通于古而变于今：汝瓷之美的历史考察及当代创新

发布时间：2018-05-03 05:26

本文选题：汝瓷 + 审美特征　；参考：《陕西师范大学》2015年硕士论文

【摘要】：陶瓷器物自诞生之日起,在很长时期内一直只是作为生活必需品而存在着,及至宋代,历经数千年的烧造而终于完成了从实用到审美的蜕变。宋代瓷器行业空前壮大,不仅形成了许多名窑名品,而且还开创了陶瓷美学的新境界。汝窑作为五大名窑(官、哥、汝、定、钧)之首,以其端庄典雅的造型,无染无为的釉色,出水芙蓉般的清新秀丽著称于世。汝瓷虽曾造极于宋代,但却经历了盛极而衰的厄运,随着金兵入侵,窑毁人亡,技艺失传,至南宋已经“近犹难得”了。历朝历代均有仿制者,但多只能得其形似。冯先铭曾说过：“汝瓷的釉色最为难仿”。笔者认为难仿的不止是技术,而是文化。要想对汝窑有一个全面的认识,单从器物的形制大小,存世量多少进行一些单向性的研究难免会有一些局限。如若将汝瓷置于多维文化与审美视角当中,定能发掘更深更广的意义。本文的研究立足于考古挖掘的基础之上,明确汝瓷的性质,梳理汝瓷的发展,将具有典型代表性的釉色、造型、肌理置入社会、政治、经济、生活方式所共同营造的时代背景之中,并深入剖析在此种社会背景下由以宋徽宗为主导的宫廷审美在金石学的倡导下对复古之风的追寻,意在以审美的角度为切入点完善人们对汝窑文化意义的认知。事实上,当今汝瓷的发展已经步入了全新的阶段,无论是产品的造型、釉色,还是功能性和文化性都可与宋代汝瓷相媲美。本文通过对汝窑进行全方位的论述,揭示其中美的原理、美的实质,探寻历史上“汝窑为魁”的真正原因,从而为当代汝瓷的发展注入独特的精神内涵。
[Abstract]:Since the birth of ceramic ware, it has only existed as a necessity of life for a long time, until the Song Dynasty, after thousands of years of burning and finally completed the transformation from practical to aesthetic. The porcelain industry of the Song Dynasty grew stronger than ever, and not only formed many famous kilns, but also created a new realm of ceramic aesthetics. As the first of the five famous kilns (official, elder brother, RU, Ding, Jun), Ruyao is famous for its elegant shape, no color and no action. Although Ru porcelain was made in the Song Dynasty, it experienced the bad luck of prosperity and decline. With the invasion of the Jin Dynasty, the kiln destroyed people, and the skills were lost, to the Southern Song Dynasty, it was "rare to be near." Successive dynasties have been copied, but more can only get its shape. Feng Xianming once said, "the glaze of Ru porcelain is the most difficult to imitate." The author thinks that what is difficult to imitate is not only technology, but culture. If we want to have a comprehensive understanding of Ruyao kiln, it is inevitable that there will be some limitations in the study of the one-dimensional nature of Ruyao kiln only from the shape and size of the objects and the quantity of existence. If Ru porcelain is placed in multi-dimensional cultural and aesthetic perspective, it will be able to explore deeper and wider significance. The research in this paper is based on archaeological excavations, clear the nature of Ru porcelain, combing the development of Ru porcelain, will have typical glaze color, shape, texture into social, political, economic, In the background of the times created jointly by the way of life, and in this social background, the court aesthetic led by Huizong in Song Dynasty pursued the style of retro under the initiative of stone and gold science. The purpose is to perfect people's cognition to the cultural meaning of Ruyao from the angle of aesthetics. In fact, the development of Ru porcelain has entered a new stage, whether the product shape, glaze, functionality and culture can be compared with the Song Dynasty Ru porcelain. Through the all-around discussion of Ru-kiln, this paper reveals the principle of beauty, the essence of beauty, and explores the real reason of "Ruyao as the leader" in history, thus infusing the unique spiritual connotation into the development of contemporary Ru porcelain.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J527

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