京津地区的早期电影传播、产业及生态研究（1896-1931）

发布时间：2018-03-25 19:24

本文选题：京津　切入点：电影生态　出处：《中国艺术研究院》2014年硕士论文

【摘要】：本文以京津地区的电影为研究对象,通过对相关报纸、杂志、书籍的翻阅查证,试图还原出1896年到1931年这段时间内的电影传播、产业及生态的初级轮廓。论文从电影的传入、电影院的形态和营销、电影的制片、发行、放映及电影检查、电影报刊、电影批评、电影受众等多个角度对此进行说明和阐释。京津地区的政治经济文化生态在一定程度上影响着电影的民族化和本土化发展,三十多年间电影从片段式的默片影像到有声的剧情长片,从茶园、戏院走向舒适的专业电影院,从西片独霸市场到国产电影的多题材突破,从茶余饭后的谈资到理性的史论批评,受众囊括了底层民众、知识分子、贵族官员等多个阶层。电影的画面、声音、表演、导演、摄影等技术日臻完善,电影所承载的道德、政治、审美、社会等属性不断显现,为京津地区早期电影生态的研究提供了丰富的素材。
[Abstract]:This article takes the movie of Beijing and Tianjin as the research object, through the examination of related newspapers, magazines and books, attempts to restore the primary outline of film communication, industry and ecology during the period from 1896 to 1931. Cinemas form and marketing, film production, distribution, projection and film censorship, film press, film criticism, The political, economic, and cultural ecology of the Beijing-Tianjin region, to a certain extent, affects the nationalization and localization of the film. Over the past 30 years or so, films have ranged from segmented silent films to audible feature films, from tea gardens and theatres to comfortable professional cinemas, from the dominance of western films in the market to the multi-theme breakthroughs of domestic films. From after-dinner talks to rational historical criticism, the audience includes people at the bottom, intellectuals, aristocratic officials, and so on. The picture, sound, performance, director, photography and other techniques of the film are becoming more and more perfect, and the morality carried by the film. Political, aesthetic, social and other attributes appear constantly, providing rich materials for the study of the early film ecology in Beijing and Tianjin.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.2

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