传播学视野下的敦煌文献研究

发布时间：2018-08-24 19:30

【摘要】：敦煌文献是中国古典文献的精华之一，自从被发现之日起倍受各界及学者的关注。迄今为止，国内已有百余年的研究历史并成为了综合性、学术性、国际性的一门显学——敦煌学。本文从文献学的视角出发，结合传播学、文学接受等理论与方法，研究敦煌文献自发现百余年来的传播者、受众、传播方式、传播内容、传播效果。主要从以下四个方面进行了梳理和探讨。一是从传播学理论分析了敦煌文献的传播过程与传播环境的影响。以罗振玉在1909年11月出版的《东方杂志》上所发表的《敦煌石室书目及发见之原始》一文，作为敦煌文献传播的开端，百余年的敦煌文献的传播经历了初创、发展、停滞以及繁荣几个阶段。期间受社会政治、经济水平、媒介因素、文化因素等传播环境制约，影响着敦煌文献的传播。二是分析了敦煌文献的传播者与受众。敦煌文献的传播者，有两种类型:一类是精英文人传媒，即研究敦煌文献的专家学者，一类是大众传媒，主要是传媒工作者，包括记者、编辑、主持人、摄影师，还有报社、广播电视、专业网站、出版社、期刊杂志社、影视网络等。三是面对海量的敦煌文献和细分化的受众市场，针对不同的受众及媒介选取不同的传播内容，，对敦煌文献除了佛教文献部分以外，按照传统经、史、子、集进行了分类梳理。敦煌文献的传播不仅包括原生态的面对面传播、文字传播，还包括了影视传播以及数字网络传播。四是阐述了敦煌文献的传播效果，如枪弹论，意见领袖，知识沟和使用与满足等。总之，从传播学角度，再次证明了敦煌文献是中国古典文献的精华之一，不仅在中国具有很高的学术研究价值，而且具有世界文化意义，是中国人留给人类的一笔精神财富和文化遗产。本文共分摘要、绪论、正文、结语、参考文献、后记等七部分，分四章11节，全文共4万字。
[Abstract]:Dunhuang literature is one of the essence of Chinese classical literature, which has attracted much attention from all circles and scholars since it was discovered. So far, China has more than 100 years of research history and has become a comprehensive, academic, international prominent-Dunhuang study. From the perspective of philology, combined with the theories and methods of communication and literary acceptance, this paper studies the communicators, audiences, modes, contents and effects of Dunhuang documents since they were discovered for more than a hundred years. Mainly from the following four aspects are combed and discussed. The first is to analyze the process of Dunhuang literature dissemination and the influence of communication environment from the theory of communication. As the beginning of the dissemination of Dunhuang documents, Luo Zhenyu published in Oriental Journal in November 1909 the book "Dunhuang Stone Room Bibliography and its originality", and the dissemination of Dunhuang documents for more than a hundred years has experienced a start-up and development. There are stages of stagnation and prosperity. During the period of social and political, economic level, media factors, cultural factors and other communication environment constraints, affecting the dissemination of Dunhuang documents. Second, the author analyzes the communicator and audience of Dunhuang documents. There are two types of disseminators of Dunhuang literature: the elite literati media, the experts and scholars who study Dunhuang literature, and the mass media, mainly media workers, including journalists, editors, presenters, photographers, and newspapers. Radio and TV, professional website, publishing house, periodical magazine, film and television network, etc. Thirdly, in the face of the massive Dunhuang literature and the finely differentiated audience market, aiming at different audiences and media, this paper classifies the Dunhuang literature in addition to the Buddhist literature, according to the traditional classics, history, children and collections. The dissemination of Dunhuang documents includes not only the face-to-face communication of the original ecology, the text communication, but also the film and television communication and the digital network communication. Fourth, it expounds the communication effect of Dunhuang documents, such as gunshot theory, opinion leader, knowledge gap and use and satisfaction. In a word, from the angle of communication, it proves once again that Dunhuang literature is one of the essence of Chinese classical literature, which not only has high academic research value in China, but also has the significance of world culture. It is a spiritual wealth and cultural heritage left to mankind by the Chinese people. This paper is divided into seven parts: abstract, introduction, text, conclusion, reference, postscript, etc. It is divided into four chapters and 11 sections, with a total of 40,000 words.
【学位授予单位】：青海师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：G256;G206

【参考文献】