当代视域中的蒙古皮革造型艺术研究
发布时间：2018-08-17 19:57
【摘要】：具有悠久历史的内蒙古皮革工艺是展示草原文化丰富内涵的重要载体。它植根于草原人民赖以生存和发展的狩猎、畜牧经济，凝聚着草原人民的聪明智慧。千百年来为草原人民的生产、生活服务，早已成为了草原文化的一种艺术形式。本文所研究讨论的重点即是蒙古族皮革造型艺术。在内蒙古自治区提出了建设民族文化大区的发展战略,弘扬优秀民族文化,挖掘和研究民族传统艺术,拓展民族特色产业的新时代背景下，对蒙古族的皮革造型艺术的起源与发展的研究尤为重要。 论文主要从蒙古族马烙印的角度对皮革造型艺术进行梳理，进而挖掘皮革造型艺术的历史渊源。同时，在研究皮革造型艺术的基础上，对蒙古族传统装饰图案进行探究。蒙古族传统图案不仅是蒙古族民间文化的精髓，而且是非物质文化遗产的重要组成部分。通过对皮革造型艺术的研究，进而寻找一种如何能够更好的把蒙古族的传统装饰图案皮革造型艺术相结合的艺术表现手法。 全文共分五部分，第一部分分析了蒙古族皮革造型艺术的研究目的和研究现状，第二部分对蒙古族皮革造型艺术的历史进行概述；第三部分对蒙古族造型艺术特点加以归纳与阐述。第四部分从蒙古族马烙印文化的角度对皮革造型艺术进行梳理；第五部分研究了如何将蒙古族传统图案与皮革造型艺术相结合进行讨论。 论文不仅对皮革造型艺术的历史、工艺特点及其文化内涵等方面进行全面的介绍，而且对如何把皮革造型艺术传承与发展下去进行了概述。总之，在新的时代背景下，皮革造型艺术作为蒙古族古老的文化遗产，它的传承与发展尤为重要。
[Abstract]:The leather craft of Inner Mongolia with a long history is an important carrier to show the rich connotation of grassland culture. It is rooted in the hunting and pastoral economy on which the grassland people depend for survival and development, and condenses the wisdom of the grassland people. For thousands of years for the production of grassland people, life services, has become an art form of grassland culture. The focus of this paper is the Mongolian leather plastic arts. In the context of the new era in which Inner Mongolia put forward the development strategy of building a large area of ethnic culture, carried forward excellent national culture, excavated and studied traditional national art, and expanded industries with national characteristics, It is very important to study the origin and development of Mongolian leather plastic arts. From the angle of Mongolian horse imprint, this paper combs the leather plastic art, and then excavates the historical origin of the leather molding art. At the same time, on the basis of the study of leather plastic arts, the Mongolian traditional decorative patterns were explored. Mongolian traditional pattern is not only the essence of Mongolian folk culture, but also an important part of intangible cultural heritage. Through the study of leather plastic arts, we can find a better way to combine the traditional decorative patterns of Mongolian leather plastic arts. The paper is divided into five parts. The first part analyzes the research purpose and current situation of Mongolian leather plastic arts. The second part summarizes the history of Mongolian leather plastic arts. The third part summarizes and expounds the characteristics of Mongolian plastic arts. The fourth part combs the leather plastic art from the Mongolian horse brand culture angle; the fifth part studies how to combine the Mongolian traditional pattern and the leather plastic art to carry on the discussion. This paper not only introduces the history, technological characteristics and cultural connotation of leather molding art, but also summarizes how to inherit and develop leather molding art. In short, under the new background, leather plastic arts as an ancient Mongolian cultural heritage, its inheritance and development is particularly important.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J528
本文编号：2188731
[Abstract]:The leather craft of Inner Mongolia with a long history is an important carrier to show the rich connotation of grassland culture. It is rooted in the hunting and pastoral economy on which the grassland people depend for survival and development, and condenses the wisdom of the grassland people. For thousands of years for the production of grassland people, life services, has become an art form of grassland culture. The focus of this paper is the Mongolian leather plastic arts. In the context of the new era in which Inner Mongolia put forward the development strategy of building a large area of ethnic culture, carried forward excellent national culture, excavated and studied traditional national art, and expanded industries with national characteristics, It is very important to study the origin and development of Mongolian leather plastic arts. From the angle of Mongolian horse imprint, this paper combs the leather plastic art, and then excavates the historical origin of the leather molding art. At the same time, on the basis of the study of leather plastic arts, the Mongolian traditional decorative patterns were explored. Mongolian traditional pattern is not only the essence of Mongolian folk culture, but also an important part of intangible cultural heritage. Through the study of leather plastic arts, we can find a better way to combine the traditional decorative patterns of Mongolian leather plastic arts. The paper is divided into five parts. The first part analyzes the research purpose and current situation of Mongolian leather plastic arts. The second part summarizes the history of Mongolian leather plastic arts. The third part summarizes and expounds the characteristics of Mongolian plastic arts. The fourth part combs the leather plastic art from the Mongolian horse brand culture angle; the fifth part studies how to combine the Mongolian traditional pattern and the leather plastic art to carry on the discussion. This paper not only introduces the history, technological characteristics and cultural connotation of leather molding art, but also summarizes how to inherit and develop leather molding art. In short, under the new background, leather plastic arts as an ancient Mongolian cultural heritage, its inheritance and development is particularly important.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J528
【参考文献】
相关期刊论文 前3条
1 芒来;;蒙古族马文化与马产业发展之我见[J];内蒙古农业大学学报(社会科学版);2008年04期
2 王利利;;苏尼特马烙印图案的文化意蕴[J];内蒙古大学艺术学院学报;2011年01期
3 萧高洪;;烙马印及其作用与马政建设的关系[J];农业考古;1988年02期
，本文编号：2188731
本文链接：https://www.wllwen.com/jingjilunwen/lyjj/2188731.html
