郑敏与陈敬容诗歌创作比较研究

发布时间：2019-01-22 16:59

【摘要】：现代女性诗歌的研究一直被学界忽视,仅有的研究也多为琐碎零散的个案研究,女性诗歌创作难以进入主流学术界的视野,纳入文学史研究的范畴。中国现代文学史版本各异,但对现代女性诗人单独列章评论的几乎没有,偶有列为一节的大都是介绍冰心,其他女性诗人仅在其归属的社团流派中匆匆提及,诸如后期新月派的林徽因,九叶诗派的郑敏和陈敬容等。现代诗歌的三个十年经历了抗战这一特殊的历史时期,战争导致了中国政治、经济和文化上的分化,文学创作伴随而发展。时代的洪流中,女性诗人揭露战争的残酷、百姓的痛苦,怀有必胜的信念。她们在诗歌创作中取得突出的成绩,可以称得上现代女性诗歌史上诗艺最为成熟的诗人,她们便是九叶诗人郑敏和陈敬容。四十年代郑敏与陈敬容的诗歌创作在现代女性诗歌中最富代表性的。二人同为九叶诗人,四十年代抗战时期开始大量诗歌创作,并取得突出成果。学界对二人的研究仅停留在个案的探讨,少有将二人整体比较,本论文以四十年代抗战时期为时代背景,分析郑敏和陈敬容诗歌创作的异同,并借此探寻其折射出现代女性诗歌的嬗变。本论文主体分为三个部分:第一部分从音韵节奏,二人对诗歌格律体与自由体的认知与试验,雕塑与流动的象征意象的选择和意境的营造,逐渐形成了自身独特的诗风等形式角度着手,梳理阐释二人分途并进的现代诗艺。第二部分主要探究郑敏与陈敬容诗歌创作中的精神追求,由早期个体生命吟叹到家国处境命运,进而思索体悟人类宇宙的终极命运和价值。第三部分借由对郑敏和陈敬容的诗艺特色和精神追求的异同的分析,阐释她们伴随着女性文学的独立话语权和迥异于男性诗人的诗歌创作,对于九叶诗派的文学史意义,对西南联大校园诗风的发展和壮大,对现代主义诗歌的传承。并揭示其对于二、三十年代诗歌的继承与发展,现代女性诗歌三个十年的衍变,进而探讨现代女性诗歌的审美嬗变。
[Abstract]:The study of modern women's poetry has been neglected by the academic circles, and the only studies are mostly trivial and scattered case studies. It is difficult for women's poetry creation to enter the mainstream academic field of vision and be included in the study of literary history. There are different versions of modern Chinese literature, but few have commented on the individual chapters of modern female poets. Occasionally, most of them are introduced to Bing Xin, and other female poets have only hastily mentioned them in the social schools to which they belong. Such as the late New Moon Lin Huiyin, nine-leaf poetry of Zheng Min and Chen Jingrong, and so on. The three decades of modern poetry experienced a special historical period of the War of Resistance against Japan, which led to the political, economic and cultural divisions in China and the development of literary creation. In the flood of the times, female poets exposed the cruelty of war, the suffering of the people, and the conviction of victory. Their outstanding achievements in poetry creation can be regarded as the most mature poets in the history of modern female poetry. They are the poets Zheng Min and Chen Jingrong. Zheng Min and Chen Jingrong's poetry creation in the 1940s is the most representative of modern women's poetry. Both of them were poets of nine leaves. During the War of Resistance against Japan in the 1940s, they began to create a large number of poems and achieved outstanding results. The academic research on the two men only stays on the case study, few of them are compared as a whole. This paper analyzes the similarities and differences between Zheng Min and Chen Jingrong's poetry creation with the anti-Japanese war period in the 1940s as the background of the times. It also explores the evolution of modern women's poetry. The main body of this thesis is divided into three parts: the first part is from the rhythm of rhyme, the cognition and experiment of the two people to the rhythm and free form of poetry, the choice of symbolic image of sculpture and flow, and the creation of artistic conception. Gradually formed their own unique style of poetry and other forms of perspective, combing and explaining the two separate paths and advances in modern poetry. The second part mainly explores the spiritual pursuit in the poetry creation of Zheng Min and Chen Jingrong, from the early individual life sighing to the fate of home and country, and then thinking about the ultimate fate and value of the human universe. The third part, by analyzing the similarities and differences of the poetic characteristics and spiritual pursuits of Zheng Min and Chen Jingrong, explains their significance to the literary history of the Nine Leaf Poetry School with the independent discourse power of female literature and the poetry creation of different male poets. The development and expansion of the campus poetry style of Southwest University, the inheritance of modernist poetry. It also reveals its inheritance and development of poetry in the twenties and thirties, and the evolution of modern female poetry in three decades, and then probes into the aesthetic evolution of modern female poetry.
【学位授予单位】：江苏师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.25

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