接受视域中的汉赋与《尚书》研究

发布时间：2018-06-16 04:23

本文选题：汉赋 + 《尚书》　；参考：《北方民族大学》2014年硕士论文

【摘要】：本课题以汉赋与《尚书》的交叉领域为研究对象，全面探讨汉赋对《尚书》的接受状况，从学术文化的角度研究汉赋艺术精神的发生，以揭示汉代文学对经学摹仿因袭的轨迹与成因，及其学术与文学的双重意义。从赋学史的角度而言，目前学术界的赋学研究，虽然涉及到对汉赋进行经学层面的阐释，但大多只是总体性的概述，较少将汉赋与经学分支进行结合研究。以《尚书》为视角研究赋学，可算是一个极有研究价值的课题。本论文对汉赋中体现的《尚书》特色进行论证分析，正是填补了赋学史的这一空白。从文学史的角度而言，汉赋作为汉代文学的主流与代表，汉赋的发展从某种程度上说，即体现了汉代文学的发展概况，而《尚书》虽是“经”，但是也具有一定的文学色彩，反映了先秦时期散文的雏形与特色。所以文学艺术就作为一种纽带将汉赋与《尚书》结合了起来。从学术文化史的角度而言，汉代尚未有纯文学的概念，汉人所谓的“文学”是一个广义的学术范畴，主要是指经艺之学。如果用现代“文化”的概念来概括汉代“文学”的称谓，似乎更实际、更妥当些。汉代的文学与学术文化紧密相联，汉代文学的发展是以儒学的繁荣为基础，创造性地接受了儒学。一部汉赋发展史，可以毫不讳言地说亦是一部以儒学为主的学术文化史。汉赋的发展离不开经学，经学是汉赋的取材宝藏和接受对象。以此，研究汉赋对《尚书》的接受具有学术、文学等多方面的意义与价值。本课题的基本内容主要包括前言、正文、结语三部分，前言简单介绍本课题的选题依据与研究目的，，与本课题相关的学术界研究现状和本文研究方法。正文包括四章：第一章重点分析汉赋接受《尚书》的政治、经济与学术文化背景。通过对汉代《尚书》学发展概况的考述，对汉赋作家的《尚书》学修养的探讨，对汉赋的演进流变与汉代《尚书》学的发展嬗变关系的考辨，可以看出儒家“《书》教”传统在汉代的形成是汉赋对《尚书》接受的根源与文化背景。本章的论述旨在通过对《尚书》接受背景的探讨，以证明汉赋对《尚书》的接受是经学与文学相交融的必然趋势，从而为下文的具体论述作铺垫。第二章具体探讨汉赋对《尚书》的文学艺术的接受继承与开拓创新。汉赋对《尚书》文学艺术特色的接受是为表现思想精神服务的，本章主要论述汉赋对《尚书》文体、修辞手法的接受与新变，旨在通过对汉赋与《尚书》文学艺术的共同性与相似性的比较研究，来揭示文学艺术在接受史上的重要地位。第三章主要论述汉代赋论对《尚书》文学理论的接受与发展。因为受到儒家“《书》教”传统的影响，汉代的赋论在很大程度上接受了《尚书》中的文学理论，因而本章重点论述汉代赋论对《尚书》“诗言志”说、“察辞于差”说等文学理论的接受与创新，从而探寻汉代赋论与《尚书》文学理论的逻辑关系。第四章主要论述汉赋对《尚书》接受之内在理路、特色及文学与学术之双重文化意义。正是因为接受的内在理路的作用方使得汉赋对《尚书》之接受独具特色，从而促使了汉赋对《尚书》之接受产生了极大的文学意义与深远的学术意义。而对此意义的阐释亦是本文写作的动因之一。结论部分主要是对本论文做一个总结论述，并归纳汉赋对《尚书》接受之方式和动态特点；揭示汉赋对《尚书》之接受在学术史与文学史上的双重意义和影响，并对今后的研究方向做了展望。
[Abstract]:The subject, taking the cross fields of Han Fu and Shang Shu as the research object, explores the accepting status of Han Fu to Shang Shu in an all-round way, and studies the occurrence of the artistic spirit of Han Fu from the angle of academic culture, in order to reveal the trace and cause of the inheritance of the imitation of Confucian classics, and the dual significance of academic and literature. Although the study of Fu's study of the art circles involves the interpretation of the Confucian classics at the level of the Han Dynasty, most of it is only a general overview, and the study of Han Fu and the branch of Confucian classics is less. From the perspective of literary history, Han Fu is the mainstream and representative of the Han Dynasty literature. The development of Han Fu, to a certain extent, embodies the general situation of the development of the Han Dynasty literature, while Shang Shu is a "Jing", but it also has a certain literary color, reflecting the embryonic form and characteristics of the prose of the pre Qin period. With literature and art as a link, Han Fu and Shang Shu are combined. From the perspective of academic history, the Han Dynasty has not yet had the concept of pure literature. The "Literature" in the Han Dynasty is a broad academic category, mainly refers to the learning of classics. If the term "Literature" of the Han Dynasty is summed up with the concept of modern "culture", it seems that the title of "Literature" in the Han Dynasty is summed up. It is more practical and more appropriate. The literature of the Han Dynasty is closely linked with the academic culture. The development of the Han Dynasty literature is based on the prosperity of Confucianism and creatively accepted Confucianism. A history of the development of Han Fu can be said to be an academic and cultural history of Confucianism. The development of Han Fu can not be separated from Confucian classics, and the Confucian classics are the material treasures of Han Fu. The study of Han Fu's acceptance of Shang Shu is of academic and literary significance.
The basic contents of this subject include preface, text, and conclusion three parts. The preface briefly introduces the basis of the topic and the purpose of the research, the research status of the academic circles and the research methods related to the subject. The text includes four chapters: the first chapter focuses on the analysis of the political, economic and academic cultural background of the Han Fu accepting the book. The study of the development of the Han Dynasty "Shang shu >" and the study of the Han Fu Writers' "Shang shu > learning" and the relationship between the evolution and evolution of Han Fu and the development and evolution of the Han Dynasty "Shang shu > learning", we can see that the formation of the Confucian "book > Teaching" in the Han Dynasty is the root and cultural background of the acceptance of Han Fu to Shang Shu. The study of accepting the background to prove that the acceptance of Han Fu to Shang Shu is the inevitable trend of the combination of classics and literature, thus paving the way for the specific discussion below. The second chapter concretely probes into the acceptance and innovation of the literary and art of Han Fu to the Shang Shu. This chapter mainly discusses the acceptance and new changes of the style of Han Fu to "Shang shu >" and the rhetorical devices. The purpose of this chapter is to reveal the important position of literature and art in the history of acceptance through a comparative study of the common and similar characteristics of Han Fu and "Shang shu > literature and art". The third chapter mainly discusses the acceptance and development of the Han Dynasty Fu theory to the literary theory of "Shang shu >". In order to be influenced by the Confucian tradition of "< book > Teaching", the Fu theory of Han Dynasty accepted the literary theory in Shang Shu to a great extent. Therefore, this chapter focuses on the acceptance and innovation of the literary theory of the Han Dynasty Fu theory on "Shang shu > poetry and ambition", "inspection of words in poor" and so on, so as to explore the logical relationship between the Han Dynasty Fu theory and the Shang book and literary theory. The fourth chapter mainly discusses the dual cultural significance of Han Fu to the acceptance of "Shang Shu", and the dual cultural significance of literature and scholarship. It is precisely because the internal logic of acceptance makes the Han Fu unique to the acceptance of Shang Shu, which has led to the great literary and profound academic significance of the Han Fu to the acceptance of the book. The interpretation of this meaning is also one of the reasons for the writing of this article. The conclusion is mainly a summary and discussion of this paper, and a summary of the ways and dynamic characteristics of the acceptance of Han Fu to Shang Shu, and the double meaning and influence of the acceptance of Han Fu to "Shang Shu" in the history of academic and literary history and the prospect of the future research.
【学位授予单位】：北方民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I206.2

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