选秀类真人秀节目生产方式研究
发布时间:2018-01-03 04:08
本文关键词:选秀类真人秀节目生产方式研究 出处:《西南大学》2015年硕士论文 论文类型:学位论文
【摘要】:随着媒介技术的变迁,在观众文化需求以及娱乐方式变化等诸多因素的影响下,综艺节目的生产方式最近几十年在不断发生变化。从央视的《春节联欢晚会》《综艺大观》《正大综艺》,到二十世纪90年代开始崛起的湖南卫视《快乐大本营》,以及2004年点燃全国选秀活动高潮的《超级女声》,再到最近两年的浙江卫视《中国好声音》和央视《中国好歌曲》等可以看出,综艺节目在生产方式上已经有了显著的变化。本文采用文化研究的相关理论,运用文献分析法与个案分析法,对这些节目的生产方式进行历史性的梳理。在这些综艺节目生产方式的变迁中,也包含了精英文化、草根文化与消费文化之间的博弈。回首中国电视娱乐节目的发展轨迹,大致经历了四个阶段。第一阶段是以1983年中央电视台开办的每年一届的《春节联欢晚会》及二十世纪90年代初期的《综艺大观》《正大综艺》为代表的“综艺晚会”形态,从此引发了我国综艺节目“明星+表演”模式的娱乐风潮。第二阶段是以二十世纪90年代后期湖南卫视《快乐大本营》为代表的“互动游戏”形态,为普通观众在“明星+观众+游戏”的互动过程中,打造了一个更加平民、开放的娱乐平台。第三阶段是以2000年代初期的《幸运52》《开心辞典》为代表的益智娱乐节目,通过“观众+答题+巨奖”的模式极大地吸引了普通大众。第四阶段是从二十世纪初期开始出现的“参与者+竞赛+隐私记录”的真人秀节目,以湖南卫视《超级女声》为发端,掀起了选秀类真人秀节目的娱乐旋风。在选秀类真人秀节目发展的过程中,节目形态发生了深刻的变革,从节目制作形式、舞台设置、参演人员到主持人的角色及观众参与等元素,都随时光的流逝留下了变革的烙印,而产生这种巨大变化的原因归根结底还是文化话语权的归属。本文试图从以上五个呈现节目的生产方式要素入手,厘清不同时期政治、经济、文化、社会等因素对于电视节目的影响和作用,分析文化话语权的转变,深描改革开放后,文化话语权从“精英文化”到“大众文化”再到“草根文化”的变迁过程,关注普通大众参与媒介生产的强烈愿望和表达欲望。从选秀类真人秀节目生产方式的深刻变革中,探寻“文化发展”的历史轨迹,揭示大众文化的发展走向。
[Abstract]:With the changes of media technology, the influence of culture and entertainment needs of the audience change and other factors, the variety show production in recent decades in the constantly changing. From the CCTV Spring Festival Gala "grand arts magazine > ChiaTai >, to twentieth Century 90s the beginning of the rise of Hunan TV" happy camp ", and 2004 the light draft activities climax of Super Girls, Zhejiang satellite TV to the last two years The Voice of China < > and < > China CCTV good songs can be seen, the variety show in the mode of production has changed dramatically. In this paper, using the related theories of cultural studies, using literature analysis and case analysis, the these shows the production mode of history. These changes in the variety show production mode, also includes the elite culture, between the grassroots culture and consumer culture Looking back at the game. Chinese development track of TV entertainment program, has experienced four stages. The first stage is in 1983, CCTV launched the annual Spring Festival Gala twentieth Century > and < < grand arts during the early 90s ChiaTai > as the representative of the "Gala" form, and caused China's variety show "Star + show" mode of entertainment. The second stage is twentieth Century to the late 90s Hunan TV "happy camp" as the representative of the "interactive games" form, for the general audience in the "star + + game audience interaction" in the process of creating a more open civilian entertainment platform. The third stage is to at the beginning of the 2000s "Happy Dictionary > lucky 52>< as the representative of the puzzle entertainment, through the" audience + answer + jackpot "mode has greatly attracted the general public. The fourth stage is from twenty In the early 20th century began to appear "participants + race + privacy record" reality show, Hunan satellite TV to Super Girls as the originator, a draft class reality show entertainment whirlwind. In the process of developing talent reality show in the program form has undergone profound changes, set the stage from program production form,, roles and audience participation elements such as staff to the host, with the passage of time left to change the brand, and causes the great changes after all or cultural discourse. This paper attempts to present the elements belonging to the show from the above five modes of production, to clarify the different period of political, economic, cultural, social other factors affect the TV programs and the role change analysis of cultural discourse, deep description after the reform and opening up, cultural discourse from the "elite culture" to "mass culture" to" The changing process of grass roots culture concerns the general public's strong desire and desire to express their desire to participate in media production. From the deep transformation of the reality show production mode, we explore the historical track of "cultural development" and reveal the trend of mass culture development.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:G222
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