、装饰、缺陷三个方面阐述了陶瓷颜色中的“素”美文化特征。第四部分指出两宋陶瓷颜色“素”文化在现代设计中用色的指导意义，吸取“素”文化的精髓，创造出具有中国民族特色的现代设计。
[Abstract]:The Song Dynasty was a period of prosperity of material culture and spiritual culture in China. During this period, the traditional aesthetic culture of China has undergone a transformation, from the magnificent beauty dominated by Xiong Wei and Bo Da in the prosperous Tang Dynasty to the soft beauty with the gentle and feminine nature as the main body, thus forming the unique introverted and implicit national characteristics and aesthetic culture of the Chinese nation. This change appeared in the color appreciation of porcelain in Song Dynasty. The porcelain of the two Song dynasties has created a peak of Chinese ceramic art with its unstained glaze color, simple and natural decoration, soft feeling of snow and ice muscle and natural "defect" beauty. This paper is divided into four parts: the first part studies the culture of "element", combines the thought of "harmony of nature and man" and the theory of traditional thought in Chinese traditional culture, and points out that the culture of "element" is the aesthetic idea of beauty with nature, and the view of human relations with reason and desire. The aesthetic culture of the color view of plain work. The second part analyzes the reasons and material basis of the formation of "element" culture of ceramic color in Song Dynasty from the aspects of social background, science and technology, ideology and culture. The national policy of "exhilarating culture and education, restraining military affairs" of the two Song dynasties, the cultural center moved from the north to the south, and changed from the magnificent beauty to the aesthetic culture with the softness as the main factor, Confucianism, Buddhism and Taoism combined three schools of Neo-Confucianism to promote the aesthetic feeling of emptiness and purity. At the same time, the development of ceramic glaze technology in Song Dynasty perfectly presents the "element" culture of ceramic color in Song Dynasty. The third part, combined with ancient books, unearthed cultural relics from the two Song Dynasty ceramic glaze color, decoration, defects in the three aspects of the ceramic color of the "element" aesthetic cultural characteristics. The fourth part points out the guiding significance of the "element" culture of ceramic color in the modern design of the two Song dynasties, absorbs the essence of the "element" culture, and creates a modern design with Chinese national characteristics.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

【参考文献】