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瓷青纸金银彩绘研究

发布时间:2018-03-24 12:33

  本文选题:瓷青纸 切入点:金银 出处:《湖北工业大学》2017年硕士论文


【摘要】:瓷青纸,又称绀碧纸、青藤纸,是为我国古代著名的珍贵纸品。这种深蓝色的染色加工纸因为颜色与明代青花瓷相似而被当时大众所熟识。瓷青纸作为中国传统的染色加工纸,常被运用在佛教的手抄绘本上,有着独特的设计和制作工艺,是我国工艺美术史上不可或缺的一部分。到了汉代,藏传佛教由印度传入中原后,对我国的政治、经济、文化都起到了深远的影响和促进作用。为弘扬佛法,佛像的象形化日渐普及。不仅出现了各种石材和金属制作的佛造像,还被广泛的运用到了佛经绘本上,便于人们翻阅和携带。为了表示虔诚,最奢侈的就是用金银泥来抄写和描绘。这种使用中国传统靛蓝染色纸和贵重金银泥为材料的搭配相得益彰,使得传统中国画突破了以往白纸黑墨的载体,形成了其独具一格的特色。体现了古代中国人民的智慧和卓越的审美情操。本文以瓷青纸在传统佛教典籍中的装饰绘画为主题进行研究和分析,通过对中国传统瓷青纸的制作、绘画技法的剖析以及其外在上所表现出的色彩的搭配、形式的美感、节奏的韵律等审美意趣,内在上所蕴含的宗教、礼仪和传统文化内涵的探索,研究传统经典绘画图式在瓷青纸金银彩绘中的运用,探索其与当代新型材料和普世图样搭配的可能性。并探讨中国传统瓷青纸金银彩绘工艺适宜在现代载体中既要保留对传统文化的传承,又要符合当代的审美特征,有效的去宗教化,更好的贴近人们的生活。最后再以瓷青纸金银彩绘的绘画实践为案列,进行了大量的绘制练习,利用瓷青纸金银彩绘工艺制作永乐宫壁画长卷一张。其次,为了更好的与现代艺术相结合,特运用替换与重组、化繁就简等艺术手法在绘画内容和装饰纹样上进行创新,实现了瓷青纸金银彩绘在当代新型载体中的具体应用。瓷青纸金银彩绘工艺特殊,描金的技法也别具一格,形成了其独特的艺术风格,有着较高的艺术价值,并且随着历史发展这类绘画显得尤为的珍贵特别,且前人未曾出现专门针对此类绘画的文献著作,值得我们去加以专门的探讨与研究。
[Abstract]:Porcelain blue paper, also called cyanobite paper, is a famous precious paper product in ancient China. This dark blue dyed paper was recognized by the public at that time because of its similar color to Ming Dynasty blue and white porcelain. Celadon paper was used as Chinese traditional dyeing paper. It is often used in the hand-copied picture books of Buddhism, with its unique design and production technology, which is an indispensable part of the history of Chinese arts and crafts. In the Han Dynasty, Tibetan Buddhism was introduced from India to the Central Plains, and it was of great importance to the politics and economy of our country. Culture has played a profound role in promoting Buddhism. In order to promote the Buddha Dharma, the pictography of the Buddha has become more and more popular. Not only have all kinds of statues made of stone and metal appeared, but they have also been widely used in the picture books of the Buddhist scriptures. It is convenient for people to read and carry. In order to be religious, the most extravagant thing is to use gold and silver mud to copy and depict. This combination of traditional Chinese indigo dyed paper and precious gold and silver mud is perfect. Make traditional Chinese painting break through the carrier of white paper and black ink in the past, Forming its unique characteristics, reflecting the wisdom and outstanding aesthetic sentiment of the ancient Chinese people. This paper studies and analyzes the decorative painting of porcelain blue paper in traditional Buddhist books and works, and through the production of Chinese traditional porcelain blue paper, The analysis of painting technique and the aesthetic interest such as collocation of color, aesthetic feeling of form, rhythm and rhythm, the exploration of the connotation of religion, etiquette and traditional culture, This paper studies the application of traditional classical drawing schemata in gold and silver painting of porcelain and blue paper. To explore the possibility of collocation with contemporary new materials and universal designs, and to explore that Chinese traditional porcelain, paper, gold and silver painting techniques are suitable for preserving the inheritance of traditional culture and conforming to the contemporary aesthetic characteristics in modern carriers. Effectively dereligious, better close to people's life. Finally, with the porcelain paper gold and silver painting painting practice as a case list, carried out a large number of drawing exercises, the use of porcelain paper gold and silver painting technology to make a long roll of Yongle Palace murals. Second, In order to better combine with modern art, especially use replacement and reorganization, simplify and other artistic techniques in painting content and decorative patterns of innovation, It has realized the concrete application of the porcelain blue paper gold and silver painting in the contemporary new carrier. The porcelain blue paper gold and silver painting technology is special, the gold painting technique is also unique, has formed its unique artistic style, has the higher artistic value, And with the development of history, this kind of painting is particularly precious and special, and predecessors have not produced literature works specifically for this kind of painting, it is worth our special discussion and research.
【学位授予单位】:湖北工业大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J205

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