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清代人物画中儿童图像研究

发布时间:2018-03-08 16:21

  本文选题:清代 切入点:儿童图像 出处:《陕西师范大学》2014年硕士论文 论文类型:学位论文


【摘要】:清朝是一个由少数民族所统治的封建君主制王朝,因此这一时期绘画风格不仅会有前代的遗风,更是会因为改朝换代而独具创作的风格,这种风格与个性借艺术表现出自己的独特的主张与创作激情时,自然就会产生独属于这一特定时期的创作风格与特点。清朝的建立是经过很长时间的艰苦卓绝的战争之后的,战后的人们珍惜太平的日子,政治局势相对稳定,加之中国传统的观念便是提倡和尊崇多子多孙,同时也是战后添丁的需要,建立清王朝以来清朝政治局势相对稳定的状况下,贵族统治者们以及老百姓都希望实现人丁兴旺的愿望,实现多子多福的家庭生活环境。以上的这些条件都为为儿童题材类型的绘画的产生奠定了坚实的基础,这类型儿童题材绘画出现的形式多样,内容丰富,由此深刻地反映了当时的社会状况和时代的审美趋势。 中国人物画史上儿童题材绘画有着悠久的历史。早在战国时期,儿童题材绘画已经产生和萌芽,在魏晋时期得到长足的发展。本文主要以清代儿童绘画为主要研究对象,结合中国人物画发展史的深厚底蕴探究清代人物画中儿童题材图像的渊源及发展,对清代这一特定时期中的人物画进行研究。人物画中儿童题材自宋朝以后就处出现了衰落,所以本文所要搜集的对象资料较为分散,比较难以收集。本文的主要任务是探究清代人物画中儿童图像的艺术特点,并加以具体分析。同时研究一些具有时代影响力的画家及其作品,结合他们绘画上的独特风格,完整梳理这一特定时期儿童绘画题材的特点。 儿童题材绘画在中国人物画史上有着悠久的历史。早在战国时期,儿童题材绘画已经产生和萌芽,在魏晋时期得到长足的发展,当然,在唐代儿童题材绘画也有着繁荣的景象,并且兴盛在宋朝,可以说儿童类型题材绘画在中国人物画坛上已经有两千多年的历史,由此可见儿童题材绘画在传统绘画中有着重要的地位。然而令人惋惜的一个现象是,历经几千年的儿童题材绘画在整个画史中并不是很受重视,其中的原因是多种多样的,因此产生历年的中国人物绘画史有关于儿童题材绘画的内容是少之又少。这种偏重的现象在我们中国人物画史上是值得关注和研究的。 本文主要内容分为以下几个部分: 导言部分主要对当前儿童题材类型绘画研究的一些主要成果进行归纳和总结,并提出自身的而所要的独特的方向以及先前此类研究的一些不足和缺陷的地方。 第一章对儿童题材绘画进行主要的概述并对其范畴作了较为系统的研究,得出清代儿童题材绘画品种丰富,特色鲜明,其次还阐述了儿童题材绘画当时的时间背景,分别从它的政治、经济、文化思想方面做简要的介绍。 第二章对儿童题材绘画的种类作了大概的阐释,主要把题材来划分,儿童题材绘画类型绘画分为宫廷类型的儿童题材绘画,文人类型绘画以及民间绘画又细分为纸卷画和版画。 第三章主要论述儿童题材图像中的艺术特性其艺术特征显著的体现在题材的民俗性特征,构图等的程式性特征以及造型人物的等的多样性。 第四章主要对儿童题材类型绘画图像语言分析与艺术风格分析,图形语言分析包括构图、色彩、造型、题材分析,以及清代儿童图像艺术风格分析。文人画的写意性,宫廷画的继承性以及娃娃画的象征性。 第五章最后论述儿童题材绘画研究的现实意义。
[Abstract]:The Qing Dynasty is a minority ruled by a feudal monarchy Dynasty, so the painting style of this period will not only have the legacy of the previous generation, it is because of the unique creative style change dynasties, the art style and personality by showing their own unique ideas and creative passion, will naturally produce creative style and the characteristics unique to the specific period of the Qing Dynasty was established. After a long time of the war of the extremely hard and bitter war, cherish the people live in peace, the political situation is relatively stable, and the traditional concept of China is advocated and respected fertility, but also the childbirth needs, since the establishment of the Qing Dynasty the Qing Dynasty political situation a relatively stable situation, noble rulers and people all hope to achieve a desire to achieve multi Fu family living environment. These conditions above All of them laid a solid foundation for the production of children's theme painting. This type of children's theme painting has various forms and rich contents, which profoundly reflects the social situation and the aesthetic trend of the times.
Chinese figure painting history children painting has a long history. As early as the Warring States period, children's paintings have been produced and budding, get considerable development in the Wei and Jin Dynasties. This paper mainly takes the children's painting as the main research object, combined with the development history of China painting heritage deep origin and development of Qing Dynasty painting on the theme of children the image of the Qing Dynasty in the period of the painting. The painting theme of children since the Song Dynasty later appeared in decline, so this paper will collect the data objects more scattered, difficult to collect. The main task of this paper is to explore the artistic characteristics of the Qing Dynasty painting of children's image, and make a concrete analysis at the same time. Some of the artists and their works with the times influence, combined with their unique style of painting, in the first period of children painting Characteristics.
Children painting has a long history in the history of portraiture. Chinese early in the Warring States period, children's paintings have been produced and budding, gained great development in the Wei and Jin Dynasties of course, also have a children's prosperity in the Tang Dynasty painting, and flourished in the Song Dynasty, can be said that children type painting has been more than two thousand years in the China figure painting in the history of the childrens painting plays an important role in traditional painting. However, a phenomenon is lamentable, after thousands of years of children painting in the painting is not very popular, the reason is various, so over the years Chinese figure painting history there is a children's theme of painting content is less and less. This phenomenon is more worthy of attention and study in our Chinese history of portraiture.
The main contents of this paper are divided into the following parts:
The introductory part mainly summarizes and summarizes some main achievements of the current research on children's theme painting, and puts forward the unique direction and some shortcomings and shortcomings of previous studies.
The first chapter of the childrens painting mainly overview and the category made a more systematic study, the Qing Dynasty children painting rich variety, distinctive features, and the children's paintings at the time of the time background, from the political, economic, cultural and ideological aspects will be briefly introduced.
The second chapter gives a general interpretation of the types of children's theme paintings, mainly dividing the themes. Children's theme painting types are divided into the palace type children's theme paintings, literati type paintings and folk paintings, which are also divided into scroll painting and engraving.
The third chapter mainly discusses the artistic characteristics of children's theme images, whose artistic characteristics are mainly reflected in the folklore characteristics of subjects, the stylized features of composition, and the diversity of modeling characters.
The fourth chapter is the analysis of the main types of theme on children's painting image and artistic style of language analysis, graphic language analysis including the composition, color, style, genre analysis, and image analysis. The Qing Dynasty children's artistic style of literati painting freehand brushwork, inherited palace paintings and symbolic doll painting.
The fifth chapter finally discusses the practical significance of the study of children's subject painting.

【学位授予单位】:陕西师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212

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