帕勒斯特里那《马尔切里教皇弥曲》宗教内涵解读
发布时间：2018-08-04 14:26
【摘要】：基督宗教文化是西方文明的根基,宗教音乐则是西方音乐体系的源头。在有着漫长政教合—历史的欧洲,教会作为社会的中坚力量而决定着欧洲国家的政治、经济命运,更左右着其文化的繁衍生息。因此,欧洲音乐是在宗教文化的土壤之上生长起来的,其变化发展与宗教的历史息息相关。发生在1300年至1650年的欧洲文艺复兴运动提出了以人的价值为中心的人文主义思想,在提倡解放人的意识与个性的文化氛围中,以往宗教体制中森严与非人性的弊端暴露无疑地展现出来。16世纪20年代末由马丁·路德领导的宗教改革运动是针对罗马天主教会在德国大肆扩张的腐败之风而进行的一系列教规、教仪的改革,欧洲北部国家纷纷脱离天主教而成立新教。与此同时,罗马天主教会面对欧洲北部国家与其脱离之势,也进行了自身的改革运动,我们称其为对应宗教改革①。这场新教与旧教双方的重大变革在文艺复兴思潮的背景之下展开,历时半个多世纪,是人文主义思想在宗教领域的深刻体现,当然也从侧面反映出文艺复兴运动的实质,即它并非我们以往普遍认识上的“解放人性,反对神性”的片面之辞,而是在充满宗教热忱中的对人自身价值的肯定,是将基督宗教视为人文主义的终极关切而存在的。教会音乐作为教仪活动的重要组成部分,新教与旧教双方在这场变革中都提出了对教会音乐使用原则的新主张,这无疑直接影响到欧洲音乐的发展。本文以文艺复兴时期代表了复调音乐最高成就的作曲家帕勒斯特里那的代表作《马尔切里教皇弥撒曲》为研究对象,在对音乐作品本体特征做出分析的同时,将宗教改革与对应宗教改革时期的社会背景以及新教与旧教之间错综复杂的关系予以厘清与解读,旨在客观地认识人文主义思想与宗教之间相辅相成而并非对立矛盾的关系,从而更全面地认识作品所表达的宗教内涵,实现对作品的全面理解。
[Abstract]:Christian culture is the foundation of western civilization, and religious music is the source of western music system. In Europe, with a long history of political and religious cooperation, the church, as the backbone of society, determines the political and economic fate of European countries and the reproduction of their culture. Therefore, European music grows on the soil of religious culture, and its changes and development are closely related to the history of religion. The European Renaissance, which took place between 1300 and 1650, put forward humanism centered on human values, and advocated the cultural atmosphere of liberating people's consciousness and individuality. The exposure of strict and inhuman defects in the past religious system unquestionably revealed that the religious reform movement led by Martin Luther in the late 1620s was a response to the corrupt wind of the Roman Catholic Church's wanton expansion in Germany. A series of precepts, With the reform of religious rites, the northern European countries broke away from Catholicism and established Protestantism. At the same time, the Roman Catholic Church has launched its own reform campaign in the face of the secession of northern Europe, which we call the Reformation of the Religion. This major change between the Protestant and the Old religions, which lasted more than half a century under the background of the Renaissance trend of thought, is a profound embodiment of humanism in the religious field, and of course also reflects the essence of the Renaissance movement from the side. That is to say, it is not the one-sided word of "liberating human nature and opposing divinity", but the affirmation of man's own value which is full of religious enthusiasm, and the Christian religion is regarded as the ultimate concern of humanism. Church music is an important part of the teaching instrument. Both Protestant and old religions put forward new ideas on the principles of the use of church music in this revolution, which undoubtedly has a direct impact on the development of European music. In this paper, the representative work of Palestrina, a composer who represented the highest achievement of polyphonic music in the Renaissance period, "Pope Marchery Mass", is taken as the research object. At the same time, the author makes an analysis of the Noumenon characteristics of the music works. This paper clarifies and interprets the social background of religious reform and its corresponding period, as well as the complicated relationship between Protestantism and old religion, in order to objectively understand the relationship between humanism and religion, which is complementary but not contradictory. In order to fully understand the religious connotations expressed in the works, to achieve a comprehensive understanding of the works.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J608
[Abstract]:Christian culture is the foundation of western civilization, and religious music is the source of western music system. In Europe, with a long history of political and religious cooperation, the church, as the backbone of society, determines the political and economic fate of European countries and the reproduction of their culture. Therefore, European music grows on the soil of religious culture, and its changes and development are closely related to the history of religion. The European Renaissance, which took place between 1300 and 1650, put forward humanism centered on human values, and advocated the cultural atmosphere of liberating people's consciousness and individuality. The exposure of strict and inhuman defects in the past religious system unquestionably revealed that the religious reform movement led by Martin Luther in the late 1620s was a response to the corrupt wind of the Roman Catholic Church's wanton expansion in Germany. A series of precepts, With the reform of religious rites, the northern European countries broke away from Catholicism and established Protestantism. At the same time, the Roman Catholic Church has launched its own reform campaign in the face of the secession of northern Europe, which we call the Reformation of the Religion. This major change between the Protestant and the Old religions, which lasted more than half a century under the background of the Renaissance trend of thought, is a profound embodiment of humanism in the religious field, and of course also reflects the essence of the Renaissance movement from the side. That is to say, it is not the one-sided word of "liberating human nature and opposing divinity", but the affirmation of man's own value which is full of religious enthusiasm, and the Christian religion is regarded as the ultimate concern of humanism. Church music is an important part of the teaching instrument. Both Protestant and old religions put forward new ideas on the principles of the use of church music in this revolution, which undoubtedly has a direct impact on the development of European music. In this paper, the representative work of Palestrina, a composer who represented the highest achievement of polyphonic music in the Renaissance period, "Pope Marchery Mass", is taken as the research object. At the same time, the author makes an analysis of the Noumenon characteristics of the music works. This paper clarifies and interprets the social background of religious reform and its corresponding period, as well as the complicated relationship between Protestantism and old religion, in order to objectively understand the relationship between humanism and religion, which is complementary but not contradictory. In order to fully understand the religious connotations expressed in the works, to achieve a comprehensive understanding of the works.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J608
【相似文献】
相关期刊论文 前2条
1 赵s钣，
本文编号：2164168
本文链接：https://www.wllwen.com/jingjilunwen/zhengzhijingjixuelunwen/2164168.html
