图腾与武术：从发现传统到走入传承

发布时间：2018-06-26 13:53

本文选题：武术 + 图腾　；参考：《扬州大学》2017年硕士论文

【摘要】：当今世界趋同、文化同化已然席卷全球,各国、各民族文化“个性”的褒有和凸显日益重要。中国不仅有标志性的“万里长城”、“北京天安门”,亦有象征意义的“龙”,更有图腾般认同意义的中国武术。中国武术是中华文化的瑰宝。它博大精深、源远流长,不仅具有严密的哲学思想、系统的技击理论、独特的人格魅力、完整的锻炼体系,而且还依托于政治、经济化的背景,与军事、宗教、教育、医疗、艺术等活动相互渗透。从图腾的视野来看,它作为一种文化现象和文化活动,中国武术又具有中国社会的“性质”。在中国社会历史背景下,其大的方面联系兵、农、医、艺,小的方面联系琴、棋、书、画;其社会活动形式又与中国人的民间信仰和宗法关系密切相连,整个历史背景和社会环境,对其产生一定的制约并影响着它的发展,因此,它能够体现出中国各时期的社会特点。本文以文献资料法、逻辑分析法、比较研究法以及阐释学理论与方法为主要研究方法。从图腾的功能、标志及它的象征意义延伸到对中国武术的传承和发展。在初步奠定“图腾”与“武术”相关概念阐读与铺垫基础上,大致围绕“武术中的图腾”和“图腾中的武术”两维思路展开主题研究。“武术中的图腾”部分借助本尼迪克特先生的“文化三层次说”,具体结合器物层武术、制度层武术与心里层武术三个层面来分析图腾文化在中国武术传承和发展历史进程中的交叉渗透,并力图将其具象化后加以类分。“图腾中的武术”部分则试图通过例举武术文化中的典型现象对其图腾意义和呈现进行力所能及的发掘与解读。最后,在图腾与武术交相辉映的“互现”基础上,尝试提出了籍以图腾高度上的武术文化现实传承路径。有历史才能厚重,历史需要继承;有文化才有力量,文化需要传承。中国武术是中国历史文化的体现,是需要继承和发扬的。作为一种身体活动和一个独特的人体文化符号,中国武术是中华文化的“全息元”,从图腾的视角来阐释与研究中国传统武术文化,不仅可以从“发生、生产”的上源品读武术,亦为中国传统武术当下的传承和发展提供了内容和启示。
[Abstract]:As the world converges and cultural assimilation has swept the world, it is increasingly important for the cultures of all countries and ethnic groups to have and highlight their "individuality". China not only has the iconic "Great Wall", "Beijing Tiananmen", but also the symbolic "dragon", but also has totem identity of Chinese martial arts. Chinese Wushu is a treasure of Chinese culture. It is broad and profound and has a long history. It not only has strict philosophy, systematic theory of technical attack, unique personality charm, complete training system, but also relies on political, economic background, and military, religion, education, medical treatment. Arts and other activities permeate each other. From the perspective of totem, as a cultural phenomenon and cultural activity, Chinese Wushu has the "nature" of Chinese society. In the context of Chinese society and history, its major aspects are linked to soldiers, agriculture, medicine, art, and small ones to Qin, chess, books and paintings; and its social activities are closely related to the folk beliefs and patriarchal relations of the Chinese people. The whole historical background and social environment restrict it and affect its development. Therefore, it can reflect the social characteristics of every period in China. The main research methods of this paper are literature method, logical analysis method, comparative research method and hermeneutics theory and method. From totem function, symbol and its symbolic significance to the inheritance and development of Chinese Wushu. On the basis of explaining and laying down the related concepts of "Totem" and "Wushu", the theme of "Totem in Wushu" and "Wushu in Totem" is studied. The "totem in Wushu" part is based on Mr. Benedict's "three levels of Culture" theory, specifically combined with the artifact layer martial arts, This paper analyzes the cross penetration of totem culture in the historical process of inheritance and development of Chinese Wushu and tries to classify it into three levels: system level Wushu and mind level Wushu. The part of "Wushu in Totem" attempts to explore and interpret its totem meaning and presentation by citing typical phenomena in Wushu culture. Finally, on the basis of "mutual appearance" between totem and wushu, this paper tries to put forward the path of Wushu cultural inheritance from totem height. History can be heavy, history needs to be inherited, culture has power and culture needs inheritance. Chinese Wushu is the embodiment of Chinese history and culture and needs to be inherited and carried forward. As a kind of body activity and a unique symbol of human body culture, Chinese Wushu is the "holographic element" of Chinese culture. From the perspective of totem, the interpretation and study of Chinese traditional Wushu culture can not only occur from "," The above source of production Wushu also provides the content and inspiration for the inheritance and development of Chinese traditional Wushu.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G852

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