后殖民女性主义视角下梅娘小说中的女性形象

发布时间：2018-06-29 08:00

本文选题：梅娘小说 + 女性形象　；参考：《东北师范大学》2014年硕士论文

【摘要】：梅娘像是一枝清新素雅的梅花开放在政治经济环境如寒冬般严酷的东北沦陷区。梅娘不仅是家乡沦为日本殖民地的亲历者,更用细腻的笔触在小说中描绘出当时的社会图景而成为了殖民历史的记录者。对于和自身有着相似特质的女性,梅娘在作品中给予了更多的关怀，，因此在作品中众多有着鲜明特性的女性形象被呈现出来。她们中有勇敢自主的知识女性形象，有慈祥温暖的母亲形象，也有养尊处优、性格泼辣的嫂子、婶婶等形象。无论哪一种女性形象她们都面临着艰难的社会生存环境，是生活在沦陷区灰色天空下不幸的女性。在这种特殊的创作背景和文化心态下,梅娘打破了五四以来女性作家单纯批判男权的创作模式，将更深刻的殖民压迫潜移默化的镶嵌到文本中。后殖民女性主义理论具有极强的批判性和指向性，揭示了殖民地区殖民侵略与男权制强权相互勾结对女性造成的重压并力图解构女性作为第三者的边缘地位。本文首先从梅娘创作时期的社会历史语境进行了描述。上世纪四十年代的东北正处于被日本侵略者占领殖民的压抑时期。这种政治文化背景使梅娘小说中的女性生存状况更加恶劣。梅娘将自身成长经历也自然的融入了作品中。然后重点将后殖民女性主义作为理论基础解析梅娘小说中的女性形象。作品中的“属下”女性面临的是传统男权与殖民霸权的双重压迫，她们努力改变自身处境，希望克服边缘化,而在寻求自我解救的道路中仍然被艰难的外部环境控制，其自身难以改变软弱性也阻碍了前进的步伐。最后主要总结了梅娘小说中女性形象的独特魅力与价值。梅娘运用“百纳被”的叙述模式和疯狂“独语”的书写方式使作品颇具可读性，象征和讽刺手法的运用则增强了小说的内涵性。梅娘小说为我们展示了丰富多彩的女性形象世界，通过后殖民女性主义理论进行解析开辟了新的批评空间，也有助于读者进行更深入的思考。
[Abstract]:Mei Niang is like a fresh, plain plum blossom blooming in the harsh northeast enclaves of the political and economic environment. Mei Niang is not only a native Japanese colony, but also a writer of colonial history. For women with similar characteristics, Mei Niang gives more care in the works, so many female images with distinctive characteristics are presented in the works. Among them are brave and independent images of intellectual women, kind and warm images of mothers, and images of respectable, virulent sister-in-law, auntie, and so on. No matter what kind of female image they all face the difficult social living environment, they are the unfortunate women living under the gray sky in the enemy-occupied area. Under this special creation background and cultural mentality, Mei Niang broke the creation mode of female writers criticizing male power since May 4th Movement, and imbedded more profound colonial oppression into the text. The postcolonial feminism theory is highly critical and directed, which reveals the pressure on women caused by the collusion of colonial aggression and patriarchal power in colonial areas and attempts to deconstruct the marginal position of women as a third party. This paper first describes the social and historical context of the creation of Mei Niang. Northeast China in the 1940 s was repressed by Japanese aggressors to occupy and colonize. This political and cultural background makes the living conditions of women in Mei Niang's novels even worse. Mei Niang also naturally incorporated his own growth experience into the work. Then focus on post-colonial feminism as the theoretical basis to analyze the female images in Mei Niang's novels. The "subordinate" women in the works face the double oppression of traditional male power and colonial hegemony. They try to change their situation, hope to overcome their marginalization, and are still under the control of the difficult external environment in the path of seeking self-salvation. Its own difficulty to change its weakness also hindered the pace of progress. Finally, it summarizes the unique charm and value of female images in Mei Niang's novels. Mei Niang makes the works readability by using the narrative mode of "Bonas" and the way of writing crazy "monologues", while the use of symbolism and satire enhances the connotation of the novel. Mei Niang's novels show us a rich and colorful world of female images, open up a new critical space through post-colonial feminist theory, and help readers to think more deeply.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.42

【参考文献】