解析湘绣的艺术特点及对油画创作的借鉴意义
发布时间:2018-05-05 07:50
本文选题:湘绣艺术 + 绣画 ; 参考:《西安美术学院》2012年硕士论文
【摘要】:湘楚文化源远流长,历史悠久,博大精深,是中华文化中独具地域特色的一脉。湘绣作为其中文化的一部分,历时两千多年的历史发展,逐渐由汉代马王堆汉绣发展到唐宋闺阁绣,,由元明士大夫文化的精致典雅的绣画,再到中国当代以四大名绣(苏绣、湘绣、粤绣、蜀绣)为主的精品刺绣,随历史沧桑不断更迭出新,湘绣以其鲜明的造型风范、丰富的色彩体系构成了中国刺绣的核心内容,为中国刺绣文化的主要构成。其丰富厚重的文化底蕴也为今天的艺术创作、发展提供了很好的借鉴和参考的现实意义。在油画创作中,立足本民族文化的发展,促进各种文化的交融,对于油画民族元素的运用,湘绣都将会提供很好的参考和借鉴意义。本文从湘绣历史发展及其特点、湘绣艺术的审美价值以及湘绣作品中对于油画语言的借鉴范例分析,在油画形式语言的表现和拓展上进行探讨,并与湘绣艺术的个案分析结合,在民间艺术中寻找油画创作的借鉴方法,并就油画艺术如何在民间文化元素方面的借鉴、学习尝试提出个人的观点。
[Abstract]:Hunan-Chu culture has a long history and is a unique regional feature in Chinese culture. Hunan embroidery, as a part of the culture, lasted more than two thousand years of historical development, and gradually developed from Ma Wang Tui Han embroidery in Han Dynasty to boudoir embroidery in Tang and Song dynasties, from delicate and elegant embroidery paintings of Yuan and Ming dynasties to the four famous embroidery (Su embroidery) in contemporary China. Hunan embroidery, Yue embroidery, Shu embroidery) the main fine embroidery, with the vicissitudes of history, continuous changes in new, Hunan embroidery with its distinctive modeling style, rich color system constitutes the core content of Chinese embroidery, the main composition of Chinese embroidery culture. Its rich cultural background also provides a good reference and practical significance for today's artistic creation and development. In oil painting, based on the development of national culture, promote the blending of various cultures, for the use of national elements of oil painting, Hunan embroidery will provide a good reference and reference significance. This paper analyzes the historical development and characteristics of Hunan embroidery, the aesthetic value of Hunan embroidery art and the reference examples of oil painting language in Xiang embroidery works, and probes into the expression and expansion of oil painting form language, and combines it with the case study of Hunan embroidery art. This paper looks for the method of drawing lessons from the creation of oil painting in folk art, and puts forward a personal point of view on how to draw lessons from the elements of folk culture in oil painting art.
【学位授予单位】:西安美术学院
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J523.6
【参考文献】
相关期刊论文 前1条
1 田顺新;;湘绣的历史渊源(下)[J];文艺生活(艺术中国);2010年05期
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