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花釉装饰语言研究

发布时间:2018-06-20 22:38

  本文选题:花釉 + 装饰工艺 ; 参考:《清华大学》2013年硕士论文


【摘要】:花釉是在坯体上施两种或两种以上的釉,通过不同釉层的施釉方法、釉层厚度和烧成温度等的不同形成各种富有变化,相互交融自然流淌的釉面效果。花釉在唐代已经出现宋代有所发展到了现代20世纪七、八十年代以山东淄博,江苏宜兴等为代表的瓷区在花釉创新方面有了突破,花釉品种多样。花釉作为颜色釉中变化最丰富,独具特色的艺术效果,被广泛应用到陶艺及壁饰创做中。 研究的目的在于承袭和弘扬中华民族优秀的陶瓷文明,并使之效劳于理想社会,顺应现代人的生活和审美需求,使创作出的艺术品既具现代文明气息,同时又坚持了传统陶瓷文明的特征。 理论研究结合创作实践,本文从花釉的历史发展及应用现状、装饰手法及艺术效果方面.对花釉做一理论研究,并结合试片试验,挂盘、陶板壁画创作对花釉.装饰工艺做一探索实践,对实验及创作出现的问题进行思考,提出解决办法,对今后的教学及创作实践会有很大的帮助,相信花釉在未来的应用发展空间会很大。
[Abstract]:Flower glaze is to apply two or more kinds of glaze on the green body, through different glaze layer glaze method, the glaze layer thickness and firing temperature are different to form various kinds of varied glaze surface effect, which blends naturally with each other. Flower glaze has appeared in the Tang Dynasty and Song Dynasty has developed to the modern 20th century in the seventies, 80's with Shandong Zibo, Jiangsu Yixing as the representative of the porcelain areas in the flower glaze innovation has a breakthrough, the variety of flower glaze is diverse. Flower glaze, as the most varied and unique artistic effect in color glaze, is widely used in pottery and wall decoration. The purpose of the study is to inherit and carry forward the excellent ceramic civilization of the Chinese nation, to make it serve the ideal society, to conform to the life and aesthetic needs of modern people, and to make the works of art created have the flavor of modern civilization. At the same time, it adheres to the characteristics of traditional ceramic civilization. Combining theoretical research with creative practice, this paper discusses the historical development and application of flower glaze, decoration techniques and artistic effects. To do a theoretical study of the glaze, and combined with the test film test, hanging plate, pottery plate murals to create the glaze. It is believed that the application and development of flower glaze in the future will be of great help to the teaching and creative practice in the future by exploring the practice of decoration, pondering over the problems in experiment and creation, and putting forward solutions.
【学位授予单位】:清华大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J527

【参考文献】

相关期刊论文 前2条

1 陈巍;;唐宋钧瓷艺术的演变[J];美术大观;2013年05期

2 邱镇沪;;“曜变天目”金钱花釉艺术瓷——2008年淄博陶瓷博览会亮丽风景线[J];陶瓷科学与艺术;2008年09期



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