基于虚拟现实（VR）的摄影图像研究

发布时间：2018-03-08 07:48

本文选题：虚拟现实　切入点：摄影图像　出处：《湖北美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：1965年,Sutherland在其论文《终极的显示》中首次提出了图像图形交互、体感感应设备及声音反馈等虚拟现实的基本框架,从此虚拟现实进入了人们的研究范围。并在近些年飞速发展,2016年又被称为“VR”元年(1)。在摄影领域,1970年出现了第一台自动曝光相机,随之而来的自动化照相技术使得摄影图像的获取变得越来越快捷,无需任何训练就能使相机使用者轻易获得一张相对完美曝光的照片。摄影艺术家感到了前所未有的挑战和机遇,摄影图像寻求变革的时代已经到来。20世纪70年代出现的后现代主义摄影把大量的图像虚拟技术、数字技术应用到摄影中去,虚拟图像的应用对摄影来说是革命性的,但是虚拟现实技术封闭、缺乏系统的理论知识支持,研究虚拟摄影图像的人相对较少,还处于萌芽时期。因此,加强虚拟现实(VR)的摄影图像研究势在必行。本文从四个方面来进行研究:第一从虚拟现实的理论探索出发,从国内外的权威艺术理论中找到与虚拟现实的契合点进行分析,再此基础上梳理了虚拟现实艺术不同与传统创作载体的特点,从而找到虚拟现实艺术的普遍规律。梳理传统摄影中的影像本体论,分析虚拟现实中“虚拟美学”与传统纪实摄影美学的关系,为虚拟现实结合摄影做理论上的支撑。第二分析发现摄影图像的局限性,分析虚拟现实图像的艺术特征,找到虚拟现实解决摄影图像局限性的理论支撑。第三分析虚拟现实图像的视觉元素特点,为指导虚拟现实图像实践做理论上的准备。第四通过第四通过《弟子规》艺术创作实践,从实践环节实现了虚拟现实与摄影图像的结合,寻找运用虚拟现实技术从事艺术创作的方法。虚拟现实技术\处于比较封闭的时期,本文通过虚拟现实艺术实践和理论研究,试图打破技术壁垒、梳理理论观点,为摄影艺术创作寻找新的方法,通过跨界拓展摄影艺术的表现路径,促进摄影艺术创作向前发展。
[Abstract]:In 1965, Sutherland put forward for the first time the basic framework of virtual reality, such as image and graphics interaction, somatosensory sensing device and sound feedback, in his paper "Ultimate display". Since then, virtual reality has entered the field of study. It has developed rapidly in recent years, and in 2016 it was also called the first year of "VR." in the field of photography, the first automatic exposure camera appeared in 1970. The automated photography technology that follows makes the acquisition of photographic images faster and faster. Without any training, camera users can easily obtain a relatively perfect exposure of the photo. Photography artists feel unprecedented challenges and opportunities, The era of photography image seeking change has come. The post-modernism photography that appeared in 70s of the 20th century applied a large number of image virtual technology, digital technology to photography, the application of virtual image is revolutionary to photography. But the virtual reality technology is closed, lacks the systematic theory knowledge support, studies the virtual photography image the person is relatively few, is still in the embryonic period. It is imperative to strengthen the research of virtual reality (VRV) photography image. This paper studies from four aspects: first, from the theoretical exploration of virtual reality, from the authoritative art theory at home and abroad to find out the point of convergence with virtual reality. On this basis, it combs the characteristics of virtual reality art and traditional creative carrier, and finds out the general law of virtual reality art, and combs the image ontology in traditional photography. This paper analyzes the relationship between "virtual aesthetics" and traditional documentary photography aesthetics in virtual reality, and makes theoretical support for virtual reality combination photography. Secondly, it finds out the limitations of photographic images and analyzes the artistic characteristics of virtual reality images. Find the theoretical support of virtual reality to solve the limitation of photographic image. Third, analyze the characteristics of visual elements of virtual reality image, In order to guide the virtual reality image practice in theory, 4th through 4th through the "disciple rules" art creation practice, from the practice link to realize the combination of virtual reality and photographic images, The virtual reality technology is in a relatively closed period. Through the virtual reality art practice and theoretical research, this paper tries to break down the technical barrier and sort out the theoretical point of view. To find a new method for the creation of photography art and to promote the development of the artistic creation of photography through expanding the performance path of the art of photography across the border.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TP391.9;J405

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