汉代铜镜纹饰符号研究
发布时间：2018-10-31 14:59
【摘要】：汉代铜镜在中国铜镜发展历史上占据了承前启后的重要地位，其工艺的制作和使用有着悠久的历史和传统。汉铜镜装饰艺术是当时科技水平、社会风俗习惯、民族心理、宗教信仰和文化传统等诸多特征的综合体现。文化生活水平的提高对物品的审美艺术性、工艺技术性方面提出了更高的要求。从铜镜镜背纹饰中我们欣赏到古人用高超技术所绘出精美的画面，透过纹饰亦看到那个时代下人文宗教和政治经济文化。 论文从三个方面来进行研究，首先从汉代铜镜的角度去深入，研究汉代的政治经济、文化科技等方面的发展，再从纹饰符号的角度去挖掘，最后用符号学的研究方法来深层次地阐释汉代铜镜纹饰的美学思想。 文章第一部分主要是绪论，第二部分主要把两汉时期的文化进行一个简要梳理，并将两汉时期的铜镜种类及纹饰类别进行整理和概述，第三、四部分主要是对符号学进行介绍和提取，厘清纹饰符号之间的能指与所指的关系，把符号学的研究方法运用到纹饰的研究中，将铜镜纹饰作为符号来进行研究，为两汉铜镜纹饰研究提供思考方法和理论储备。第五部分则是从纹饰符号的美学角度去研究纹饰的形式之美、艺术之美。 本研究旨在通过运用符号学的理论，来阐释铜镜纹饰中的美学意蕴，进而更深入地了解铜镜纹饰，并为研究铜镜纹饰开拓新的研究方法。
[Abstract]:The Han Dynasty bronze mirror occupies an important position in the development history of China's copper mirror, and the manufacture and use of its craft has a long history and tradition. The decorative art of bronze mirror in Han Dynasty is a comprehensive embodiment of the scientific and technological level, social customs, national psychology, religious beliefs and cultural traditions. The improvement of the level of cultural life puts forward higher requirements for the aesthetic and artistic quality of the articles and the technical aspects of the technology. From the bronze mirror ornaments we can appreciate the exquisite pictures drawn by the ancients with superb technology. Through the patterns we can also see the humanistic religion and political economic culture in that era. The thesis carries on the research from three aspects, first from the angle of the bronze mirror of the Han Dynasty to go deep, studies the development of the politics, economy, culture and science and technology of the Han Dynasty, and then excavates from the angle of the decorative symbol. Finally, the semiotic research method is used to explain the aesthetic thought of bronze mirror decoration in Han Dynasty. The first part of the article is mainly an introduction, the second part mainly briefly combed the culture of the Han Dynasty, and collated and summarized the types of bronze mirrors and ornaments of the Han Dynasty. Third, The fourth part mainly introduces and extracts semiotics, clarifies the relationship between signifier and signifier, applies the research method of semiotics to the study of ornamentation, and studies bronze mirror decoration as symbol. To provide thinking methods and theoretical reserves for the study of bronze mirror patterns in the Han Dynasty. The fifth part is to study the beauty of the form and art from the aesthetic point of view. The purpose of this study is to use the theory of semiotics to explain the aesthetic implication of bronze mirror ornaments, and to explore a new research method for the study of bronze mirror ornaments.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522
本文编号：2302611
[Abstract]:The Han Dynasty bronze mirror occupies an important position in the development history of China's copper mirror, and the manufacture and use of its craft has a long history and tradition. The decorative art of bronze mirror in Han Dynasty is a comprehensive embodiment of the scientific and technological level, social customs, national psychology, religious beliefs and cultural traditions. The improvement of the level of cultural life puts forward higher requirements for the aesthetic and artistic quality of the articles and the technical aspects of the technology. From the bronze mirror ornaments we can appreciate the exquisite pictures drawn by the ancients with superb technology. Through the patterns we can also see the humanistic religion and political economic culture in that era. The thesis carries on the research from three aspects, first from the angle of the bronze mirror of the Han Dynasty to go deep, studies the development of the politics, economy, culture and science and technology of the Han Dynasty, and then excavates from the angle of the decorative symbol. Finally, the semiotic research method is used to explain the aesthetic thought of bronze mirror decoration in Han Dynasty. The first part of the article is mainly an introduction, the second part mainly briefly combed the culture of the Han Dynasty, and collated and summarized the types of bronze mirrors and ornaments of the Han Dynasty. Third, The fourth part mainly introduces and extracts semiotics, clarifies the relationship between signifier and signifier, applies the research method of semiotics to the study of ornamentation, and studies bronze mirror decoration as symbol. To provide thinking methods and theoretical reserves for the study of bronze mirror patterns in the Han Dynasty. The fifth part is to study the beauty of the form and art from the aesthetic point of view. The purpose of this study is to use the theory of semiotics to explain the aesthetic implication of bronze mirror ornaments, and to explore a new research method for the study of bronze mirror ornaments.
【学位授予单位】：湖南工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522
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