“技进乎道”—邵士清陶瓷艺术研究

发布时间：2018-12-06 14:43

【摘要】：传统陶瓷艺术在中国工艺史上占有举足轻重的地位,有些时期在对外交流中,甚至成为中国的代名词。传统陶瓷艺术不仅创造了举世瞩目的陶瓷艺术精品,还传递着丰富而博大的文化信息。在当代艺术多元化的背景之下,传统陶瓷艺术的传承有着多重意义。从文化传承的角度而言,传统陶瓷艺术是一种文化积淀,是中国几千年文明的一个代表符号之一,所以对于传统陶瓷艺术的继承,就是一种对传统文化的保护,对此国家也将大量传统陶瓷艺术列为非物质文化遗产,来进行有力的保护与传承。对于流派纷呈,多元并存的现代艺术而言,传统陶瓷艺术是一块丰富的土壤,可以从中汲取营养。严格意义上来讲,中国现代陶艺的产生与传统陶瓷艺术仿佛没有关联,在初期可能还阻碍了现代陶艺理念的表达,但是随着民族意识的不断加强,很多艺术家开始寻求本土化的陶艺语言,从而将视角触及传统陶瓷艺术。虽然,传统陶瓷艺术不是构建中国现代陶艺独立艺术语境的唯一选择,但不可否认传统陶瓷艺术与现代陶艺有着必然的联系,故还是有探究的必要。鉴于此,本文将研究一位传统民间制瓷老艺人,结合对老艺人的作品分析来探究传统陶瓷艺术的魅力。之所以研究这样一位传统民间陶瓷艺人,是因为,这位老艺人有着极高的陶瓷艺术造诣,他是当地民间传统陶瓷艺术群体中的一个代表,而且其现在的生存状态是当地传统民间陶瓷艺术发展现状的一个缩影,通过对他的研究有助于探索民间传统陶瓷艺术的当代发展之路。更加难能可贵的是,这位老艺人在继承传统的基础之上,进行了大量的创新实践,虽然因为时代原因,还是有一定局限性,但还是给予当下陶瓷艺术发展一定的启示。
[Abstract]:Traditional ceramic art plays an important role in the history of Chinese arts and crafts. In some times, it has even become a synonym of China in foreign exchanges. The traditional ceramic art not only creates the fine ceramic art that attracts worldwide attention, but also conveys rich and extensive cultural information. Under the background of contemporary art diversification, the inheritance of traditional ceramic art has many meanings. From the perspective of cultural heritage, traditional ceramic art is a kind of cultural accumulation and one of the representative symbols of Chinese civilization for thousands of years. Therefore, the inheritance of traditional ceramic art is a kind of protection of traditional culture. To this country, a large number of traditional ceramic art is listed as intangible cultural heritage to protect and inherit. Traditional ceramic art is a rich soil for modern art, which is diverse and diverse, and can draw nutrition from it. Strictly speaking, the emergence of modern ceramic art in China seems to have nothing to do with traditional ceramic art, which may have hindered the expression of modern ceramic art ideas in the early stage, but with the continuous strengthening of national consciousness, Many artists began to seek native ceramic language, thus touching the perspective of traditional ceramic art. Although the traditional ceramic art is not the only choice to construct the independent artistic context of Chinese modern ceramic art, there is no denying that the traditional ceramic art has an inevitable connection with the modern ceramic art, so it is necessary to explore it. In view of this, this paper will study a traditional folk porcelain old artist, combined with the analysis of the work of the old artist to explore the charm of traditional ceramic art. The reason for studying such a traditional folk ceramic artist is that this old artist has very high ceramic artistic attainments, and he is a representative of the local folk traditional ceramic art community. And its current living state is a microcosm of the development of local traditional folk ceramic art, through his research, it is helpful to explore the contemporary development of folk traditional ceramic art. What is more commendable is that this old artist has carried out a lot of innovative practices on the basis of inheriting the tradition. Although there are still some limitations due to the reasons of the times, he still gives some enlightenment to the development of ceramic art.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527

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