当代田园花鸟画研究

发布时间：2018-01-03 08:32

本文关键词：当代田园花鸟画研究　出处：《湖南师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：田园花鸟画是自然花鸟画的一部分,是指以描绘与农村田园劳作环境和农家家居生活环境等相关的植物、动物、器具为主要题材,以营造乡间生活气息、表现乡村田园景象为主要目的的绘画类型。而当代田园花鸟画则是指新中国建立后出现的表现新中国的新农村景象、新的田园生活气息的田园花鸟绘画。新中国成立之初,文艺事业蓬勃发展,毛泽东文艺思想被进一步确立和巩固。在“为工农兵服务”、“百家齐放,百家争鸣,推陈出新”文艺方针的指导下,许多美术工作者将目光转向了工厂和农村,他们描绘、歌颂工农兵,可以说以工农兵形象题材为主的人物画占据了当时整个社会的美术作品创作,而花鸟画则备受画家冷落。为了改变这种局面,许多花鸟画家突破传统花鸟画题材和表现技法,以农村动植物、劳动工具等为主要题材,创作了许多表现农村环境和农村生活的田园花鸟画,具有浓厚的乡土气息。20世纪的80年代,随着中国改革开放的进行,中国经济蓬勃发展,经济、政治、文化都加强了对外开放、交流。新的时代环境给当代田园花鸟的发展带来了新的活力,呈现出了手法多样、风格多元、材料多样等新的特征,给人们带来了新的视觉审美。但当代艺术理论界对当代田园花鸟画的研究甚少,常以“田园风味”“田园气息”等词简单概括。因此,本文试图通过对田园花鸟画的形成和发展的历史起源、当代田园花鸟画形成的时代背景、当代田园花鸟画面貌特征等几个方面进行研究分析,来说明当代田园花鸟画多元化的风貌和呈现出多元的审美观和价值观。本文的创新点在于通过历史、文学、美术等几个方面相结合来研究当代田园花鸟画的风貌。研究主要内容分为三个部分:一、传统田园花鸟画的起始与发展。通过对古代祈福思想、田园诗歌和隐逸文化的讨论,了解田园花鸟画的形成背景,并介绍分析了近现代一些画家的田园花鸟画作品,以便对田园花鸟画有一个基本的认识感受。二、主要介绍了当代田园花鸟画形成的时代背景和当时的文艺思想,以及介绍了当时一些画家的农村体验与生活感受,间接说明了当代田园花鸟兴盛发展的部分原因。三、本部分是本文研究的重点,分为三个内容。一是当代田园花鸟画的题材内容研究,分为两个方面,即表现农村劳作环境的田园花鸟画和表现农家家居生活景象的田园花鸟画;二是当代田园花鸟画的形式语言研究,主要是传统创新型的田园花鸟画、融合中国民间美术的田园花鸟画、融合西方绘画艺术特征的田园花鸟画、融合日本绘画艺术特征的田园花鸟画、融合现代设计元素的田园花鸟画;三是当代田园花鸟画的主要表现技法研究,分为传统中国画工写技法、肌理表现法、绘画材料综合运用技法。最后得出结论:当代田园花鸟画随着中国政治、经济、文化的发展变化呈现出了多元的风貌,出现了多元的审美和价值观念,丰富和繁荣了当代花鸟画。
[Abstract]:Pastoral painting is a natural part of painting, refers to the description associated with the rural pastoral work environment and living environment of the Home Furnishing farm animal, plant, equipment as the main theme, to create the country life, the type for the main purpose of painting the rural scene. Contemporary rural bird and flower painting refers to the new China after the establishment of the new Chinese new countryside scene, new pastoral pastoral flavor of flower and bird painting. The new China was first established, the vigorous development of Mao Zedong's literary thought is further established and consolidated. In the "peasants and soldiers", "burgeons, get rid of the contention of a hundred schools of thought guidelines," next, many artists turned to the factories and rural areas, they depict, praise the workers, peasants and soldiers can be said to the image of the main theme of the painting occupies the whole society beauty With the creation of works, and the bird is much painter left out. In order to change this situation, many artist break through the traditional flower and bird painting themes and performance techniques, to rural labor tools such as animals and plants, the main theme, produced many rural environment and rural pastoral life flower and bird painting, with a strong local flavor of the.20 century in 80s Chinese, along with the reform and opening up, China booming economy, economy, politics, culture and strengthen the opening exchanges. The new era brought new vigor to the development of contemporary pastoral flowers, showing a diversified approach, a variety of styles, a variety of materials such as new features, brings people a visual aesthetic new. But contemporary art theory research of contemporary rural bird and flower painting is very little, often in the "Pastoral" and "Pastoral" and other words in simple terms. Therefore, this paper attempts through to the flower garden The historical origin of the formation and development of the bird painting, the formation of contemporary rural bird and flower painting background, several contemporary rural bird and flower picture features and other aspects of research and analysis to illustrate the pastoral style of contemporary painting and showing diversified aesthetic values and pluralistic values. The innovation of this paper is through history, literature, art etc. combining several aspects of contemporary rural bird and flower painting style. The main research content is divided into three parts: first, starting with the development of the traditional pastoral painting. Through the ancient Clifford thought, discuss the pastoral poetry and the recluse culture, forming background of pastoral painting, and introduces the works of painting in garden some modern painters, in order to have a basic understanding of the feelings of pastoral painting. Two, mainly introduces the formation of contemporary rural bird and flower painting background and the literary thought, and Then introduced some painters of rural experience and life experience, shows the part of contemporary rural bird and flower flourish. Three, this part is the focus of this paper, divided into three parts. One is to study the theme of contemporary rural bird and flower painting, divided into two aspects, namely the manifestation of rural pastoral work environment the flower and bird painting and the performance of farmers Home Furnishing pastoral life scene painting; two is the study of formal language of contemporary rural bird and flower painting, mainly is the traditional innovative garden flower and bird painting, fusion China folk art garden flower and bird painting, Western painting art fusion characteristics of garden flower and bird painting, Japanese fusion of art characteristics of painting garden flower and bird painting, the fusion of modern design elements of pastoral painting; the three is the main research techniques of contemporary rural bird and flower painting, divided into traditional China painter writing techniques, texture representation, painting materials comprehensive utilization technology Finally, it comes to the conclusion that contemporary pastoral and flower and bird painting shows diverse features with the development of Chinese politics, economy and culture. There are diverse aesthetic values and values that enrich and flourish contemporary flower and bird paintings.

【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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