清朝满族宫廷首饰纹样的审美意涵
发布时间：2018-10-30 10:26
【摘要】：清朝是一个少数民族建立政权的国家，满汉的大融合，让清朝在发展满族文化的同时，融合汉族文化，使少数民族与汉族之间的文化相互交叉，互相包容，造就了清朝特有的民族文化内涵。珠宝首饰有满族特有的，如扁方、钿子等；也有在汉族基础上继承发展来而来的，如发簪、汉族称之为步摇的流苏等；更有承载着清朝兴衰寓意的东珠，这些具有时代烙印的首饰成就了清朝宫廷首饰纹样的独特性和时代美。带着这些厚重的历史文化底蕴，把清朝首饰纹样推向了新的起点。 清朝满族宫廷首饰纹样，从线条的流畅，色彩的运用，再到纹样的造型，无一处不透露着历史文化的洗礼，这些带着历史积淀和时代烙印的首饰纹样，使清朝满族宫廷首饰纹样别具民族文化内涵。任何一个民族都不是一成不变的，随着社会、时代的不断前进，清朝满族宫廷首饰既有相对统一的完整性，同时又具有相互补充的独立性，在满族学习和吸收汉文化的过程中，出现满汉文化相互影响交流的现象，这些文化的交融形成了清朝满族特有的文化特点。同时清朝满族宫廷首饰文化对汉文化并不是盲目汲取、完全照搬，而是在保持其民族独立品格的前提下，去其糟粕，取其精华，并且在原有的文化基础上不断发展，形成新的民族首饰文化。清朝满族作为统治阶级，满族文化影响渗透着各个民族的政治、经济和文化，在融合大家之长的文化框架下，，满族宫廷首饰纹样也在潜移默化的影响着各个民族的传统审美、工艺和风潮。当宫廷首饰纹样成为民间追捧和效仿的对象，新的理念，新的思想，新的视角也随着这些小小的首饰纹样，润物无声地改变着民众的审美意识。清朝满族宫廷首饰纹样不仅仅是继承了中华民族博大雄浑的千年文化，这凝聚在首饰纹样方寸之间的智慧结晶，更是造就了清朝宫廷首饰纹样的内涵之美。
[Abstract]:The Qing Dynasty was a country where the ethnic minorities established political power. The great integration of Manchu and Han allowed the Qing Dynasty to integrate the Han culture while developing Manchu culture, so that the cultures of the ethnic minorities and the Han nationality intersected and contained each other. Created the unique cultural connotation of the Qing Dynasty. Jewelry has Manchu unique, such as flat square, mother-of-pearl, and so on, but also on the basis of the Han inherited from the development, such as hairpin, the Han nationality called step tassels, and so on; More bearing the rise and fall of the Qing Dynasty East Pearl, these epoch-branded jewelry made the Qing Dynasty palace jewelry patterns unique and the beauty of the times. With these heavy historical and cultural details, the Qing Dynasty jewelry patterns to a new starting point. In the Qing Dynasty Manchu court jewelry patterns, from the smooth lines, the use of colors, to the patterns of patterns, all of which do not reveal the baptism of historical culture, these jewelry patterns with historical accumulation and epoch imprint, Qing Dynasty Manchu court jewelry patterns with national cultural connotations. With the development of the society and the times, the Manchu palace jewelry in the Qing Dynasty has both a relatively unified integrity and a complementary independence. In the process of Manchu learning and absorbing the Han culture, The Manchu culture interacted with each other, which formed the unique cultural characteristics of Manchu in Qing Dynasty. At the same time, Manchu court jewelry culture in Qing Dynasty was not blindly absorbed and completely copied from Han culture, but on the premise of maintaining its independent national character, it chose its dross and its essence, and continued to develop on the basis of its original culture. Form a new national jewelry culture. As a ruling class in Qing Dynasty, Manchu culture influenced the politics, economy and culture of all nationalities. In the framework of integrating the long culture of people, the patterns of Manchu palace jewelry also influenced the traditional aesthetics of all nationalities. Craftsmanship and fads. When court jewelry patterns become the object of folk pursuit and imitation, new ideas, new perspectives with these small jewelry patterns, embellishments silently change the people's aesthetic consciousness. The Qing Dynasty Manchu court jewelry pattern is not only inherited the Chinese nation's magnificent millennium culture, which condensed in the jewelry pattern between square inches of wisdom crystallization, but also created the Qing Dynasty palace jewelry patterns of the connotation of beauty.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522
本文编号：2299738
[Abstract]:The Qing Dynasty was a country where the ethnic minorities established political power. The great integration of Manchu and Han allowed the Qing Dynasty to integrate the Han culture while developing Manchu culture, so that the cultures of the ethnic minorities and the Han nationality intersected and contained each other. Created the unique cultural connotation of the Qing Dynasty. Jewelry has Manchu unique, such as flat square, mother-of-pearl, and so on, but also on the basis of the Han inherited from the development, such as hairpin, the Han nationality called step tassels, and so on; More bearing the rise and fall of the Qing Dynasty East Pearl, these epoch-branded jewelry made the Qing Dynasty palace jewelry patterns unique and the beauty of the times. With these heavy historical and cultural details, the Qing Dynasty jewelry patterns to a new starting point. In the Qing Dynasty Manchu court jewelry patterns, from the smooth lines, the use of colors, to the patterns of patterns, all of which do not reveal the baptism of historical culture, these jewelry patterns with historical accumulation and epoch imprint, Qing Dynasty Manchu court jewelry patterns with national cultural connotations. With the development of the society and the times, the Manchu palace jewelry in the Qing Dynasty has both a relatively unified integrity and a complementary independence. In the process of Manchu learning and absorbing the Han culture, The Manchu culture interacted with each other, which formed the unique cultural characteristics of Manchu in Qing Dynasty. At the same time, Manchu court jewelry culture in Qing Dynasty was not blindly absorbed and completely copied from Han culture, but on the premise of maintaining its independent national character, it chose its dross and its essence, and continued to develop on the basis of its original culture. Form a new national jewelry culture. As a ruling class in Qing Dynasty, Manchu culture influenced the politics, economy and culture of all nationalities. In the framework of integrating the long culture of people, the patterns of Manchu palace jewelry also influenced the traditional aesthetics of all nationalities. Craftsmanship and fads. When court jewelry patterns become the object of folk pursuit and imitation, new ideas, new perspectives with these small jewelry patterns, embellishments silently change the people's aesthetic consciousness. The Qing Dynasty Manchu court jewelry pattern is not only inherited the Chinese nation's magnificent millennium culture, which condensed in the jewelry pattern between square inches of wisdom crystallization, but also created the Qing Dynasty palace jewelry patterns of the connotation of beauty.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522
【参考文献】
相关期刊论文 前1条
1 管彦波;中国各民族首饰物概说[J];青海社会科学;1997年04期
本文编号：2299738
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