WPP日常生活类摄影（单图类）视觉框架析（1997-2016）

发布时间：2018-01-07 12:45

本文关键词：WPP日常生活类摄影（单图类）视觉框架析（1997-2016）　出处：《北京外国语大学》2017年硕士论文　论文类型：学位论文

【摘要】：荷赛新闻图片奖作为重要的世界新闻类图片奖项,其倾向的价值选择与倡导的图片新闻理念,尽管不是唯一标准或最高标准,但其研究价值语不言而喻;在日常生活方面,由于其新闻价值方面的弱化,尤其与灾难、突发类等不可比拟,这方面的相关较少。但归根结底,二者具有不同的性质,而人类问题及生活的广泛,新闻作品不能仅以是否具有非常显著的新闻时效性来衡量,一些时间周期比较长的价值观念问题、政治经济形态问题和其他具有争议性的人类社会深层次问题等等,同样需要引起关注。同时,在视觉传播的时代,图片不管在议程设置方面还是新闻专业性的追求方面,都扮演了极其重要的角色。由于提供了一种更好地讲故事的方式,同时使人们能够看到更多的东西,视觉传播在新闻业以其对新闻独特的呈现方式占有重要地位。同时由于将三维的故事以一种平面、静止的方式呈现,新闻图片具有非常大的新闻、美学及社会价值。本文以1997年至2016年WPP日常生活摄影单图类获奖图片作为研究对象,首先对其进行报道题材与类别的分类、梳理,然后以框架理论为基础,对其所属框架进行分类、归纳,进行卡方分析,研究题材与框架分布之间的关系,研究问题包括摄影师在图片上的选择如何贡献于其倾向,无论是在新闻业务上还是社会寓意上;其背后的长远价值观或深层次观望是什么;以及它们是如何从日常生活中的静态图片上体现出来的。进而发现,社会热点类话题多以揭示性框架,即以小见大,以部分推测整体,以个人命运洞见社会热点的框架;反映风土人情、国家、地域现状等的则更多以记录、更多倾向于静态美学特征、符号性的手法;而反映特殊群体的日常生活类场景则更多地附以人类情感与关怀,特别是对弱势群体。通过研究,结合荷赛奖的宗旨以及历年沿革,发现荷赛奖在日常生活类图片方面的价值观,即尽管时效性、新闻性有所弱化,其对人类命运的关注依然是重点所在,同时在技术、个性化上有所偏重。
[Abstract]:As an important world news photo award, the Horsey News Picture Award tends to choose the value of its tendency and advocate the concept of photo news, although it is not the only standard or the highest standard, but its research value is self-evident; In daily life, due to the weakening of its news value, especially with disasters, emergencies and other unparalleled, this aspect of the correlation is less, but in the final analysis, the two have different properties. However, with the wide range of human problems and life, news works can not only be measured by whether or not they have very significant news timeliness, some value issues with relatively long time periods. The problems of political and economic forms and other controversial deep-seated problems of human society and so on, also need to attract attention. At the same time, in the era of visual communication. Pictures play an extremely important role both in setting the agenda and in the pursuit of journalistic professionalism by providing a better way to tell stories while allowing people to see more. Visual communication plays an important role in the news industry because of its unique presentation of news. At the same time, because of the three-dimensional story as a plane, static way to present, news pictures have a very large news. Aesthetic and social value. This paper takes the award-winning pictures of WPP daily life photography from 1997 to 2016 as the research object, firstly classifies the subjects and categories of the reports and combs them. Then on the basis of frame theory, it classifies, induces, analyzes and studies the relationship between subject matter and frame distribution. Research questions include how photographers' choice of pictures contributes to their propensity, whether in the news business or the social implications; What is the long-term value or deep wait-and-see behind it; And how they are reflected from the static pictures of daily life. Then we find that social hot topics are more revealing framework, that is, through a small part to see the whole, with part to speculate on the whole. The frame of seeing social hot spots with personal destiny; Reflect the local customs, countries, regional status quo and so on more to record, more tend to static aesthetic characteristics, symbolic techniques; And reflecting the special group of daily life scenes are more attached to human feelings and concern, especially for the vulnerable groups. Through research, combined with the purpose of the Horsey Award and the evolution of the past years. It is found that the value of the Horsey Prize in daily life pictures, that is, although the timeliness and newsworthiness is weakened, the focus on human destiny is still the focus, and at the same time, the emphasis is placed on technology and personalization.
【学位授予单位】：北京外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J419.1

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