漫瀚调的艺术特色与演唱研究

发布时间：2018-03-28 07:23

本文选题：漫瀚调　切入点：文化融合　出处：《沈阳师范大学》2017年硕士论文

【摘要】：漫瀚调是产生并流行于内蒙古西部鄂尔多斯一带的一种民歌形式,它是在特定的历史条件下,蒙汉两族人民长期共同生产、生活的产物,是两族人民共同创造的、融合了蒙汉两个民族文化特色的地方歌种,是蒙汉人民情感智慧的结晶。蒙汉文明的碰撞、交融与其所处历史时期的地理、社会、经济、文化背景密切相关。鄂尔多斯高原享有民间艺术的“歌海舞乡”之美誉,蒙古族民歌更是数量繁多,品位高雅。与内蒙古毗邻的秦、晋地区文化传统源远流长,最具代表性的民歌形式山曲儿和信天游更是独具特色。就是在这样兼容并蓄的环境下,兼具了两族音乐文化特点的漫瀚调应运而生。漫瀚调的曲式、旋律、节奏、调式、伴奏、唱词及演唱风格等都具有其独特的艺术特征。漫瀚调的曲式多结构较为规整,一般由两句或四句的方整性乐段构成;旋律主要以蒙古族短调民歌为根基;节奏较为鲜明,多用切分附点音符,二拍子或四拍子最为常见;调式多由五声音阶构成,变声使用极少;伴奏乐器主要有蒙古族的四胡及汉族的梅和扬琴,现代逐渐出现了电子琴和手风琴等伴奏乐器;唱词多运用赋、比、兴的手法,尾缀中较多使用衬词,句中常出现叠词,较多运用方言以及独特的“风搅雪”;演唱多男女对唱形式,其语言属晋、陕西部方言,演唱方法为典型的原生态唱法,声腔也以男女同腔最具特色,演唱时主要运用丹田气,演唱中的咬字及气息的运用对歌曲情感的表达极为重要。漫瀚调是蒙、汉两族人民在政治、经济、文化等诸多方面相互渗透、相互影响的产物,体现了蒙、汉人民水乳交融的深厚情谊。因此,漫瀚调不仅具有极高的艺术价值,还蕴含着深厚的文化根基。
[Abstract]:Manhandiao is a form of folk song produced and popular in the Ordos area of western Inner Mongolia. It is the product of the long-term joint production and living of the Mongolian and Han peoples under the specific historical conditions, and it was created jointly by the two peoples. It is the crystallization of the emotional wisdom of the Mongolian and Han peoples. The collision of Mongolian and Chinese civilization and the geography, society and economy of the historical period in which they live, Cultural background is closely related. Ordos Plateau enjoys the reputation of "Song Hai Dance Township" of folk art, and Mongolian folk songs are more numerous and elegant. The cultural tradition of Qin and Jin regions, adjacent to Inner Mongolia, has a long history. The most representative forms of folk songs, Shan qu and Xin Tian you, are even more unique. It is in such an all-embracing environment that Man Han's tune, which has the characteristics of both peoples' music and culture, came into being. The melodies, melodies, rhythms, tunes, and accompaniment of Man Han's tune come into being. Singing words and singing style have their own unique artistic characteristics. Manhandi's multi-structure is more regular, generally composed of two or four sentences of square and integral music; the melody is mainly based on Mongolian folk songs; the rhythm is relatively bright. The most common is the second or fourth beat; the tone is mostly composed of five scales, with few variations used; and the accompaniment instruments are mainly Mongolian Sihu and Han's plum and yangqin. Modern music instruments such as electronic organ and accordion have gradually appeared. The singing words are more often used in Fu than in Xing, and in suffixes they are more often used in contrast words, and in sentences they are often duplicated. More use of dialect and unique "wind stir snow"; singing more than men and women singing form, its language belongs to Jin, Shaanxi dialect, singing method is a typical original singing method, the voice is also male and female with the most characteristics of the same cavity, the main use of Dantian air when singing, The use of words and breath in singing is very important to the expression of song emotion. Manhantai is the product of the mutual penetration and influence of the people of the Han nationality in politics, economy, culture and so on. Therefore, Man Han tune not only has the extremely high artistic value, but also contains the profound cultural foundation.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607

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