唐宋陶瓷莲花纹的比较研究
发布时间：2018-09-17 12:23
【摘要】：莲花纹是我国的传统装饰题材，春秋战国时期的铜器与陶器，普遍采用以莲瓣纹作为装饰。而陶瓷上的莲花纹又是从佛教艺术中提炼起来的。从东晋开始再到南北朝的鼎盛时期，莲花纹都带有比较浓郁的宗教色彩。到了唐代，中华民族的巨大同化力也将外来的艺术精华融入本民族的传统艺术中。因而陶瓷莲花纹进入了成熟时期。宋代我国陶瓷装饰艺术有了长足的进步，陶瓷装饰题材日益丰富,莲花纹作为我国传统的陶瓷装饰纹样之一,它有着悠久的历史和深远的文化内涵。本文通过对中国唐宋两个时代的陶瓷莲花纹的文化内涵的比较研究:从民俗意义上、莲纹在佛教文化中、思想文化中。将唐代与宋代的几种莲花纹的多层寓意共同凝铸转化为了吉祥心愿，也将莲花文化的内涵作了比较与分析，并且也描述了唐代陶瓷莲纹和宋代陶瓷莲花纹在不同阶段的其有的不同装饰手法和风格特征等艺术特点。官窑中的莲花纹样装饰是由简练走向繁缉堆砌,而民窑中莲花纹则在用色上不拘小节。莲花纹是以减笔写意为主,从而达到了返璞归真的境界。笔者将陶瓷和莲花的之间的关联也做了深入研究，在分析陶瓷装饰上莲花纹的艺术特征的同时又剖析出了莲花纹样其特点所产生的原因无非是受到了时代文化、政治与经济的影响下的结果。
[Abstract]:Lotus pattern is a traditional decorative theme in our country. In the Spring and Autumn period and warring States period, bronze and pottery are generally decorated with lotus petal pattern. The lotus patterns on the ceramics were extracted from Buddhist art. From the beginning of the Eastern Jin Dynasty to the heyday of the Southern and Northern dynasties, the lotus patterns had a strong religious color. By the Tang Dynasty, the great assimilation of the Chinese nation also incorporated the essence of foreign art into the traditional art of our nation. Therefore, the ceramic lotus pattern entered a mature period. Ceramic decorative art of Song Dynasty has made great progress, ceramic decoration theme is increasingly rich, lotus pattern as one of the traditional ceramic decorative patterns in China, it has a long history and profound cultural connotations. This paper makes a comparative study of the cultural connotations of the ceramic lotus patterns in the Tang and Song dynasties of China: in the sense of folklore, the lotus patterns are in the Buddhist culture and the ideological culture. The multi-layer implication of several lotus patterns in Tang and Song dynasties is transformed into a lucky wish, and the connotation of lotus culture is also compared and analyzed. And also describes the Tang Dynasty ceramic lotus patterns and the Song Dynasty ceramic lotus patterns in different stages of its different decorative techniques and style characteristics and other artistic characteristics. The lotus pattern decoration in official kiln is from concise to procreation, while the lotus pattern in civilian kiln is not restricted in color. Lotus pattern is to reduce the pen-based freehand brushwork, thus reaching the state of return to nature. The author also makes a deep research on the relationship between ceramics and lotus flower, and analyzes the artistic characteristics of the ceramic decorative upper lotus pattern, and at the same time, analyzes the reason of the lotus pattern which is produced by the culture of the times. The result of political and economic influence.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527;J522
本文编号：2245909
[Abstract]:Lotus pattern is a traditional decorative theme in our country. In the Spring and Autumn period and warring States period, bronze and pottery are generally decorated with lotus petal pattern. The lotus patterns on the ceramics were extracted from Buddhist art. From the beginning of the Eastern Jin Dynasty to the heyday of the Southern and Northern dynasties, the lotus patterns had a strong religious color. By the Tang Dynasty, the great assimilation of the Chinese nation also incorporated the essence of foreign art into the traditional art of our nation. Therefore, the ceramic lotus pattern entered a mature period. Ceramic decorative art of Song Dynasty has made great progress, ceramic decoration theme is increasingly rich, lotus pattern as one of the traditional ceramic decorative patterns in China, it has a long history and profound cultural connotations. This paper makes a comparative study of the cultural connotations of the ceramic lotus patterns in the Tang and Song dynasties of China: in the sense of folklore, the lotus patterns are in the Buddhist culture and the ideological culture. The multi-layer implication of several lotus patterns in Tang and Song dynasties is transformed into a lucky wish, and the connotation of lotus culture is also compared and analyzed. And also describes the Tang Dynasty ceramic lotus patterns and the Song Dynasty ceramic lotus patterns in different stages of its different decorative techniques and style characteristics and other artistic characteristics. The lotus pattern decoration in official kiln is from concise to procreation, while the lotus pattern in civilian kiln is not restricted in color. Lotus pattern is to reduce the pen-based freehand brushwork, thus reaching the state of return to nature. The author also makes a deep research on the relationship between ceramics and lotus flower, and analyzes the artistic characteristics of the ceramic decorative upper lotus pattern, and at the same time, analyzes the reason of the lotus pattern which is produced by the culture of the times. The result of political and economic influence.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J527;J522
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，本文编号：2245909
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