宋元界画研究

发布时间：2018-06-30 11:09

本文选题：宋元 + 界画　；参考：《湖南工业大学》2014年硕士论文

【摘要】：界画，不仅是中国传统绘画艺术中极富特色的一个绘画门类，而且是以线为主要造型的一门独特绘画技法，常以楼阁、宫室、台榭、屋宇等建筑物，舟船、盘车、水磨等工具，以及屏、案、几等家具为绘制题材。界画有广义和狭义之分，就绘制方式而言，包括心手合一的徒手绘就和借用界笔、直尺等辅助工具绘就两种；就表现对象来说，分纯界画、山水界画、人物界画和花鸟界画；就绘画的材质来说，分纸绢界画、壁画界画和版画界画。宋元是界画繁荣发展的鼎盛时期，创造了大量的经典界画作品，并有相当一部分画迹传于今世。通过二重考据、文献研究和图像学研究等方法对界画进行历史的系统考察；对历史时期界画画迹和界画家作全面、系统的发掘，揭示其发展全貌；对宋元界画艺术风格特征进行归纳总结，并探讨其勃兴和式微的原因等，这不仅有助于对界画研究的推进，而且对当代绘画的建设发展不无裨益。论文就以下内容进行了探讨。第一，对界画的起源与发展进行考证，目的是在了解界画历史的基础上，为宋元界画的本体研究奠定基础。第二，宋代界画在唐五代基础上勃兴，至元代式微，其兴废原因除了界画本身的特点外，还与当时社会政治、经济、文化，以及市镇的大量兴起密切相关。界画的繁荣促进了整个绘画的发展，使两宋成为中国绘画艺术发展的新高峰。第三，元代界画在两宋勃兴之势以后，急转直下走向式微，表现在从事界画的艺术家和作品全面锐减，根本原因除了统治阶级的重视减弱外，还在于界画本身与绘画发展的方向，尤其是绘画追求的精神格格不入有关。第四，宋元界画由盛而衰，在技法上的相对局限性，在美学特征的审美价值取向的改变，体现了时代变迁和历史发展的进步性。第五，界画艺术虽然有着历史性，但在整个绘画艺术中具有一定的地位，并产生了一定影响。这种地位与影响体现了艺术发展的规律。
[Abstract]:Boundary painting is not only a very characteristic painting category in Chinese traditional painting art, but also a unique painting technique with line as its main form. It is often used in buildings such as pavilions, palace rooms, terrace pavilions, buildings, boats, trays, water mills, etc. As well as screen, case, several kinds of furniture for drawing subject matter. There are two kinds of painting in broad sense and narrow sense. In terms of drawing method, there are two kinds of drawing, such as the freehand drawing with the combination of heart and hand and the drawing with the help of the pen and the ruler, and the other auxiliary tools, such as the pure painting, the landscape painting, the figure painting and the flower and bird painting; the objects of expression are divided into pure boundary painting, landscape painting, character painting and flower and bird painting. As far as the material of painting is concerned, it is divided into paper and silk paintings, mural paintings and printmaking paintings. The Song and Yuan dynasties were the peak period of the prosperity and development of the boundary paintings, created a large number of classical paintings, and a considerable number of paintings spread in this world. Through the methods of double textual research, literature research and pictorial study, this paper makes a systematic investigation of the history of the boundary painting, and makes a comprehensive and systematic exploration of the historical period of the boundary painting trace and the boundary painter to reveal its development. This paper sums up the artistic style characteristics of Song and Yuan Dynasty and discusses the reasons for its flourishing and decline. This is not only helpful to the research of boundary painting, but also beneficial to the construction and development of contemporary painting. This paper discusses the following contents. Firstly, the origin and development of the boundary painting are studied in order to lay a foundation for the study of the Noumenon of the boundary painting in Song and Yuan dynasties on the basis of understanding the history of the boundary painting. Secondly, on the basis of the Tang Dynasty and the five dynasties, the Song Dynasty boundary painting flourished and declined to the Yuan Dynasty. Besides the characteristics of the boundary painting itself, it was closely related to the social politics, economy, culture and a large number of towns at that time. The prosperity of the world painting promoted the development of the whole painting and made the Song Dynasty a new peak of the development of Chinese painting art. Third, after the prosperity of the two Song Dynasty, the paintings of the Yuan Dynasty declined sharply, which was reflected in the overall sharp decrease in the number of artists and works engaged in the field of painting. The fundamental reason was that, in addition to the weakening of the importance attached by the ruling class, Also lies in the boundary painting itself and the direction of painting development, especially the spirit of painting pursuit is incompatible. Fourth, the Song and Yuan dynasties painting from prosperity to decline, in the technique of the relative limitations, aesthetic characteristics in the aesthetic characteristics of the aesthetic value orientation change, reflected the era changes and historical development of the progressive nature. Fifth, although the art of boundary painting has a history, it has a certain position in the whole painting art and has a certain influence. This status and influence reflect the law of art development.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

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