1980年代中韩女性诗意象比较研究

发布时间：2018-01-05 17:15

本文关键词：1980年代中韩女性诗意象比较研究　出处：《延边大学》2017年硕士论文　论文类型：学位论文

更多相关文章： 女性诗 1980年代 意象 女性主义

【摘要】：无论是中国还是韩国,在长期的儒家思想以及根深蒂固的男权社会影响下,女性一直承担着相夫教子、生儿育女的义务,尊崇着女子无才便是德。进入现代社会之后的女性不仅在思想上,行动上也发生了翻天覆地的变化。在西方女性主义的影响下,1980年代对于女性诗歌创作有着与众不同的意义。再加上中国的文化大革命结束和韩国的军事政权下台,女性诗人们终于迎来了属于她们的春天。虽然中韩两国女性诗人在诗歌形式、表达方式等方面不尽相同,但是在诗歌意象的选择上呈现出了共同性。那么,1980年代中韩女性诗中主要出现了哪些意象?这些意象存在着什么样的共同点?虽然选择了相同的意象,但是两国长久以来的政治、经济、文化以及作者的生活经历是否会让她们对这些意象产生不同的阐释?1980年代中韩女性诗对两国有着怎样的意义?从以上问题为出发点,本论文以中国的翟永明和伊蕾、韩国的高静熙和崔胜子在1980年至1989年出版的诗集为研究对象,运用女性主义批评方法与比较文学中的平行研究方法,重点对黑夜(黑暗)、空间(卧室和坟墓)、女性身体三个意象进行分析比较,寻找其中的共同点与不同点。笔者在第二章与第三章分别论述了 1980年代中国和韩国女性诗的社会背景,发展条件,以及发展历程和特点。之后第二章分别论述了黑夜、卧室、女性身体(四肢、乳房等女性器官写作)意象以及它们的象征意义,第三章分别论述了黑暗,坟墓,子宫意象及它们的象征意义。第四章中主要论述了 1980年代中韩女性诗意象的异同点。首先,1980年代中韩女性诗人在诗创作中对西方女性主义思想的接受以及根据两国国情不同的情况下,两国女性诗人对西方女性思想的运用。其次,两国女性诗人对同一意象的不同解读,论述重点在黑夜与黑暗、卧室与坟墓以及全身写作(女性器官)与子宫三个意象的对比分析。本文通过对1980年代中韩女性诗的意象进行比较分析,揭示出1980年代对于中韩两国女性诗发展的重要作用,不仅是对1980年代女性诗的发展,对于两国诗歌比较上也有重要意义。
[Abstract]:In both China and South Korea, under the influence of Confucianism and deep-rooted patriarchal society, women have always assumed the obligation to meet their husbands and teach their children and have children. After entering the modern society, the female not only in thought, but also in the action has taken place the earth-shaking change. Under the influence of western feminism. The 1980s had a different meaning for women's poetry, coupled with the end of the Cultural Revolution in China and the downfall of the military regime in South Korea. Female poets finally ushered in their spring. Although the Chinese and Korean female poets in the form of poetry, expression and other aspects are different, but in the choice of poetic imagery presents a commonality. What are the main images in Chinese and Korean women's poems in the 1980s? What do these images have in common? Although the same images are chosen, will the political, economic, cultural and author's life experiences of the two countries lead to different interpretations of these images? What is the meaning of Chinese and Korean Feminine Poetry to the two countries in the 1980s? From the above point of view, this thesis focuses on the poems published by Zhai Yongming and Yilai of China, Gao Jing and Choi Shengzi of South Korea from 1980 to 1989. By using the feminist criticism method and the parallel research method in comparative literature, this paper focuses on the analysis and comparison of the three images of night (darkness, space, bedroom and tomb, and female body). In the second and third chapters, the author discusses the social background and development conditions of Chinese and Korean female poetry in the 1980s. After the second chapter discusses the night, bedroom, female body (limbs, breasts and other female sex organs writing) images and their symbolic significance, the third chapter respectively discusses the dark, grave. The uterine images and their symbolic meanings. Chapter 4th mainly discusses the similarities and differences of the poetical images of Chinese and Korean women in the 1980s. First of all. In the 1980s, the Chinese and Korean female poets accepted the western feminist thought in their poetry creation and applied the western female thought according to the different conditions of the two countries. Secondly. The different interpretations of the same image by the female poets of the two countries focus on darkness and darkness. This paper makes a comparative analysis of the three images of bedroom and grave, as well as of the whole body writing (female sex organ) and uterus. This paper makes a comparative analysis of the images of Chinese and Korean female poems in the 1980s. It is revealed that the 1980s played an important role in the development of Chinese and Korean female poetry, not only in the 1980s, but also in comparison between the two countries.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I106.2-03

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