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唐代画直官考——兼论唐中央官署的空间布局与画直任用的关系

发布时间:2019-04-21 20:27
【摘要】:画直是唐代杂色伎术类直官之一,主要职责是写貌帝后御容、绘制功臣肖像、图记人君事迹和描绘山川风土等。唐代见诸记载的任用画直的中央官署,有秘书省、开元馆、史馆和集贤院,但仅秘书省和集贤院有正式的员额编制。从现存史料看,秘书省和集贤院分设画直,当与中央诸官署的空间布局存在功能上的对应关系,二者分工明确,各自承担本辖区中央行政部门的图绘任务。在唐代,画直属于使职差遣官,以加领虚衔的方式寓俸禄、秩品阶,系职官体系中的基层官员,但在图绘领域,却为中央行政机构提供专业支持,发挥着广泛而又不可替代的作用。
[Abstract]:Painting straightness is one of the direct officials of the Tang Dynasty, whose main duty is to write the imperial appearance, draw portraits of the emperor, record the deeds of the monarch and depict the mountains and rivers, and so on. In the Tang Dynasty, the official offices of the central government, including the secretarial province, the Kaiyuan Hall, the History Hall and the Ji Yin Court, were recorded. However, only the secretarial departments and the Ji Yin Yuan had formal staffing establishment. According to the existing historical data, the secretarial province and the Jixian Yuan have a straight drawing, and when they have a functional corresponding relationship with the spatial layout of the central government offices, the two have a clear division of labor, and each undertakes the drawing task of the central administrative department in their own jurisdiction. In the Tang Dynasty, the painting directly belonged to the grass-roots officials in the system of rank, rank and rank, but in the field of drawing, it provided professional support to the central administrative bodies. Play a wide and irreplaceable role.
【作者单位】: 华东师范大学艺术研究所;
【分类号】:D691.4

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