云南富宁县汉族女性传统服饰文化研究

发布时间：2018-03-02 22:21

本文选题：云南富宁　切入点：汉族　出处：《北京服装学院》2015年硕士论文　论文类型：学位论文

【摘要】：本文以云南省富宁县汉族女性传统服饰为研究单元，从富宁县汉族的地理分布、历史渊源入手，探讨富宁县汉族所处的自然环境、社会环境以及心理因素与其服饰的关系；以服饰现状为切入点，通过对清末民初相关服饰的梳理、与周边主体少数民族服饰的比较，呈现出富宁汉族女性在特定时空中独特的服饰风貌；探析富宁汉族女性传统服饰美学在形制、色彩、图案方面的体现以及深层的文化内涵，最后对社会转型中传统服饰文化的保护与传承提出几点见解。云南富宁汉族女性服饰经历了明清、民国、新中国成立到改革开放几百年的历史变迁，并且与周边少数民族不断地融合，既保留着明清服饰的形制，又不断吸收少数民族服饰的装饰因素，形成了自己独特的服饰文化体系。服饰是一种审美符号，它除了御寒蔽体的功能之外，还具有审美意义，服饰的发展变化是人的审美追求的外在显现，富宁汉族传统服饰的传承与发展规律离不开服饰美学思想的转变。本文重点从服饰美学的角度，透视富宁女性汉族传统服饰的美学价值以及汉族人们的审美情趣和审美习惯，希望从中找出一些可以让我国服饰美学研究者以及服装设计者借鉴的经验，推进我国在该领域的研究与发展。论文从富宁汉族女性这一特定群体与社会历史情境之间的关系视角切入，剖析了服饰作为时代的反映，它反映了一个族群在历史上的政治、经济、文化等方方面面，这样的研究涉及社会学、文化史、心理学等多领域；服饰美学是美学研究的一个分支，既与哲学相联系，又具有自己的研究重点。因此，，富宁汉族女性传统服饰文化的研究，实质上是吸取其他学科有益成果基础上的一门综合探讨。
[Abstract]:This paper takes the traditional dress of Han women in Funing County, Yunnan Province as the research unit, starting with the geographical distribution and historical origin of the Han nationality in Funing County, and discusses the relationship between the natural environment, social environment and psychological factors of the Han nationality in Funing County. With the current situation of clothing as the breakthrough point, through the combing of the relevant clothing in the late Qing Dynasty and the beginning of the Republic of China, and compared with the clothing of the surrounding main body of ethnic minorities, it shows the unique dress style and features of the women of the Han nationality in the special time and space. This paper probes into the embodiment of the traditional dress aesthetics of Founing Han nationality in the aspects of form, color, pattern and the deep cultural connotation, and finally puts forward some opinions on the protection and inheritance of the traditional dress culture in the social transformation. Women's clothing of Han nationality in Funing, Yunnan has experienced the historical changes from the founding of the Ming and Qing dynasties, the Republic of China, the founding of New China to the reform and opening up to the outside world hundreds of years ago. They absorb the adornment factors of the ethnic minorities and form their own unique dress culture system. Clothing is a kind of aesthetic symbol, which has aesthetic significance in addition to its function of shielding against the cold. The development and change of clothing is the external manifestation of people's aesthetic pursuit, and the inheritance and development law of traditional dress of Funing Han nationality can not be separated from the transformation of dress aesthetics. Through the aesthetic value of Founing female Han nationality traditional dress and the aesthetic taste and habit of Han people, I hope to find out some experience that can be used for reference by Chinese dress esthetics researchers and costume designers. To promote research and development in this field in China. From the angle of view of the relationship between the Founing Han women and the social and historical situation, the paper analyzes the clothing as a reflection of the times, which reflects the political, economic, cultural and other aspects of an ethnic group in history. Such research involves many fields such as sociology, cultural history, psychology and so on. Clothing aesthetics is a branch of aesthetic research, which is not only linked to philosophy but also has its own research focus. In essence, it is a comprehensive discussion based on the beneficial results of other disciplines.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TS941.12

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