黔东南西江镇苗族刺绣图案的艺术研究
发布时间：2018-09-02 07:56
【摘要】：我国是一个统一的多民族国家,在广大的领土上苗族人民创造的民族文化独具特色,苗族的工艺艺术更是纷繁多样胜为瑰宝。其中苗族刺绣艺术风格独特,为人所叹。苗族刺绣工艺是苗族地区艺术发展的证明,是对苗族传统文化的传承和尊重。 苗族没有自己的文字,苗族刺绣便是他们特有的符号。苗族服饰上的刺绣图案起到了替代文字的作用,从而使没有文字的苗族在刺绣图案艺术中形成了自己“无字的史书"。中国的西南部贵州省的黔东南地区居住着大量的苗族同胞,他们创造了不同样式、风格的服饰,刺绣种类也纷繁复杂。苗族刺绣做工精细,选择虽然丰富,但较为固定,有龙、鸟、鱼、铜鼓、花卉、蝴蝶题材,还有反映苗族历史的画面。苗族刺绣十分美丽,技法主要有12类。目前国内关于刺绣的研究成果有不少,专家和学者们分别从民族学、艺术学等各学科的视角做了多方面的研究,但是从著作方面来看,对刺绣整体上的描述的编著比较多,但具体研究性的专著仍比较缺乏。有鉴于此,本论文试图在个案研究上对刺绣的图案进行深入地探索。 本论文在田野调查和相关文献的基础上,通过对黔东南西江镇苗族服饰上几何图案、动物图案、植物图案及其它神话图案的研究,来分析其内在的象征意义,解读苗族文化的深刻内涵。从对西江镇苗族刺绣图案的分析及其反映的民族神话历史传说、民族宗教信仰及民族图腾崇拜等方面来对苗族刺绣进行综合的个案研究。笔者通过在黔东南西江镇的实地调研,了解西江镇苗族地区地域文化特点,并对西江镇苗族刺绣的起源与发展有所了解,再研究其背后所承载的民俗文化。重点对黔东南西江镇苗族刺绣的图案艺术进行分析研究,从图案的来历、题材特征、艺术特色、及象征意义上展开论述,从艺术的角度分析苗族刺绣图案的特色。本论文主要分为绪言；黔东南西江镇苗族刺绣艺术的源流、研究、图案的审美分析；黔东南西江镇苗族刺绣艺术的传承与保护五章。论文第一章介绍了本研究的选题缘起、研究意义、研究方法、概念界定与文献综述。第二章介绍了黔东南西江镇苗族地区的地理历史环境及刺绣艺术的历史发展状况等。第三章、第四章对黔东南西江镇苗族刺绣的艺术技法进行大致叙述,主要对刺绣的图案进行了归类分析,包括刺绣图案的来历、艺术特色及审美分析,以及对刺绣图案的象征内涵进行了探讨。第五章阐述了话江镇苗族刺绣艺术的传承与保护,从刺绣的商品化与市场化现状、刺绣在国际市场的地位及刺绣的保护性开发与传习方面进行阐释。同口寸,根据调查现状对黔东南西江镇苗族刺绣的保护和传承提出了一些想法和思考。 苗族刺绣图案艺术是少数民族工艺美术的组成部分,其传承了苗族独特的艺术视角和民族审美观。苗族刺绣作为一种文化现象,对深入挖掘整个苗族的历史、民俗、宗教、信仰等文化内涵有着深远的研究价值。同时,对苗族刺绣这种独特的民族文化遗产进行全方位的保护和研究具有重要的现实意义。
[Abstract]:China is a unified multi-ethnic country, and the Miao people create unique national culture in the vast territory, and the Miao arts and crafts are even more numerous and varied as treasures. And respect.
The Miao nationality does not have their own characters, and the Miao nationality embroidery is their unique symbol. The embroidery patterns on the Miao nationality's clothes play a role of substituting characters, so that the Miao nationality without characters has formed their own "history book without words" in the embroidery pattern art. Miao embroidery is very beautiful with 12 kinds of techniques. At present, there are a lot of research results on embroidery in China. Experts and scholars have done a lot of research from the perspective of ethnology, art and other disciplines, but from the perspective of works, the overall description of embroidery is more, but specific monographs are still relatively scarce.
On the basis of field investigation and related literature, this paper analyzes the inherent symbolic significance and the profound connotation of the Miao culture by studying the geometric patterns, animal patterns, plant patterns and other mythological patterns of the Miao dresses in Xijiang Town, southeastern Guizhou Province. This paper makes a comprehensive case study of Miao embroidery in terms of historical legends, religious beliefs and totem worship. Through field investigation in Xijiang Town, southeastern Guizhou Province, the author understands the regional cultural characteristics of Xijiang Town, and the origin and development of Xijiang Town's Miao embroidery, and then studies the folk customs behind it. Culture. This paper focuses on the analysis and study of the Miao embroidery pattern art in Xijiangzhen, southeastern Guizhou. It discusses the origin, theme, artistic characteristics and symbolic significance of the pattern, and analyzes the characteristics of the Miao embroidery pattern from the artistic point of view. The first chapter introduces the origin of this study, research significance, research methods, concept definition and literature review. The second chapter introduces the geographical and historical environment and the historical development of embroidery art in Xijiang Town, southeastern Guizhou. Chapter four gives a general description of the art and techniques of the Miao nationality embroidery in Xijiang Town, southeastern Guizhou Province. It mainly classifies and analyzes the patterns of embroidery, including the origin, artistic features and aesthetic analysis of the patterns, as well as the symbolic connotation of the patterns. Chapter five expounds the inheritance and protection of the Miao nationality embroidery art in Huajiang Town. From the present situation of commercialization and marketization of embroidery, the status of embroidery in the international market and the protective development and inheritance of embroidery are explained.
Miao embroidery pattern art is an integral part of the arts and crafts of ethnic minorities, which inherits the unique artistic perspective and aesthetic values of the Miao nationality. As a cultural phenomenon, Miao embroidery has a profound research value for digging the cultural connotations of the whole Miao nationality, such as history, folk custom, religion, belief and so on. The comprehensive protection and research of national cultural heritage is of great practical significance.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J523.6
本文编号：2218742
[Abstract]:China is a unified multi-ethnic country, and the Miao people create unique national culture in the vast territory, and the Miao arts and crafts are even more numerous and varied as treasures. And respect.
The Miao nationality does not have their own characters, and the Miao nationality embroidery is their unique symbol. The embroidery patterns on the Miao nationality's clothes play a role of substituting characters, so that the Miao nationality without characters has formed their own "history book without words" in the embroidery pattern art. Miao embroidery is very beautiful with 12 kinds of techniques. At present, there are a lot of research results on embroidery in China. Experts and scholars have done a lot of research from the perspective of ethnology, art and other disciplines, but from the perspective of works, the overall description of embroidery is more, but specific monographs are still relatively scarce.
On the basis of field investigation and related literature, this paper analyzes the inherent symbolic significance and the profound connotation of the Miao culture by studying the geometric patterns, animal patterns, plant patterns and other mythological patterns of the Miao dresses in Xijiang Town, southeastern Guizhou Province. This paper makes a comprehensive case study of Miao embroidery in terms of historical legends, religious beliefs and totem worship. Through field investigation in Xijiang Town, southeastern Guizhou Province, the author understands the regional cultural characteristics of Xijiang Town, and the origin and development of Xijiang Town's Miao embroidery, and then studies the folk customs behind it. Culture. This paper focuses on the analysis and study of the Miao embroidery pattern art in Xijiangzhen, southeastern Guizhou. It discusses the origin, theme, artistic characteristics and symbolic significance of the pattern, and analyzes the characteristics of the Miao embroidery pattern from the artistic point of view. The first chapter introduces the origin of this study, research significance, research methods, concept definition and literature review. The second chapter introduces the geographical and historical environment and the historical development of embroidery art in Xijiang Town, southeastern Guizhou. Chapter four gives a general description of the art and techniques of the Miao nationality embroidery in Xijiang Town, southeastern Guizhou Province. It mainly classifies and analyzes the patterns of embroidery, including the origin, artistic features and aesthetic analysis of the patterns, as well as the symbolic connotation of the patterns. Chapter five expounds the inheritance and protection of the Miao nationality embroidery art in Huajiang Town. From the present situation of commercialization and marketization of embroidery, the status of embroidery in the international market and the protective development and inheritance of embroidery are explained.
Miao embroidery pattern art is an integral part of the arts and crafts of ethnic minorities, which inherits the unique artistic perspective and aesthetic values of the Miao nationality. As a cultural phenomenon, Miao embroidery has a profound research value for digging the cultural connotations of the whole Miao nationality, such as history, folk custom, religion, belief and so on. The comprehensive protection and research of national cultural heritage is of great practical significance.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J523.6
【引证文献】
相关硕士学位论文 前1条
1 左华荣;腾冲传统掇花工艺研究及创意实践[D];云南大学;2013年
，本文编号：2218742
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