莫高窟254窟舍身饲虎图变色原因探析与色彩修复研究
发布时间：2018-08-05 20:41
【摘要】：敦煌莫高窟254窟壁画以其高超的艺术水准被敦煌研究院列为限制开放的特级洞窟。254窟南壁的《舍身饲虎图》更是壁画中的精品，张大千、董希文、李其琼、谢成水等先生先后多次对本幅壁画进行了临摹、研究。因专业相关，作者有幸多次到254窟内进行考察并校对画稿。本文就是以254窟《舍身饲虎图》为个例，发掘本窟的艺术成就，探析归纳254窟《舍身饲虎图》变色原因并对其进行了尝试性的色彩还原修复。 全文分为四章，第一章简要介绍254窟的历史与现状；第二章分析了254窟《舍身饲虎图》的艺术成就；第三章是本文重点，对引起《舍身饲虎图》变色的原因进行了详细的分析考证，第四章则是对《舍身饲虎图》色彩还原修复的考证并探讨其绘制技法对于当下艺术创作的借鉴。 有的专家说敦煌壁画是因为变色才“好看”，而本文作者在分析归纳的基础上认为古代壁画在不变色的情况下同样具有观赏性并具有其内在价值。北魏时期的壁画一直给人以“古朴”、“粗狂”的感受，，但是经作者考证和色彩还原后发现了其最初细腻艳丽的特点。本文既是对莫高窟254窟《舍身饲虎图》艺术成就的总结，又是以特例来分析壁画变色成因的归纳，同时又是作者色彩还原修复的总结报告。通过系统考证壁画最初色彩，分析本窟色彩构成和基本规律，还原历史现场，进而转化为艺术创作的经验，同时为壁画色彩修复与保护提供可鉴性和可行性参考。
[Abstract]:The murals of Cave 254 in Mogao Grottoes, Dunhuang, with their superb artistic standard, are listed by the Dunhuang Research Institute as the restricted opening of the South Wall of Cave .254. The picture of feeding tigers on the south side of Cave 254 in Dunhuang is even more exquisite in the murals, Zhang Daqian, Dong Xiwen, Li Qiqiong. Xie Chengshui and so on has carried on the copy to this mural many times, studies. As a result of the major, the author had the honor to visit the 254 Grottoes and proofread the drawings. In this paper, the art achievement of the cave 254 is excavated by taking the picture of feeding tiger in the cave 254 as an example, and the causes of color change in the picture of feeding tiger in the cave 254 are analyzed and summarized, and the tentative restoration of color reduction is carried out. The first chapter briefly introduces the history and present situation of the cave 254; the second chapter analyzes the artistic achievements of the cave 254; the third chapter is the focus of this paper. This paper makes a detailed analysis and textual research on the causes of the discoloration of "feeding tiger picture". The fourth chapter is the textual research on the restoration of color restoration of "feeding tiger chart" and discusses its drawing techniques for reference to the present art creation. Some experts say that Dunhuang murals are "beautiful" because of discoloration. On the basis of the analysis and induction, the author thinks that the ancient murals have the same appreciation and intrinsic value without discoloration. The murals of the Northern Wei Dynasty have always given people the feeling of "ancient simplicity" and "rough madness", but after the author's textual research and color restoration, they have found their original exquisite and beautiful features. This paper is not only a summary of the artistic achievements of the cave 254 of Mogao Grottoes, but also a summary of the causes of color change of murals by a special case, and a summary report of the restoration of the author's color. Through systematic textual research on the original color of murals, this paper analyzes the composition and basic law of color in this cave, restores the historical scene, and then transforms it into the experience of artistic creation, and at the same time provides references for the color restoration and protection of murals to be instructive and feasible.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K879.41
本文编号：2166968
[Abstract]:The murals of Cave 254 in Mogao Grottoes, Dunhuang, with their superb artistic standard, are listed by the Dunhuang Research Institute as the restricted opening of the South Wall of Cave .254. The picture of feeding tigers on the south side of Cave 254 in Dunhuang is even more exquisite in the murals, Zhang Daqian, Dong Xiwen, Li Qiqiong. Xie Chengshui and so on has carried on the copy to this mural many times, studies. As a result of the major, the author had the honor to visit the 254 Grottoes and proofread the drawings. In this paper, the art achievement of the cave 254 is excavated by taking the picture of feeding tiger in the cave 254 as an example, and the causes of color change in the picture of feeding tiger in the cave 254 are analyzed and summarized, and the tentative restoration of color reduction is carried out. The first chapter briefly introduces the history and present situation of the cave 254; the second chapter analyzes the artistic achievements of the cave 254; the third chapter is the focus of this paper. This paper makes a detailed analysis and textual research on the causes of the discoloration of "feeding tiger picture". The fourth chapter is the textual research on the restoration of color restoration of "feeding tiger chart" and discusses its drawing techniques for reference to the present art creation. Some experts say that Dunhuang murals are "beautiful" because of discoloration. On the basis of the analysis and induction, the author thinks that the ancient murals have the same appreciation and intrinsic value without discoloration. The murals of the Northern Wei Dynasty have always given people the feeling of "ancient simplicity" and "rough madness", but after the author's textual research and color restoration, they have found their original exquisite and beautiful features. This paper is not only a summary of the artistic achievements of the cave 254 of Mogao Grottoes, but also a summary of the causes of color change of murals by a special case, and a summary report of the restoration of the author's color. Through systematic textual research on the original color of murals, this paper analyzes the composition and basic law of color in this cave, restores the historical scene, and then transforms it into the experience of artistic creation, and at the same time provides references for the color restoration and protection of murals to be instructive and feasible.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K879.41
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