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海南黎族文身及其社会性

发布时间:2018-11-17 13:29
【摘要】: 在中国诸多的少数民族中,黎族聚居最为集中的海南省,其保留自身传统文化较为完整,但以文身为代表的文化遗存正在飞速的消亡中,这种在当今社会难以传承的独特民族文化,对于研究海南黎族文化历史发展、民族原始崇拜、社会制度等具有极高的价值。无论从黎族文身的施文程序、材料,还是文身的图形符号,都可以深层次的挖掘这一民族古老的民族习俗、审美意识。揭开我国最南部地区少数民族的神秘面纱,让人们不仅深入的了解黎族文身的全部内容,更可以透过文身去窥视其所带来的社会性影响与价值。 海南黎族文身的起源具有着诸多美丽悠久的传说,在具备世界其他民族文身共有的普遍性外自身也具有着独特的生存环境与宗教信仰,随着海南黎族的历史变迁,文身这一特殊文化在漫长的历史长河中存留下来,必然有其独特的功能和作用。黎族分哈、杞、润、美孚和赛五个支系,即五种方言,各方言的文身图式各不相同,比较和研究各支系的文身图式可以帮助我们分析和研究不同支系聚居区的个体特征与整体趋同,也能更好的理解文身产生及发展的功能作用。并且通过黎族文身图式的象征意义去探寻黎锦图案和相关民俗用具的装饰特征,分析文身符号对于黎锦等民族工艺的装饰性、审美性的影响,以及黎民族对图腾的信仰。使得我们能够更加清晰的对比黎族与同源民族在文身文化现象中的异同。 在研究黎族文身文化的研究过程中一个十分重要的研究方向是不能够被忽视的,那就是其社会性价值的分析。通过对于图腾崇拜、婚姻标志、求吉避邪等功能的分析及在生产工具、装饰性中的积极影响,能够归纳出海南黎族文身的审美价值,也便充分说明及验证了其客观存在的社会性价值。 由于海南黎族文身具有鲜明的不可复制性,因而通过对其调查研究后必然要思索和提出对这一独特文化的传承与保护,面对普及文化保护及观念意识淡泊的现实情况,在充分了解现有保护情况及不足的情况下,提出加大政府投入、形成保护机制,重视传统黎族文身的现实意义等主张以最大程度的保护,使得这一独特的非物质文化遗产得以延续。
[Abstract]:Among the many ethnic minorities in China, Hainan Province, where the Li nationality is most concentrated, retains its own traditional culture more completely, but the cultural relics represented by tattoos are rapidly dying out. This unique national culture, which is difficult to inherit in today's society, is of great value for the study of the historical development of Li nationality culture in Hainan, the primitive worship of nationalities and the social system. No matter from the program, material or graphic symbol of Li nationality tattoo, we can dig deep into the ancient national custom and aesthetic consciousness of this nationality. By uncovering the mystery of minority nationalities in the southernmost part of our country, people can not only understand the whole content of Li nationality tattoo, but also peek into the social influence and value brought by it through tattoos. The origin of Hainan Li nationality tattoo has many beautiful and long legends, and it also has its own unique living environment and religious belief in addition to the universality shared by other nationalities in the world, with the historical changes of Hainan Li nationality. Tattoo, a special culture, must have its unique function and function in the long history. The Li nationality is divided into five dialects: ha, Qi, run, Mei Foo and Sai, which have different tattooing schemas. Comparing and studying the tattoo schemas of different branches can help us to analyze and study the individual characteristics and the whole convergence of different branches, and can also better understand the function of tattoo generation and development. And through the symbolic meaning of Li nationality tattoo schema to explore the decorative characteristics of Li Jin pattern and related folk appliances, analyze the decorative, aesthetic impact of tattooing symbols on Li brocade and other national crafts, as well as Li nationality's belief in totem. So that we can more clearly compare the similarities and differences between the Li nationality and the homologous nationality in the phenomenon of tattoo culture. In the process of studying Li nationality tattoo culture, a very important research direction can not be ignored, that is, the analysis of its social value. Through the analysis of the functions of totem worship, marriage sign, seeking good fortune and evading evil, and the positive influence in production tools and decoration, the aesthetic value of Hainan Li tattoo can be summed up. It also fully explains and verifies its objective social value. Because the tattoos of Li nationality in Hainan are inreproducible, it is necessary to think about and put forward the inheritance and protection of this unique culture after investigation and study, and to face the reality of universal cultural protection and lack of consciousness. On the condition of fully understanding the current situation and deficiency of protection, it is proposed to increase government investment, form a protection mechanism, and attach importance to the practical significance of the traditional Li nationality tattoo in order to protect it to the greatest extent. This unique intangible cultural heritage can continue.
【学位授予单位】:苏州大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:C95

【引证文献】

相关硕士学位论文 前2条

1 潘姝雯;海南黎族服装研究及设计实践[D];北京服装学院;2010年

2 宋鹰文;文身图案设计的视觉解析[D];吉林大学;2013年



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