晋祠圣母殿宋代彩塑人物服饰文化研究

发布时间：2018-04-10 09:10

本文选题：晋祠圣母殿　切入点：宋代　出处：《太原理工大学》2017年硕士论文

【摘要】：服饰文化作为一个民族传统文化体系的重要组成部分之一,他一直在这个体系中占据其不可动摇的地位。中国历史数千年,服饰文化伴随着中国历史亦经历了数千年的发展,到今天使其拥有了深厚的文化底蕴,成为了具有鲜明中国传统文化和民族特色的文化符号。近年来,由于国学的兴起,汉服热也随之不断升温,不管是汉服复兴还是以汉文化为元素的服装设计,都受到了国内外设计师的广泛关注和追捧。从中国服饰发展史的角度来看,唐、宋两个朝代是中国传统服式服制的规定和风格确立阶段,特别是宋朝,尽管当时与辽、金两政权对峙,但未像魏晋那样发生民族大迁徙,所以宋代的确是保留了比较多的汉文化传统包括服饰传统风格,而且归纳、提炼之后,又有所升华,为明代的服饰文化大一统局面奠定了基础,可以说宋朝服饰是汉文化服饰的典型代表。而晋祠彩塑建于北宋元佑年间,圣母殿经历了历史的洗礼后仍然大放异彩,尤其是圣母殿中的彩塑人物,承载了宋代工匠们的高超技艺,每一尊彩塑像都有着与真人相接近的人体比例关系,其衣纹随身体的摆动而呈现出的转折关系也被表现的妙不可言,一尊尊彩塑像神色各异,从他们的眼神中我们似乎能够探听到他们之间正在发生的故事。俨然是一个北宋宫廷生活的小缩影。本文在对晋祠圣母殿彩塑人物的实际观察之上,结合大量的文献资料和出土文物以及地上文物进行比对,融合北宋政治、经济、文化、科技等方面会对宋代服饰产生的影响,从晋祠圣母殿宋代彩塑服饰入手,分析其服装款式、色彩搭配等来探析宋代宫廷对服饰制度的规定和偏好,并从其所表达的服饰文化来分析彩塑人物之间的关系,还原一个有血有肉的宫廷生活场景。本文在研究时利用服装设计者的专业实践能力,做出了每一尊彩塑像的服装展示平面图,相信为现代服饰的设计和应用都能够提供了一个丰富的研究依据。帮助设计者在以汉服为灵感来源的作品中能做出真正具有中国汉儒文化韵味的设计;也为宋服还原设计提供一个可靠的参照。最后为晋祠彩塑人物的服饰文化传承提出方案,包括影响传承的因素以及传承的方面还有传承的具体方法。另外本文在研究时发现,晋祠彩塑群像随着年代的变迁,不断出现褪色、风化等文物损毁的现象,作者感受到了那份珍贵的地上遗产正在与我们渐行渐远,特在此提出晋祠圣母殿的彩塑人物群像不仅是雕塑史上的瑰宝,更是服饰史上不可忽视的一笔巨大的财富,应加强对彩塑人物的保护,尽量使其损毁程度不至于愈发严重,为日后其他学者对晋祠彩塑人物群像进行更深入的研究提供更有价值的依据。
[Abstract]:As an important part of a national traditional culture system, costume culture has always occupied an unshakeable position in this system.With thousands of years of Chinese history, dress culture has experienced thousands of years of development with Chinese history, so that today it has a profound cultural heritage, has become a distinctive Chinese traditional culture and national characteristics of the cultural symbol.In recent years, due to the rise of traditional Chinese culture, the popularity of Han clothing has also been heated. Both the revival of Han clothing and the clothing design with the elements of Chinese culture have been widely concerned and sought after by designers at home and abroad.From the perspective of the history of Chinese dress development, the Tang and Song dynasties were the stage of the establishment of the regulations and styles of Chinese traditional clothing system, especially the Song Dynasty. Although the two regimes of Liao and Jin were confronted at that time, there was no great migration of nationalities like the Wei and Jin dynasties.Therefore, the Song Dynasty did retain more Han cultural traditions, including the traditional style of dress, and after induction and refinement, it was sublimated, which laid the foundation for the unification of the dress culture of the Ming Dynasty.It can be said that the Song Dynasty dress is a typical representative of Han culture dress.The Jinci color sculpture was built in the years of North Song Yuan you. After the baptism of history, the Hall of the Virgin was still brilliant, especially the colorful figures in the Temple of the Virgin, which carried the superb skills of the craftsmen of the Song Dynasty.Each color statue has a human body proportion close to that of a real person, and the turning relationship between the patterns of its clothing and its body is also shown to be marvellous. One color statue looks different.From their eyes we seem to be able to hear the story that is happening between them.It is a miniature of the court life of the Northern Song Dynasty.On the basis of the actual observation of the color sculptures of the Jinci Hall of the Virgin, combined with a large number of documents and cultural relics unearthed as well as above ground cultural relics, this article compares the influence of politics, economy, culture, technology and other aspects of the Northern Song Dynasty on the dress of the Song Dynasty.Starting with the dress of the Song Dynasty color sculptures in Jinci Temple, this paper analyzes the style and collocation of the dress, and analyzes the rules and preferences of the dress system of the court of the Song Dynasty, and analyzes the relationship between the characters of the color sculpture from the dress culture it expresses.Restore a living court life scene.This paper makes use of the professional practical ability of the clothing designer to make the clothing display plan of each color statue, which is believed to provide a rich research basis for the design and application of modern clothing.To help designers in the works inspired by Han clothing can make a real Chinese Confucian culture flavor of the design, but also for the Song Dynasty to restore the design to provide a reliable reference.In the end, it puts forward the scheme for the cultural heritage of Jinci color sculpture figures, including the factors that affect the inheritance and the specific methods of inheritance.In addition, in the course of this study, we found that with the change of time, the colored statues of Jinci continued to appear the phenomenon of fading, weathering and other cultural relics, and the author felt that the precious heritage on the ground was moving away from us.It is proposed here that the colorful statues of the Jinci Virgin Hall are not only a treasure in the history of sculpture, but also a great wealth that can not be ignored in the history of clothing. We should strengthen the protection of the painted figures so that the extent of their damage will not become more serious.It provides a more valuable basis for other scholars to further study Jinci color statue groups.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS941.12

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